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xi | |
Acknowledgements |
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xiii | |
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1 | (12) |
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Research on L2 Creative Writing |
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2 | (3) |
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New Perspectives on Tracing L2 Creative Writer Identity |
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5 | (1) |
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L2 creative writers' sociocultural life histories |
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6 | (1) |
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`Writer voice' residing in the cognitive writing process |
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7 | (2) |
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9 | (1) |
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10 | (1) |
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10 | (3) |
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2 Towards a Cross-Sociocultural Analysis of Creative Writer Identities |
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13 | (32) |
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Comparative Studies on L1 and L2 Writing |
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14 | (1) |
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L2 texts and their counterparts produced by L1 writers |
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14 | (1) |
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15 | (1) |
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Cross-linguistic influence and identity constructions |
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16 | (1) |
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L2 Creative Writer Identities -- A Sociocultural Approach |
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17 | (1) |
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Conceptual movements in L2 writing studies |
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18 | (1) |
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Conceptual movements in L2 identity studies |
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19 | (2) |
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Lave and Wenger's situated learning theory: Creative writers' social localities |
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21 | (3) |
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Poststructuralist perspective: Creative writing as a self-empowering tool |
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24 | (1) |
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The agency--structure debate in identity construction |
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25 | (3) |
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The Life-Historical Autobiographical Selves: Discursive Construction of Identities |
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28 | (1) |
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The reflexive constitution of self |
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28 | (1) |
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Gu's and Gee's works and the implication for a hermeneutic model of analysis |
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29 | (2) |
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The significance of social identities in discourses |
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31 | (2) |
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The Task-Situated Writer's Voice |
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33 | (1) |
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Romantic voice vs. social voice |
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34 | (3) |
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Voice marked in texts vs. voice displayed in writers' emergent thoughts while writing |
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37 | (6) |
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43 | (2) |
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45 | (25) |
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45 | (1) |
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The ontological stance: A relational, sociocultural view of identities |
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46 | (1) |
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The epistemological stance: A sociolinguistics approach and a sociocultural psycholinguistics approach |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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In-depth interview on the L2 creative writers' sociocultural life histories |
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49 | (2) |
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Two think-aloud story writing sessions |
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51 | (4) |
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Data Analysis: The Quantitative Analysis |
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55 | (1) |
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I-statement analysis of the in-depth interviews |
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55 | (5) |
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Creative writers' sense of belonging: We- and You-statements |
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60 | (2) |
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Coding of the think-aloud utterances |
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62 | (1) |
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Data Analysis: The Qualitative Analysis |
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63 | (1) |
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63 | (5) |
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Think-aloud utterances: Knowledge construction and demonstration |
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68 | (1) |
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68 | (2) |
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4 Quantitative Analyses of the Connection between L2 Creative Writers' Autobiographical Identities and Their Creative Writing Processes |
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70 | (28) |
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Self-Positioning Tendencies in Autobiographical Identities: I-Statement Analysis |
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70 | (1) |
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Self-representations achieved through descriptions of one's actions |
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71 | (6) |
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Self-representations achieved through descriptions of one's cognition |
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77 | (2) |
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Writer Voices in Cognitive Writing Behaviours: Coding Results of the Think-Aloud Writing |
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79 | (1) |
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L2 creative writers' voices enacted in their cognitive writing processes |
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79 | (5) |
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Relationships between L2 Creative Writers' Voices and Their Autobiographical Identities |
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84 | (1) |
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Category-by-category comparisons of the four strands of writers' I-statement tendencies |
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84 | (1) |
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The Proactive-Voice Writers' and the Retroactive-Voice Writers' respective employment of the varied types of I-statements |
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85 | (5) |
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The Proactive-Voice Writers' constructions of their autobiographical identities: Assertive, self-assured and socially textured |
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90 | (4) |
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The Retroactive-Voice Writers' constructions of their autobiographical identities: Implicit, expressive and self-critical |
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94 | (3) |
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Conclusions on the Connection between Autobiographical Identities and Writer Voices |
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97 | (1) |
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5 Quantitative Analyses of Task Influences on L2 Creative Writing Processes and Their Relationship to the Writers' Autobiographical Identities |
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98 | (22) |
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Universal Task Influences on the L2 Creative Writers' Cognitive Writing Processes |
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99 | (1) |
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99 | (6) |
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Increases in the attention directed to the improvisational Composing activities |
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105 | (3) |
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Decrease in the attention directed to the metacognitive Monitoring activities |
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108 | (5) |
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Characteristic Task Influences on Writers' Voices and the Connections to the Writers' Autobiographical Identities |
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113 | (1) |
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Characteristic task influences on the Proactive-Voice and the Retroactive-Voice Writers |
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113 | (1) |
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114 | (1) |
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114 | (4) |
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The connections to the writers' autobiographical identities |
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118 | (1) |
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118 | (2) |
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6 L2 Creative Writers' Sense of Social Localities |
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120 | (27) |
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We- and You-statement analysis |
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120 | (1) |
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Creative Writers' Personalisation of Their Social Identities: L2 (or L3) Speaker Identities and Creative Writer Identities |
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121 | (1) |
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121 | (8) |
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L2 creative writer identities |
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129 | (6) |
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135 | (1) |
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L2 Creative Writers' Discursive Constructions of Their Social Localities in the In-Depth Interviews |
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135 | (1) |
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Derek's positioning in the professional CoP: An experienced secondary-school EFL teacher |
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135 | (2) |
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Maggie's self-positioning in her local creative writing interest group |
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137 | (2) |
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Fai's self-identity as a compliant L2 student writer |
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139 | (2) |
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Teng's self-positioning in the CoP of proficient L2 (or L3) speakers |
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141 | (2) |
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Teri's self-positioning in various social circles which are indispensable to her story writing practices |
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143 | (3) |
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146 | (1) |
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147 | (22) |
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Think-Aloud Utterances: Knowledge Construction and Writer Voice |
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147 | (1) |
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Derek, a proactive writer |
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148 | (3) |
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Maggie, a spontaneous but also meticulous writer |
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151 | (5) |
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Fai, a strategic and duteous writer |
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156 | (5) |
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Teng, a spontaneous and expressive writer |
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161 | (4) |
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Teri, an ideationally attentive writer |
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165 | (2) |
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Conclusion: Creative Writers' Identities Enacted in Decision-Making Moments |
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167 | (2) |
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169 | (11) |
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169 | (2) |
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Implications for L2 Creative Writing Research and L2 Writer Identity Research |
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171 | (1) |
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Implications for L2 creative writing research |
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171 | (2) |
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Implications for L2 writer identity research |
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173 | (1) |
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An Identity-Centred Relational Methodology and the Limitations of This Research |
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174 | (3) |
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Future Directions Implied by This Research for a Creative Approach to L2 Disciplinary Writing |
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177 | (3) |
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Appendix A Question List for the In-Depth Interview |
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180 | (3) |
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180 | (1) |
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180 | (1) |
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180 | (1) |
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Language-related experience |
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180 | (1) |
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180 | (1) |
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181 | (1) |
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Creative writing experience |
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182 | (1) |
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Appendix B An Illustration of the 19 Communities Established through Coding the Participants' We- and You-Statements |
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183 | (3) |
References |
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186 | (13) |
Index |
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199 | |