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E-raamat: Romance Rewritten: The Evolution of Middle English Romance. A Tribute to Helen Cooper

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New approaches to the everlasting malleability and transformation of medieval romance.

The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance.

Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University.

Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

Arvustused

With its variously sophisticated and insightful analyses [ this collection] makes a worthy and welcome contribution. * REVIEW OF ENGLISH STUDIES * There is not a single weak link in this excellent collection. All contributions share an interest in romance, generic transformation, and rewriting more broadly, while displaying a rich diversity of approaches and preoccupations. Romance Rewritten is easy to recommend not only to scholars of romance, but to students of Chaucer, Gower, Malory, sixteenth-century printing, or nineteenth-century medievalism as well. * STUDIES IN THE AGE OF CHAUCER * This edited collection is a well-rounded contribution to the field of medieval literary studies and oers some interesting finds and analyses of works that have been upheld as the best of medieval literature. * PARERGON * This consistently engaging collection is a fitting and deserved tribute to Helen Cooper, confirming the importance and sustained influence of her work. It offers a variety of detailed analyses that will surely be essential reading for specialists, while still remaining accessible to students. * ANGLIA * These scholars, who share with Helen Cooper an unflagging interest in the genre, have produced an outstanding volume of essays, each of which probes facets of its protean and, it must be stressed, inexhaustible nature. * ARCHIV * The thirteen essays in this volume are testament to the range and depth of her [ Helen Cooper's] contributions to the field. Collectively, the chapters highlight the multifarious connections between romances, the "family resemblances" that link texts, and the sociopolitical forces that interact with romance impulses to form innovative narratives and critical commentaries on their historical moment, all the while confronting readers with the nebulousness of the very definition of romance. * Speculum *

Notes on Contributors ix
Acknowledgements xii
Introduction. Middle English Romance: The Motifs and the Critics 1(24)
Megan G. Leitch
I Romance Disruptions
25(58)
1 Medieval Romance Mischief
27(22)
Neil Cartlidge
2 Rewriting Chivalric Encounters: Cultural Anxieties and Social Critique in the Fourteenth Century
49(18)
Marcel Elias
3 Malory's Comedy
67(16)
Christopher Cannon
II Romance and Narrative Strategies
83(70)
4 Beginning with the Ending: Narrative Techniques and their Significance in Chaucer's Knight's Tale
85(18)
Jill Mann
5 The Riddle of `Apollonius': `A Bok for King Richardes Sake'
103(12)
R. F. Yeager
6 Malory and the Post-Vulgate Cycle
115(18)
Elizabeth Archibald
7 Towards a Gestural Lexicon of Medieval English Romance
133(20)
Barry Windeatt
III Romance and Spiritual Priorities
153(54)
8 Giving Freely in Sir Cleges: The Economy of Salvation and the Gift of Romance
155(18)
Marco Nievergelt
9 From Magic to Miracle: Reframing Chevalere Assigne
173(16)
Miriam Edlich-Muth
10 Lifting the Veil: Voices, Visions, and Destiny in Malory's Morte Darthur
189(18)
Corinne Saunders
IV Late Romance
207(50)
11 The Intelligence of The Court of Love
209(20)
Ad Putter
12 The Squire of Low Degree and the Penumbra of Romance Narrative in the Early Sixteenth Century
229(12)
Julia Boffey
A. S. G. Edwards
13 Contested Chivalry: Youth at War in Walter Scott and Charlotte M. Yonge
241(16)
Andrew Lynch
Works Cited 257(28)
Index 285
List of Figures
vii
List of Contributors
ix
Acknowledgements x
Abbreviations xii
Introduction: Forms of Transmission of Medieval Romance 1(14)
Judith A. Jefferson
Ad Putter
1 King Orphius and Sir Orfeo, Scotland and England, Memory and Manuscript
15(18)
Rhiannon Purdie
2 The Metre of the Tale of Gamelyn Derek Pearsall
33(17)
3 Rhyme Royal and Romance Elizabeth Robertson
50(19)
4 The Singing of Middle English Romance: Stanza Forms and Contrafacta Ad Putter
69(22)
5 Deluxe Copies of Middle English Romance: Scribes and Book Artists
91(25)
Carol M. Meale
6 Is Cheuelere Assigne an Alliterative Poem? Thorlac Turville-Petre
116(11)
7 Language Tests for the Identification of Middle English Genre Donka Minkova
127(22)
8 The Problem of John Metham's Prosody Nicholas Myklebust
149(21)
9 The Printed Transmission of Medieval Romance from William Caxton to Wynkyn de Worde, 1473-1535 Jordi Sanchez-Marti
170(21)
10 Compiling Sacred and Secular: Sir Orfeo and the Otherworlds of Medieval Miscellanies
191(18)
Michelle De Groot
11 The Woodville Women, Eleanor Haute, and British Library Royal MS 14 E III
209(24)
Rebecca E. Lyons
Index 233
ELIZABETH ARCHIBALD is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society. MEGAN G. LEITCH is the Professor and Chair of Medieval English Literature and Culture at the University of Groningen. Corinne Saunders is Professor of Medieval Literature at the Department of English Studies, University of Durham. A. S. G. Edwards is Honorary Professor of Medieval Manuscripts at the University of Kent at Canterbury. Ad Putter is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with a particular interest in Medieval Romance texts and the works of the Gawain poet. He is currently leading a research project on the literary heritage of Anglo-Dutch relations. Corinne Saunders is Professor of Medieval Literature at the Department of English Studies, University of Durham. ELIZABETH ARCHIBALD is Professor of English Studies at Durham University, and Principal of St Cuthbert's Society. JULIA BOFFEY is Professor of Medieval Studies in the Department of English at Queen Mary University of London. NEIL CARTLIDGE is Professor in the Department of English Studies at the University of Durham, UK. R.F. YEAGER is Emeritus Professor of English Literature and Language, University of West Florida.