Schubert’s Workshop offers a fresh study of the composer’s compositional technique and its development, rooted in the author’s experience of realising performing versions of Franz Schubert’s unfinished works. Through close examination of Schubert’s use of technical and structural devices, Brian Newbould demonstrates that Schubert was much more technically innovative than has been supposed, and argues that the composer’s technical discoveries constitute a rich legacy of specific influences on later composers. Providing rich new insights into the creative practice of one of the major figures of classical music, this two-volume study reframes our understanding of Schubert as an innovator who constantly pushed at the frontiers of style and expression.
Schubert’s Workshop offers a fresh study of the composer’s compositional technique and its development, rooted in the author’s experience of realising performing versions of Franz Schubert’s unfinished works.
Part 2:
Chapter 24: The Wanderer Fantasy
Chapter 25: The Late Trios and Structural Serendipity
Chapter 26: A Diabelli Variation
Chapter 27: Symmetries
Chapter 28: Segmentation
Chapter 29: Cycles 1
Chapter 30: Cycles 2
Chapter 31: Counterpoint in Late Schubert
Chapter 32: Aspects of Quartet Thinking
Chapter 33: A Late Finale
Chapter 34: Process and Genre
Chapter 35: Symphony No.7
Chapter 36: Symphony No.10
Chapter 37: Symphony No.8
Chapter 38: Chamber Music
Chapter 39: Piano Sonata in C, Reliquie
Chapter 40: String Quartet D.703 Andante
Chapter 41: Symphonies D.2B and D.615
Chapter 42: Symphony in D, D.708A
Chapter 43: A Postscript to
Chapter 10
Chapter 44: Postlude
Chapter 45: Legacy
Brian Newbould is a musicologist whose completions of several unfinished symphonies and other works by Schubert are played, broadcast and recorded worldwide. He has lectured in the North and South Americas, the Antipodes, and across Europe and Scandinavia. Schuberts Workshop is his third book on this composer.
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