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The term science fiction has an established common usage, but close examination reveals that writers, fans, editors, scholars, and publishers often use this word in different ways for different reasons. Exploring how science fiction has emerged through competing versions and the struggle to define its limits, this Concise History:











provides an accessible and clear overview of the development of the genre traces the separation of sf from a broader fantastic literature and the simultaneous formation of neighbouring genres, such as fantasy and horror shows the relationship between magazine and paperback traditions in sf publishing is organised by theme and presented chronologically uses text boxes throughout to highlight key works in sf traditions including dystopian, apocalyptic and evolutionary fiction includes a short overview and bullet-pointed conclusion for each chapter.

Discussing the place of key works and looking forward to the future of the genre, this book is the ideal starting point both for students and all those seeking a better understanding of science fiction.
Preface x
1 Problems of definition 1(19)
Overview
1(1)
The emergence of SF
1(3)
Enrolling SF
4(1)
Competing histories and definitions
5(2)
Edgar Allan Poe
7(3)
Jules Verne
10(3)
H.G. Wells
13(3)
The literature of cognitive estrangement
16(3)
Conclusion
19(1)
2 Science fictions before Gernsback 20(20)
Overview
20(1)
Eutopia and dystopia
20(4)
Colonial adventure fiction
24(2)
Future war
26(3)
Apocalyptic fiction
29(2)
Prehistoric and evolutionary fiction
31(2)
Science and invention
33(2)
In or out?
35(4)
Conclusion
39(1)
3 Proliferations: the 1930's 40(21)
Overview
40(1)
The origins of magazine SF
40(2)
SF in other media
42(4)
Pulp SF: space opera and beyond
46(4)
Pulp SF: women writers
50(3)
Science and social critique
53(4)
Fans and other audiences
57(3)
Conclusion
60(1)
4 Campbell's 'revolution' in context: the 1940's 61(21)
Overview
61(1)
Ordering the future
61(6)
Robots, computers and subjects
67(2)
Splitting atoms, mutating humans and encountering aliens
69(5)
Enrolling an SF 'core' and separating SF from fantasy
74(4)
Encountering the other
78(2)
Conclusion
80(2)
5 Cold war, consumerism, cybernetics: the 1950's 82(21)
Overview
82(1)
Changing times
82(3)
From hard to soft
85(2)
Consumption
87(3)
Apocalyptic fictions
90(4)
Cybernetics
94(3)
Paranoia
97(1)
Race
98(2)
From UFOs to Dianetics
100(2)
Conclusion
102(1)
6 New realities, new fictions: the 1960's and 1970's 103(23)
Overview
103(1)
Changing times
103(3)
Metafictional SF
106(4)
Swinging new visions
110(5)
Language, communication and power
115(3)
Lifestyle SF
118(4)
Anti-war SF
122(2)
Conclusion
124(2)
7 New voices, new concerns: the 1960's and 1970's 126(20)
Overview
126(1)
Race
126(7)
Feminism
133(7)
Environmentalism
140(4)
Conclusion
144(2)
8 New politics, new technologies: the 1980's and 1990's 146(19)
Overview
146(1)
Changing times
146(2)
Hard SF and the new right
148(4)
Apocalyptic fiction
152(2)
Cyberpunk and postmodernism
154(6)
Hard SF and embodiment
160(3)
Conclusion
163(2)
9 Empire and expansion: the 1980's and 1990's 165(17)
Overview
165(1)
Changing times
165(2)
Popular postmodernism
167(4)
The new space opera
171(3)
Multiculturalism and identity
174(3)
Ecological SF
177(4)
Conclusion
181(1)
10 Possible futures 182(21)
Overview
182(1)
Changing times
182(2)
Near futures
184(3)
Hard SF
187(3)
Singularity fiction
190(3)
Engaging with histories
193(3)
Globalised SF
196(2)
Alternative worlds
198(4)
Conclusion
202(1)
Works cited 203(10)
Guide to further reading 213(8)
Glossary of terms 221(4)
Index 225
University of the West of England, UK Brock University, Canada