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E-raamat: SAGE Visual Methods

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In contemporary Western societies, the visual domain has come to assume a hitherto unprecedented cultural centrality. Daily life is replete with a potentially endless stream of images and other visual messages: from the electronic and paper-based billboards of the street, to the TV and Internet feeds of the home. The visual has become imbued with a symbolic potency, a signifying power that seemingly eclipses that of all other sensory data.





The central aim of this four-volume collection is to explore key approaches to visual research methods and to consider some of the core principles, issues, debates and controversies surrounding the use of visual techniques in relation to three key enterprises: 1) documentation and representation; 2) interpretation and classification and 3) elicitation and collaboration.









Volume One: Principles, Issues, Debates and Controversies in Visual Research serves as a theoretical backdrop to the field as a whole. It introduces core epistemological, ethical and methodological debates that effectively cut across the four volume collection as a whole.



Volume Two: Documentation and Representation illustrates approaches to visual documentation and representation, from classical documentaries to contemporary, state of the art modes of visual anthropology and ethnography.





Volume Three: Interpretation and Classification examines core debates surrounding and approaches to visual analysis.



Volume Four: Elicitation and Collaboration explores participative approaches to visual inquiry.
Appendix of Sources xi
Editor's Introduction: SAGE Visual Methods Jason Hughes xxi
Volume I Principles, Issues, Debates and Controversies in Visual Research
1 Trend Report: Theory and Practice of Visual Sociology
1(64)
Leonard M. Henny
2 The Use of Photographs in a Discipline of Words
65(16)
Michael S. Ball
Gregory W.H. Smith
3 The Place of Visual Data in Social Research: A Brief History
81(16)
Marcus Banks
4 Technologies of Realism? Ethnographic Uses of Photography and Film
97(26)
Mike Ball
Greg Smith
5 The Visual in Ethnography: Photography, Video, Cultures and Individuals
123(22)
Sarah Pink
6 Putting Visual Data into Focus
145(22)
Michael Emmison
Philip Smith
7 Visual Approaches: Using and Interpreting Images
167(26)
Paula Reavey
Katherine Johnson
8 Visual Sociology Reframed: An Analytical Synthesis and Discussion of Visual Methods in Social and Cultural Research
193(34)
Luc Pauwels
9 `Creative' Visual Methods in Media Research: Possibilities, Problems and Proposals
227(20)
David Buckingham
10 The Truthful Messenger: Visual Methods and Representation in Qualitative Research in Education
247(22)
Sally A.C. Galman
11 Looking at and Looking Back: Visualization in Mobile Research
269(20)
Lesley Murray
12 Participatory Research and the Philosophy of Social Science: Beyond the Moral Imperative
289(18)
Mary van der Riet
13 On a Pedagogy of Ethics in Visual Research: Who's in the Picture?
307(22)
Claudia Mitchell
14 Visual Research Ethics at the Crossroads
329(28)
Rose Wiles
Andrew Clark
Jon Prosser
15 Legal Issues of Using Images in Research
357
Jeremy Rowe
Volume II Documentation and Representation
16 Constructing Credible Images: Documentary Studies, Social Research, and Visual Studies
1(30)
Jon Wagner
17 Seeing Is Believing: The Credibility of Image-based Research and Evaluation
31(14)
Sandra Mathison
18 Working with Images in Daily Life and Police Practice: An Assessment of the Documentary Tradition
45(24)
Mike Ball
19 Picture This: Researching Child Workers
69(20)
Angela Bolton
Christopher Pole
Phillip Mizen
20 Using Photography in Studies of Immigrant Communities
89(22)
Steven J. Gold
21 Framing Photographic Ethnography: A Case Study
111(24)
Douglas Harper
22 Picturing Experience: A Tourist-Centred Perspective on Commemorative Historical Sites
135(28)
Joy Sather-Wagstaff
23 Picturing Validity: Autoethnography and the Representation of Self?
163(18)
Cate Watson
24 The Peasant and Photography
181(14)
Pierre Bourdieu
Marie-Claire Bourdieu
Loic Wacquant
Richard Nice
25 Images of Torture: Culture, Politics and Power
195(30)
Eamonn Carrabine
26 Images without Words: The Construction of Prehistoric Imaginaries for Definitions of `Us'
225(12)
Margaret W. Conkey
27 Comments on Elias's `Scenes from the Life of a Knight'
237(8)
Eric Dunning
28 Behind the Scenes: Making Research Films in Sociology
245(16)
Radhamany Sooryamoorthy
29 Work and the Moving Image: Past, Present and Future
261(6)
Jon Hindmarsh
30 Using Video to Investigate Preschool Classroom Interaction: Education Research Assumptions and Methodological Practices
267(26)
Rosie Flewitt
31 The Body and the Senses: Visual Methods, Videography and the Submarine Sensorium
293(20)
Stephanie Merchant
32 Making Sense of Place: Mapping as a Multisensory Research Method
313(26)
Kimberly Powell
33 Mediational Techniques and Conceptual Frameworks in Archaeology: A Model in `Mapwork' at Teotihuacan, Mexico
339(30)
Timothy Webmoor
34 Multimodal Ethnography
369(20)
Bella Dicks
Bambo Soyinka
Amanda Coffey
35 When Words Fail Us: Using Visual Composites in Research Reporting
389
Frank X. Sligo
Elspeth Tilley
Volume III Interpretation and Classification
36 Reading Pictures
1(12)
Marcus Banks
37 Symbolist and Structuralist Analyses of Visual Representations
13(18)
Michael S. Ball
Gregory W.H. Smith
38 Content Analysis of Visual Images
31(28)
Philip Bell
39 The Abu Ghraib Torture Photographs: News Frames, Visual Culture, and the Power of Images
59(24)
Kari Anden-Papadopoulos
40 Semiotics and Iconography
83(30)
Theo van Leeuwen
41 All Photos Lie: Images as Data
113(20)
Barry M. Goldstein
42 The Failure of "The President's Choice"
133(18)
Erina Duganne
43 Visual Meaning: A Social Semiotic Approach
151(26)
Carey Jewitt
Rumiko Oyama
44 Psychoanalysis: Visual Culture, Visual Pleasure, Visual Disruption
177(36)
Gillian Rose
45 A Therapeutic Perspective: The Use of Drawings in Child Psychoanalysis and Social Science
213(18)
Gertraud Diem-Wille
46 Mapping Visual Discourses
231(52)
Adele Clarke
47 Practices of Seeing Visual Analysis: An Ethnomethodological Approach
283(30)
Charles Goodwin
48 Quantitative Content Analysis of the Visual
313(22)
Annekatrin Bock
Holger Isermann
Thomas Knieper
49 Methodological Approaches to Disclosing Historic Photographs
335(30)
Eric Margolis
Jeremy Rowe
50 Analysing Video: Developing Preliminary Observations
365
Christian Heath
Jon Hindmarsh
Paul Luff
Volume IV Elicitation and Collaboration
51 Framing the Social World with Photo-Elicitation Interviews
1(22)
Marisol Clark-Ibanez
52 Participatory Photography as a Qualitative Approach to Obtain Insights into Farmer Groups
23(16)
Elisabeth Gotschi
Robert Delve
Bernhard Freyer
53 Breaking the Ethnographer's Frames: Reflections on the Use of Photo Elicitation in Understanding Sri Lankan Monastic Culture
39(24)
Jeffrey Samuels
54 The Framing Safety Project: Photographs and Narratives by Battered Women
63(20)
Lisa Frohmann
55 A Way into Emphathy: A `Case' of Photo-Elicitation in Illness Research
83(18)
Laura S. Lorenz
56 Photovoice: A Review of the Literature in Health and Public Health
101(30)
Caricia Catalani
Meredith Minkler
57 Photovoice as a Social Process of Critical Consciousness
131(20)
Elizabeth D. Carlson
Joan Engebretson
Robert M. Chamberlain
58 Hidden Heroines: Lone Mothers Assessing Community Health Using Photovoice
151(18)
Lynne R. Duffy
59 Promoting Policy and Environmental Change Using Photovoice in the Kaiser Permanente Community Health Initiative
169(14)
Leila Kramer
Pamela Schwartz
Allen Cheadle
J. Elaine Borton
Merrick Wright
Charlie Chase
Corina Lindley
60 Visual Storytelling: A Beneficial but Challenging Method for Health Research with Young People
183(20)
Sarah E. Drew
Rony E. Duncan
Susan M. Sawyer
61 Using Visual Methodologies to Explore Contemporary Irish Childhoods
203(18)
Allen White
Naomi Bushin
Fina Carpena-Mendez
Caitriona Ni Laoire
62 Participatory Photography: A Tool for Empowerment or Surveillance?
221(18)
Esther Prins
63 Drawing Out Emotions: The Use of Participant-Produced Drawings in Qualitative Inquiry
239(22)
Kerri S. Kearney
Adrienne E. Hyle
64 Understanding Illness: Using Drawings as a Research Method
261(22)
Marilys Guillemin
65 Graphic Elicitation: Using Research Diagrams as Interview Stimuli
283(26)
Nathan Crilly
Alan F. Blackwell
P. John Clarkson
66 Mapping Embodiment: Methodologies for Representing Pain and Injury
309(20)
Jen Tarr
Helen Thomas
67 Filming "The Closet": The Role of Video Diaries in Researching Sexualities
329(22)
Ruth Holliday
68 Collaborative Film-Making as Process, Method and Text in Mental Health Research
351(26)
Hester Parr
69 Videographic Geographies: Using Digital Video for Geographic Research
377(28)
Bradley L. Garrett
70 Geographic Information Technologies, Local Knowledge, and Change
405
Jon Corbett
Giacomo Rambaldi
Jason Hughes is Professor and Head of the School of Media, Communication and Sociology at the University of Leicester. His first book, Learning to Smoke (2003, Chicago Press), which synthesised aspects of the work of Howard Becker with that of Foucault and Elias, won the 2006 Norbert Elias prize. He has also coauthored with Ruth Simpson and Natasha Slutskaya Gender, Class and Occupation: Working Class Men Doing Dirty Work (Palgrave, 2016), and, together with Eric Dunning, Norbert Elias and Modern Sociology: Knowledge, Interdependence, Power, Process (Bloomsbury, 2013). Other works include the edited volumes Visual Methods (SAGE, 2012) and Internet Research Methods (SAGE, 2012), and coedited volumes Contemporary Approaches to Ethnographic Research (SAGE, 2018), Documentary and Archival Research (SAGE, 2016), Moral Panics in the Contemporary World (Bloomsbury, 2013), and Communities of Practice: Critical Perspectives (Routledge, 2007). His current research, funded by Cancer Research UK, is investigating the careers of adolescent e-cigarette users.