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E-raamat: Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 21-Jun-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • Keel: eng
  • ISBN-13: 9781666906059
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 21-Jun-2022
  • Kirjastus: Lexington Books/Fortress Academic
  • Keel: eng
  • ISBN-13: 9781666906059

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Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the sacred is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.

Arvustused

This fascinating set of essays digs deep into the complexities of religions intertwining with music during an era when so many fundamental questions about the human condition were being thrown to the surface and debated. A rich feast indeed. -- Jeremy Begbie, Duke University Sacred and Secular Intersections in Music of the Long Nineteenth Century is an excellently researched, written, and edited volume, with essays spanning a broad scope of topics, genres, composers, and geographic regions. The authors challenge the conception of sacred and secular as separate compositional and performative spheres, seeing them rather as complex categories with fluid boundaries. The volume is deeply cross-disciplinary, grounded in musicology while drawing on a wealth of other fields, including theology, liturgy, philosophy, history of religion, the politics of church and state, literature, theater, visual art, and aesthetics. It provides a valuable contribution to the field of nineteenth-century studies, both in the significant new insights it contains and in the ways it points to new avenues for future research. -- Mark A. Peters, Trinity Christian College This wide-ranging collection of essays clearly demonstrates the generative potential of dialogue between musical and religious themes. The volume is fascinating, illuminating, and highly recommended! -- Stephen A. Crist, Emory University

Introduction 1(10)
Eftychia Papanikolaou
Markus Rathey
RELIGION, MUSIC, AND THE ROMANTIC IMAGINATION
11(64)
1 Music for the "Cultured Despisers" of Religion: Schleiermacher on Singing in Church and Beyond
13(18)
Joyce L. Irwin
2 The Cross and the Wanderer: From the Sacred to the Secular in the Early Nineteenth Century
31(20)
Joseph E. Morgan
3 The Sacred Looking Glass: Imaginative Children's Music as Syncretic Nexus
51(24)
Matthew Roy
SACRED AND SECULAR DRAMA ON THE STAGE
75(92)
4 Reassessing Robert Schumann's Motivations for Composing a Mass and Requiem
77(22)
Sonja Wermager
5 Spirituality and the Fugal Topos in the Secular Dramatic Works of Robert Schumann
99(22)
Christopher Ruth
6 Hieratic Iconoclasm: Liszt, Hanslick, and the Graner Festmesse
121(24)
Eftychia Papanikolaou
7 Sacred Moments in the Secular Dramatic Works of Arthur Sullivan
145(22)
Matthew Hoch
COUNTERPOINT AND CHORALE IN INSTRUMENTAL MUSIC
167(60)
8 Redeeming Chamber Music: Experiencing Solace in Mendelssohn's Late Chamber Music
169(20)
Siegwart Reichwald
9 Felix Mendelssohn's Lobgesang: "Imaginary Church Music" or a Sublime Symphony?
189(18)
Joshua A. Waggener
10 The Italian Reception in Bach's Keyboard Works and Passions: Intersections of the Sacred and the Secular
207(20)
Chiara Bertoglio
ECHOES OF THE SACRED IN FRENCH MUSIC AFTER THE REVOLUTION
227(62)
11 "The Habit Does Not Make the Monk": Rethinking Anti-Clericalism in French Revolutionary Operas-Comiques
229(22)
Callum Blackmore
12 Biblical Boulevards: Sounding the Ralliement on Parisian Popular Stages
251(18)
Jennifer Walker
13 Debussy's Religion of Art in His Trois melodies de Verlaine
269(20)
Megan Sarno
SACRED SONGS AND MEMORY IN NORTH AMERICAN MUSIC
289(64)
14 "Old 100th," Militarization, and Nostalgia during the American Civil War
291(24)
James A. Davis
15 Mourning, Judgment, and Resurrection: Christian Imagery in Reconstruction Sheet Music
315(16)
Thomas J. Kernan
16 Spirituals Share the Stage with Mozart and Beethoven: The Germany Tour of the Fisk Jubilee Singers in 1877/78 and the Responses of the German Press
331(22)
Markus Rathey
MUSIC, RITE, AND IDENTITY IN EASTERN EUROPE AND RUSSIA
353(66)
17 Veiled Allusions to the Sacred: Secular Music during the Partitions of Poland
355(18)
Bogumila Mika
18 Futurist Constructions of the Sacred: The Ballets Russes, Liturgie, and the Problem of a Musical Score
373(22)
Barbara Swanson
19 (Re)constructing Medieval Rus' in Kastalsky's Furnace Rite
395(24)
David Salkowski
Index 419(6)
About the Editors and Contributors 425
Eftychia Papanikolaou is associate professor of musicology at the College of Musical Arts at Bowling Green State University.

Markus Rathey is the Robert S. Tangeman Professor of Music History at Yale University and author of Theology, Music, and Modernity: Struggles for Freedom.