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E-raamat: Second Language Creative Writers: Identities and Writing Processes

  • Formaat: 216 pages
  • Sari: Second Language Acquisition
  • Ilmumisaeg: 03-Feb-2015
  • Kirjastus: Multilingual Matters
  • Keel: eng
  • ISBN-13: 9781783093021
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  • Formaat: 216 pages
  • Sari: Second Language Acquisition
  • Ilmumisaeg: 03-Feb-2015
  • Kirjastus: Multilingual Matters
  • Keel: eng
  • ISBN-13: 9781783093021

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Focusing on the notion of identity, this book elicits L2 creative writers' own perspectives of their life histories through the form of interviews and think-aloud story writing sessions, and investigates the writers' emerging writing processes. It integrates socioculturalist L2 identity studies with the typically cognitivist process-oriented L2 writing research.

This monograph investigates fifteen L2 creative writers' social constructive power in identity constructions. Through interviews and think-aloud story writing sessions, the central study considers how L2 writer voices are mediated by the writers' autobiographical identities, namely, their sense of selves formulated by their previous language learning and literacy experiences. The inquiry takes the epistemological stance that L2 creative writing is simultaneously a cognitive construct and a social phenomenon and that these two are mutually inclusive. The study contributes to L2 creative writing research and L2 learner identity research and will be of benefit to researchers, language teachers and writing instructors who wish to understand creative writing processes in order to help develop their students' positive self-esteem, confidence, motivation and engagement with the L2.

Arvustused

(Academics involved in research on writing) will value the cutting-edge research framework and the way in which the author has integrated quantitative and qualitative tools in her data collection and analysis. -- Darío Luis Banegas, University of Warwick, UK * Journal of Language, Identity & Education, 16:1 *

Muu info

This highly original book gives a penetrating account of the creative processes of second language writers. Drawing on the latest advances and research in sociocultural theory, identity theory and second language acquisition research - Zhao provides a readable yet minutely detailed account of her participants, located within their cultural contexts and personal histories. Malcolm MacDonald, University of Warwick, UK This exploration of L2 creative writers' identities and writing processes is a pedagogical mastercraft. It is cutting-edge scholarship in which writers and their writing become an L2 learning resource. The breadth and depth of Yan Zhao's study are evident in the vast traditions that her critique covers both theoretically and methodologically. Tope Omoniyi, University of Roehampton, UK
Tables and figures
xi
Acknowledgements xiii
1 Introduction
1(12)
Research on L2 Creative Writing
2(3)
New Perspectives on Tracing L2 Creative Writer Identity
5(1)
L2 creative writers' sociocultural life histories
6(1)
`Writer voice' residing in the cognitive writing process
7(2)
The Inquiry
9(1)
Analytical frameworks
10(1)
Organisation of the Book
10(3)
2 Towards a Cross-Sociocultural Analysis of Creative Writer Identities
13(32)
Comparative Studies on L1 and L2 Writing
14(1)
L2 texts and their counterparts produced by L1 writers
14(1)
Bilingual writers
15(1)
Cross-linguistic influence and identity constructions
16(1)
L2 Creative Writer Identities -- A Sociocultural Approach
17(1)
Conceptual movements in L2 writing studies
18(1)
Conceptual movements in L2 identity studies
19(2)
Lave and Wenger's situated learning theory: Creative writers' social localities
21(3)
Poststructuralist perspective: Creative writing as a self-empowering tool
24(1)
The agency--structure debate in identity construction
25(3)
The Life-Historical Autobiographical Selves: Discursive Construction of Identities
28(1)
The reflexive constitution of self
28(1)
Gu's and Gee's works and the implication for a hermeneutic model of analysis
29(2)
The significance of social identities in discourses
31(2)
The Task-Situated Writer's Voice
33(1)
Romantic voice vs. social voice
34(3)
Voice marked in texts vs. voice displayed in writers' emergent thoughts while writing
37(6)
Conclusion
43(2)
3 Methodology
45(25)
Introduction
45(1)
The ontological stance: A relational, sociocultural view of identities
46(1)
The epistemological stance: A sociolinguistics approach and a sociocultural psycholinguistics approach
47(1)
Participants
48(1)
Data Collection
49(1)
In-depth interview on the L2 creative writers' sociocultural life histories
49(2)
Two think-aloud story writing sessions
51(4)
Data Analysis: The Quantitative Analysis
55(1)
I-statement analysis of the in-depth interviews
55(5)
Creative writers' sense of belonging: We- and You-statements
60(2)
Coding of the think-aloud utterances
62(1)
Data Analysis: The Qualitative Analysis
63(1)
The in-depth interviews
63(5)
Think-aloud utterances: Knowledge construction and demonstration
68(1)
Conclusion
68(2)
4 Quantitative Analyses of the Connection between L2 Creative Writers' Autobiographical Identities and Their Creative Writing Processes
70(28)
Self-Positioning Tendencies in Autobiographical Identities: I-Statement Analysis
70(1)
Self-representations achieved through descriptions of one's actions
71(6)
Self-representations achieved through descriptions of one's cognition
77(2)
Writer Voices in Cognitive Writing Behaviours: Coding Results of the Think-Aloud Writing
79(1)
L2 creative writers' voices enacted in their cognitive writing processes
79(5)
Relationships between L2 Creative Writers' Voices and Their Autobiographical Identities
84(1)
Category-by-category comparisons of the four strands of writers' I-statement tendencies
84(1)
The Proactive-Voice Writers' and the Retroactive-Voice Writers' respective employment of the varied types of I-statements
85(5)
The Proactive-Voice Writers' constructions of their autobiographical identities: Assertive, self-assured and socially textured
90(4)
The Retroactive-Voice Writers' constructions of their autobiographical identities: Implicit, expressive and self-critical
94(3)
Conclusions on the Connection between Autobiographical Identities and Writer Voices
97(1)
5 Quantitative Analyses of Task Influences on L2 Creative Writing Processes and Their Relationship to the Writers' Autobiographical Identities
98(22)
Universal Task Influences on the L2 Creative Writers' Cognitive Writing Processes
99(1)
An overall picture
99(6)
Increases in the attention directed to the improvisational Composing activities
105(3)
Decrease in the attention directed to the metacognitive Monitoring activities
108(5)
Characteristic Task Influences on Writers' Voices and the Connections to the Writers' Autobiographical Identities
113(1)
Characteristic task influences on the Proactive-Voice and the Retroactive-Voice Writers
113(1)
The Proactive Voices
114(1)
The Retroactive Voices
114(4)
The connections to the writers' autobiographical identities
118(1)
Conclusion
118(2)
6 L2 Creative Writers' Sense of Social Localities
120(27)
We- and You-statement analysis
120(1)
Creative Writers' Personalisation of Their Social Identities: L2 (or L3) Speaker Identities and Creative Writer Identities
121(1)
L2 speaker identities
121(8)
L2 creative writer identities
129(6)
Summary
135(1)
L2 Creative Writers' Discursive Constructions of Their Social Localities in the In-Depth Interviews
135(1)
Derek's positioning in the professional CoP: An experienced secondary-school EFL teacher
135(2)
Maggie's self-positioning in her local creative writing interest group
137(2)
Fai's self-identity as a compliant L2 student writer
139(2)
Teng's self-positioning in the CoP of proficient L2 (or L3) speakers
141(2)
Teri's self-positioning in various social circles which are indispensable to her story writing practices
143(3)
Conclusion
146(1)
7 Five Focal Cases
147(22)
Think-Aloud Utterances: Knowledge Construction and Writer Voice
147(1)
Derek, a proactive writer
148(3)
Maggie, a spontaneous but also meticulous writer
151(5)
Fai, a strategic and duteous writer
156(5)
Teng, a spontaneous and expressive writer
161(4)
Teri, an ideationally attentive writer
165(2)
Conclusion: Creative Writers' Identities Enacted in Decision-Making Moments
167(2)
8 Conclusion
169(11)
The Findings
169(2)
Implications for L2 Creative Writing Research and L2 Writer Identity Research
171(1)
Implications for L2 creative writing research
171(2)
Implications for L2 writer identity research
173(1)
An Identity-Centred Relational Methodology and the Limitations of This Research
174(3)
Future Directions Implied by This Research for a Creative Approach to L2 Disciplinary Writing
177(3)
Appendix A Question List for the In-Depth Interview
180(3)
Demographic background
180(1)
Educational experience
180(1)
Professional experience
180(1)
Language-related experience
180(1)
Writing experiences
180(1)
Reading experience
181(1)
Creative writing experience
182(1)
Appendix B An Illustration of the 19 Communities Established through Coding the Participants' We- and You-Statements
183(3)
References 186(13)
Index 199
Yan Zhao is Lecturer in Applied Linguistics in the Department of English, Culture and Communication, Xijiao-Liverpool University, PR China. Her research interests include discourse analysis, L2 creative writing, L2 identity and L2 academic writing.