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ix | |
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xiii | |
| Acknowledgements |
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xx | |
| Introduction: The longitude and latitude of World Cinema |
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1 | (20) |
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21 | (244) |
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1 The cinematic and the real in contemporary Chinese cinema |
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23 | (10) |
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2 Southeast Asian independent cinema: a World Cinema movement |
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33 | (11) |
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3 Global intimacy and cultural intoxication: Japanese and Korean film in the twenty-first century |
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44 | (15) |
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4 Media refashioning: from Nollywood to New Nollywood |
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59 | (14) |
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5 Framing democracy: film in post-democracy South Africa |
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73 | (14) |
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6 Brazilian cinema on the global screen |
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87 | (10) |
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7 Transnational filmmaking in South America |
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97 | (14) |
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8 Connected in "another way": repetition, difference and identity in Caribbean cinema |
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111 | (11) |
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9 Women's (r)evolutions in Mexican cinema |
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122 | (14) |
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10 Popular cinema/quality television: the audio--visual sector in Spain |
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136 | (10) |
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11 Contemporary Scandinavian cinema: between art and commerce |
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146 | (11) |
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12 British cinemas: critical and historical debates |
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157 | (10) |
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13 Developments in Eastern European cinemas since 1989 |
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167 | (14) |
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14 Cinema at the edges of the European Union: new dynamics in the South and the East |
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181 | (11) |
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15 The non/industries of film and the Palestinian emergent film economy |
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192 | (11) |
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16 Locations and narrative reorientations in Arab cinemas/World Cinema |
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203 | (10) |
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17 The forking paths of Indian cinema: revisiting Hindi films through their regional networks |
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213 | (12) |
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18 American indie film and international art cinema: points of distinction and overlap |
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225 | (12) |
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237 | (15) |
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20 Conventions, preventions and interventions: Australasian cinema since the 1970s |
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252 | (13) |
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265 | (232) |
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21 Cinemas of citizens and cinemas of sentiment: World Cinema in flux |
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267 | (12) |
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22 Transworld cinemas: film-philosophies for world cinemas' engagement with world history |
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279 | (11) |
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23 Transnational cinema: mapping a field of study |
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290 | (9) |
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24 "Soft power" and shifting patterns of influence in global film culture |
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299 | (11) |
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25 Realist cinema as World Cinema |
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310 | (13) |
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26 Regional cinema: micro-mapping and glocalisation |
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323 | (14) |
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337 | (10) |
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28 Provincialising heterosexuality: queer style, World Cinema |
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347 | (12) |
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29 Stars across borders: the vexed question of stars' exportability |
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359 | (10) |
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30 Film fusions: the cult film in World Cinema |
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369 | (13) |
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31 Perpetual motion pictures: Sisyphean burden and the global screen franchise |
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382 | (11) |
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32 Screening World Cinema at film festivals: festivalisation and (staged) authenticity |
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393 | (11) |
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33 Cinephilia goes global: loving cinema in the post-cinematic age |
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404 | (11) |
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34 Another (hi)story?: reinvestigating the relationship between cinema and history |
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415 | (11) |
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426 | (10) |
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436 | (9) |
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37 Access and power: film distribution, re-intermediation and piracy |
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445 | (10) |
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38 The emerging global screen ecology of social media entertainment |
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455 | (12) |
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39 Remapping World Cinema through audience research |
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467 | (15) |
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40 Eyes on the future: World Cinema and transnational capacity building |
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482 | (15) |
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| Index |
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497 | |
Lisainfo e-raamatute kohta