| Acknowledgments |
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ix | |
| Preface |
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xiii | |
| Introduction |
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1 | (18) |
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Part I Sources and critical contexts |
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1 `The Sketches for the Fourth Movement of Schumann's Second Symphony, Op. 61,' Journal of the American Musicological Society 39, 1 (1986): 143-68 |
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19 | (26) |
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2 `Ein Ruckert-Kanon als Keimzelle zu Schumanns Klavierkonzert Op. 54,' Die Musikforschung 58, 1 (2005): 28--32 |
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45 | (6) |
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3 `Schumanns Davidsbund. Geistes- und sozialgeschichtliche Voraussetzungen einer romantischen Idee,' Archiv fur Musikwissenschaft 38, 1 (1981): 1-23 |
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51 | (24) |
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4 `Schumann: Cryptographer or Pictographer?,' in Crossing Paths: Schubert, Schumann, and Brahms (Oxford: Oxford University Press, 2002), pp. 65-102 |
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75 | (48) |
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5 `Falling Asleep: Schumann, Lessing and Death in a Wunderhorn Lullaby,' Special issue Verwandlungsmusik: Uber komponierte Transfigurationen, Andreas Dorschel (ed.), Studien zur Wertungsforschung 48 (2007): 236-72 |
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123 | (38) |
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6 `Theory and Practice in Schumann's Aesthetics,' Journal of the American Musicological Society 17, 3 (1964): 310-45 |
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161 | (36) |
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7 `Frauenliebe und Leben Now and Then,' 19th-century Music 25, 1 (2001): 27--48 |
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197 | (24) |
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Part II Music criticism, literary influences |
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8 `Schumann's View of "Romantic",' The Musical Quarterly 75, 4, Anniversary Issue: Highlights from the First 75 Years (1991): 176-87 |
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221 | (12) |
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9 `Schumann in Brendel's Neue Zeitschrift fur Musik from 1845 to 1856,' in Jon W. Finson and R. Larry Todd (eds), Mendelssohn and Schumann: Essays on Their Music and its Context (Durham, North Carolina: Duke University Press, 1984), pp. 21-36 and 163--5 |
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233 | (20) |
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10 `Riickkehr zum Wort: Schumanns spate literarische Arbeiten,' in Ulrich Tadday (ed.), Musik-Konzepte Neue Folge Sonderband: Der spate Schumann (Munich: Richard Boorberg, 2006), pp. 201-12 |
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253 | (12) |
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11 `Robert Schumann's Kreisleriana and Double Novel Structure,' International Journal of Musicology 5 (1996): 131-45 |
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265 | (16) |
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12 `Explicating Jean Paul: Robert Schumann's Program for Papillons, Op. 2,' 19th-century Music 22, 2 (1998): 127--43 |
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281 | (18) |
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13 `Eichendorff's Auf einer Burg and Schumann's Liederkreis, Opus 39,' The Journal of Musicology 8, 4(1990): 569-87 |
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299 | (22) |
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Part III Performance, biography, reception history |
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14 `Schumann's Earliest Compositions and Performances,' Journal of Musicological Research 7, 2-3 (1987): 259--83 |
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321 | (26) |
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15 `The Riickert Lieder of Robert and Clara Schumann,' 19th-century Music 14, 1 (1990): 3-30 |
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347 | (28) |
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16 `Tempora mutantur oder Wie viele Metronome besaß Robert Schumann eigentlich?,' Schumann-Studien 10 (2012): 217--40 |
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375 | (26) |
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17 `Robert Schumann and Clara Wieck: A Creative Partnership,' Music & Letters 69, 2 (1988): 211-28 |
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401 | (18) |
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18 `Schumann as Manfred,' The Musical Quarterly 87, 3 (2004): 546-69 |
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419 | (26) |
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Part IV Analytical approaches |
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19 `Schumann's "Parallel" Forms,' 19th-century Music 14, 3 (1991): 265-78 |
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445 | (14) |
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20 `Robert Schumann and Sonata Forms,' 19th-century Music 18, 3 (1995): 189-210 |
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459 | (22) |
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21 `Principles of Formal Structure in Schumann's Early Piano Cycles,' Music Theory Spectrum 11, 2 (1989): 207--25 |
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481 | (20) |
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22 `Once More "Between Absolute and Program Music": Schumann's Second Symphony,' 19th-century Music 7, 3 (1984): 233-50 |
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501 | (18) |
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23 `13. Quintet in E flat Major, op. 44, for Pianoforte, Two Violins, Viola, and Violoncello (1900),' in Essays in Musical Analysis: Chamber Music (Oxford: Oxford University Press, 1944), pp. 149-54 |
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519 | (6) |
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24 `Robert Schumann's Metrical Revisions,' Music Theory Spectrum 19, 1 (1997): 35--54 |
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525 | (20) |
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| Index |
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545 | |
Lisainfo e-raamatute kohta