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E-raamat: Rising Sun, Divided Land: Japanese and South Korean Filmmakers

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 16-Jul-2013
  • Kirjastus: Wallflower Press
  • Keel: eng
  • ISBN-13: 9780231850445
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Rising Sun, Divided Land: Japanese and South Korean FilmmakersSuurem pilt
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 16-Jul-2013
  • Kirjastus: Wallflower Press
  • Keel: eng
  • ISBN-13: 9780231850445
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Rising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.

Acknowledgements vii
Introduction: Rising Sun and Divided Land 1(9)
Cinematic Japan and Korea: A Long and Turbulent History 10(15)
lm Kwon-taek and the March of Time 25(19)
Film Analysis: Chihwaseon 44(7)
Fukasaku Kinji and Beginning With a Bomb 51(14)
Film Analysis: Battle Royale 65(8)
Lee Chang-dong and the Trauma of History 73(18)
Film Analysis: Secret Sunshine 91(8)
The Legacy of a Violent Man: Kitano Takeshi 99(17)
Film Analysis: Hana-bi 116(7)
Twisted Histories: Park Chan-wook and the Legacy of Personal Trauma 123(15)
Film Analysis: Oldboy 138(8)
The Lone Woman: Kawase Naomi 146(20)
Film Analysis: Shara 166(6)
Bad Guy: Kim Ki-duk 172(16)
Film Analysis: Bad Guy 188(9)
Miike Takashi: Welcome to the Dark Side 197(14)
Film Analysis: Visitor Q 211(9)
Conclusion 220(4)
Bibliography 224(11)
Filmography & Further Viewing Suggestions 235(15)
Key Electronic Resources for Japanese and Korean Film 250(1)
Index 251
Kate E. Taylor-Jones is lecturer in visual culture at Bangor University, Wales. Her research concerns the visual culture of Japan, South Korea, and gender in visual culture. She has published widely on a variety of topics, including colonial Japanese and Korean cinema, cinema and landscape in East Asia, and domestic violence and the sex trade. She is currently working on an AHRC funded monograph study examining the colonial visual culture of Japan (1938-1945).
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