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E-raamat: Sensory Experiences: Exploring meaning and the senses

(Centre National de Recherches Scientifique (CNRS) Paris, France), (Junia/ISEN Lille, France), (University of Groningen, The Netherlands), (University of Orléans, France), (McGill University Montréal, Canada)
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Sensory Experiences: Exploring meaning and the senses describes the collective elaboration of a situated cognitive approach with an emphasis on the relations between language and cognition within and across different sensory modalities and practices. This approach, grounded in 40 years of empirical research, is a departure from the analytic, reductive view of human experiences as information processing.
The book is structured into two parts. Each author first introduces the situated cognitive approach from their respective sensory domains (vision, audition, olfaction, gustation). The second part is the collective effort to derive methodological guidelines respecting the ecological validity of experimental investigations while formulating operational answers to applied questions (such as the sensory quality of environments and product design).
This book will be of interest to students, researchers and practitioners dealing with sensory experiences and anyone who wants to understand and celebrate the cultural diversity of human productions that make life enjoyable!

Arvustused

This collection presents an extraordinary effort to propose a new, integrated, and revolutionary perspective on the five senses from the aspects of psychology and linguistics. The significance of Sensory Experiences is undeniable for the further explorations of sensory domains, their linguistic verbalizations, and the psychological processes involved. [ ...] This publication will certainly be of interest to researchers who are scientifically engaged with sensory domains from different disciplines, and will also motivate and interest others to perceive the senses from other aspects. -- Zorana Peric, University of Warsaw, on Linguist List 33.3604 (18 November 2022).

Acknowledgements xvii
List of boxes
xix
List of figures
xxiii
List of tables
xxv
Prologue: Making sense of and with the senses 1(6)
References 7(2)
Foreword 9(11)
References 20(3)
Part I Theoretical frameworks and some empirical results
Chapter 1 The five senses and the cognitivist approach to perception
23(44)
1.1 The five senses: Tradition, evidence and mainstream
23(6)
1.1.1 The (Western) philosophical tradition
25(2)
1.1.2 The five senses from some psychology handbooks
27(2)
1.2 Technology of sensors and psychology
29(4)
1.2.1 Instruments for measuring the physical world
30(2)
1.2.2 Instruments and psychophysics
32(1)
1.3 The digital revolution: Computers and cognitive science
33(4)
1.3.1 The emergence of a cyberworld
33(1)
1.3.2 Psychology and cognitive science
34(3)
1.4 Main concepts at work in cognitive science
37(6)
1.4.1 Information and information processing
38(1)
1.4.2 Representation and knowledge
39(1)
1.4.3 The classificatory tradition and "natural" categories
40(1)
History: The classificatory tradition
41(1)
"Natural" categories in cognitive psychology
41(2)
1.5 Sensory science and product experience
43(4)
1.5.1 Humans as instruments in sensory science
43(2)
1.5.2 Descriptors for product experience
45(2)
1.6 Language and the senses
47(6)
1.6.1 Language and cognitive science: Words and things
47(1)
1.6.2 The semiotic triad
48(2)
1.6.3 Language and thought in cognitive linguistics
50(1)
1.6.4 Word games in wording the senses
51(1)
The word "sense"
51(1)
Naming the five senses
51(2)
1.7 Back to psychology: A no man's land in cognitive science
53(2)
1.8 Structure of the book
55(5)
References
60(7)
Chapter 2 Visual experience of the road for safe driving
67(30)
2.1 Fundamental issues from behind the curtain
68(7)
2.1.1 Institutional and funding aspects of a call for proposals
68(1)
2.1.2 Rephrasing the question: Cooperation of knowledge domains
69(1)
2.1.3 The perspective of cognitive psychology
70(1)
2.1.4 Identifying categories of roads: Concepts and methods
71(1)
2.1.4.1 From natural categories to categories for roads
71(2)
2.1.4.2 The lexicon: From text units to road sections as stimuli
73(1)
2.1.4.3 From reading to driving: Designing adequate procedures
74(1)
1.2 Case studies: Re-presentations of roads for driving
75(13)
2.2.1 Visual perception and representations for action
75(1)
2.2.1.1 Material and stimuli set
75(1)
2.2.1.2 Procedure
75(1)
2.2.1.3 Participants
76(1)
2.2.1.4 Results
76(6)
2.2.2 Photos vs. drawings: Re-presentations of roads
82(1)
2.2.2.1 Experiment 2A
82(2)
2.2.2.2 Experiment 2B
84(2)
2.2.3 Stimuli properties and participants' previous knowledge
86(2)
1.3 Looking backwards from 20 years distance: Dead-ends and blooming springs
88(5)
2.3.1 Some methodological issues
88(2)
2.3.2 Beyond Rosch: Natural vs. action-centered and situated categories
90(1)
2.3.3 Knowledge and representations: Affordances and Umwelt
90(1)
2.3.4 Meaning, symbolic systems, languages, and experiential knowledge
91(2)
References
93(4)
Chapter 3 Experiencing and talking about colors
97(42)
3.1 Colors in the world and color in science
97(11)
3.1.1 Color and colors in history and physics
99(1)
3.1.1.1 From colors as pigments for painting to color as light
99(2)
3.1.1.2 Materiality and immateriality of color: Technology and color knowledge
101(2)
3.1.2 The recent heritage from cognitive science
103(1)
3.1.2.1 Color naming and categorization: Linguistic anthropology meets cognitive science
103(2)
3.1.2.2 Reconsidering Berlin and Kay's paradigm
105(3)
3.2 Case studies: Color experiences and naming in practices
108(19)
3.2.1 Color charts and color words in commercial practices
109(1)
3.2.1.1 Watercolor, oil and decoration: Artistic vs decorative paint charts
110(1)
3.2.1.2 Color charts for cosmetics: Hair dyeing, lipsticks and nail polish
111(1)
3.2.1.3 Color chips in charts for car paints
112(1)
3.2.1.4 Conclusion
112(1)
3.2.2 Color naming strategies in Palikur
113(1)
3.2.2.1 Basic color terms in Palikur?
114(1)
3.2.2.2 No name for "color"
114(2)
3.2.2.3 Identification of various color naming strategies
116(3)
3.2.2.4 Discussion and conclusions
119(3)
3.2.3 Representations of colors and car industry demands
122(1)
3.2.3.1 From an industrial demand to research questions
122(1)
3.2.3.2 Colors in the real world and in artificial reality
123(4)
3.3 Color(s): A diversity of semiotic statuses
127(6)
3.3.1 Colors as matters
127(1)
3.3.2 Colors as properties
128(1)
3.3.3 Colors of things: Essence vs. appearance
129(1)
3.3.4 Colors as signs: Indexes or symbols
130(2)
3.3.5 Color as the phenomenal property of light
132(1)
3.4 Going further
133(1)
References
134(5)
Chapter 4 Exploring soundscapes
139(30)
4.1 Background
139(10)
4.1.1 Historical overview and emergence of a scientific community
139(5)
4.1.2 Names, categories and concepts
144(1)
4.1.2.1 Lexical categories of soundscape
145(1)
4.1.2.2 Naming soundscapes in different languages
145(1)
4.1.3 From naming to meaning in discourse
146(2)
4.1.4 Conclusion on different conceptualizations of soundscapes
148(1)
4.2 How do people make sense of sounds around them
149(9)
4.2.1 Categories of isolated everyday sounds
149(2)
4.2.2 Soundscapes in individual memory
151(1)
4.2.3 Exploring soundscapes in the wild
152(2)
4.2.4 Exploring soundscape in the lab
154(1)
4.2.4.1 Ecological validity of experimental settings
155(3)
4.3 Soundscape as a hybrid concept
158(3)
4.3.1 Theories of categorization
158(1)
4.3.2 From sounds to sources and activities
159(1)
4.3.3 The challenge of working across disciplines
159(2)
4.4 Conclusion
161(2)
References
163(2)
Additional readings on soundscape research
165(4)
Chapter 5 Exploring speech experiences: Linguists, speakers, sounds and meanings
169(44)
5.1 Is speech just sounds?
170(12)
5.1.1 Speech as auditory phenomena: Categorical perception within discourse acts
175(3)
5.1.2 Speech as an acoustic object: Speech signals
178(1)
5.1.3 Representing speech sounds
179(3)
5.2 Speech in the wild: Historical landmarks in linguistic field-work
182(5)
5.3 Case study: Muylaq' Aymara
187(21)
5.3.1 Scientific positioning: Elaborating and rephrasing a research question
187(1)
Where will I perform fieldwork?
188(1)
Preparing to go from Amsterdam to Moquegua
188(1)
5.3.2 Collecting speech sounds outside of the lab
189(1)
5.3.2.1 Eliciting and recording speech sounds in the wild
189(10)
5.3.2.2 Transcribing speech sounds in the wild
199(3)
5.3.3 From collection to analysis of speech sounds
202(1)
Why not just use features of the acoustic signal?
202(1)
Why not just use the letters from (English, French) orthography?
202(4)
Improved elicitation methods
206(2)
5.4 A summary of methodological consequences
208(2)
References
210(3)
Chapter 6 Exploring and talking about music
213(36)
6.1 Is music just sounds?
213(10)
6.1.1 Music and speech vs. environmental sounds
214(2)
6.1.2 Music vs. speech
216(1)
6.1.3 Music and its instruments
217(2)
6.1.4 Music recording, storing, duplicating, and rendering
219(1)
6.1.5 Music and psychophysics
219(2)
6.1.6 Ecological validity
221(1)
6.1.7 Towards a multidisciplinary approach
222(1)
6.2 Case study: Experiencing the electric guitar
223(18)
6.2.1 Setting the stage
223(1)
6.2.1.1 Context of the study
223(1)
6.2.1.2 Research questions
224(1)
6.2.1.3 State of the art
225(2)
6.2.1.4 Stimuli and participants
227(3)
6.2.2 Listening only
230(2)
6.2.3 Listening while playing
232(1)
6.2.3.1 From one task to another
232(1)
6.2.3.2 Verbalizations and psycholinguistics: Theoretical framework
232(4)
6.2.3.3 The playing and verbalization task
236(2)
6.2.3.4 Analysis of verbalizations
238(3)
6.3 A summary of methodological consequences
241(1)
References
242(7)
Chapter 7 Smell: An unspeakable sensory experience?
249(46)
7.1 What is olfaction about?
250(2)
7.2 Odors and smells here and elsewhere
252(6)
7.2.1 Odors ans smell in academic domains
252(2)
7.2.2 Odor of death and devils, smell of life and gods
254(1)
7.2.3 Odors and smells as social markers
255(2)
7.2.4 Smell and cognition
257(1)
7.3 Categories and knowledge of odors and smells in practices
258(9)
7.3.1 The classificatory tradition of odors? or odorants?
259(1)
7.3.2 Chemistry and technology of odors
260(1)
7.3.3 Knowledges and categories for odors in (professional) practices
261(1)
7.3.3.1 Savoirs faire olfactifs: Olfactory know-how
262(1)
7.3.3.2 The new economic challenges between deodorization and odorization
262(2)
7.3.3.3 Smell, scents and expertise in perfumes
264(3)
7.4 Odors, smells: Languages and communication
267(14)
7.4.1 Between taboos and confidentiality
268(1)
7.4.2 Linguistic resources for olfactory experiences
269(1)
7.4.2.1 A first lexical inventory from dictionaries
270(1)
7.4.2.2 Word elicitation task: In search for an olfactory chart and basic odor terms
271(3)
7.4.2.3 Beyond basic odor words: Morphological and syntactic constructions
274(1)
7.4.2.4 Lexical forms and word meaning in the discourse of subjective experience
275(2)
7.4.3 Experiencing and naming odors
277(1)
7.4.3.1 Odors and "their" names: The veridical label revisited
277(4)
7.5 Case studies
281(5)
7.5.1 Odors in (public) space(s) of the real world
281(1)
7.5.1.1 Led by the nose in commercial malls
281(2)
7.5.1.2 Some "fragrances" of Paris? An olfactory walk in the Parisian subway
283(1)
7.5.2 Sensory experience in literary texts: Isotopy and interpretative course
284(2)
7.6 Theoretical, methodological and societal consequences
286(1)
References
287(8)
Chapter 8 Taste as a holisensory experience
295(38)
8.1 Taste of food and food to taste
295(12)
8.1.1 Taste and flavor
296(2)
8.1.2 What is tasted?
298(1)
8.1.3 Food and eating as cultural practices: "You are what you eat"
299(4)
8.1.4 In search for taste as the sensory experience for food
303(1)
8.1.5 Exploring taste: Evolution in sensory sciences
304(2)
8.1.6 Taste and languages
306(1)
8.2 Case studies: Taste experience and ways of tasting
307(14)
8.2.1 Ways of tasting and wording questions
308(4)
8.2.2 Let's have some drinks
312(1)
8.2.2.1 Different expertises in wine
313(2)
8.2.2.2 Consumers' experience and discourse about champagne
315(5)
8.2.3 Meaning constitution in discourse: The case of dark bread
320(1)
Earthy: The taste of a dark bread
321(4)
8.3 Conclusion
325(1)
References
326(7)
Chapter 9 From perception to sensory experiences: A paradigm shift
333(38)
9.1 Sensory experience: Main concepts at work
333(9)
9.1.1 Sensory experience as psychological invariants in memory
333(3)
9.1.2 Reconsidering the five senses: Holisensoriality
336(3)
9.1.3 Umwelt and meaning
339(3)
9.2 Sensory categories as "acts of meaning"
342(6)
9.2.1 From "natural categories" to categories as "acts of meaning"
342(2)
9.2.2 "Ad hoc" categories, embodied and situated cognition
344(1)
9.2.2.1 From "natural" to "ad hoc" categories (Barsalou)
345(1)
9.2.2.2 From Rosch to Varela: From embodiment to phenomenology
346(1)
9.2.2.3 Hutchins's distributed cognition in the "wild"
346(2)
9.3 Senses, sensors, and material culture
348(4)
9.4 Sense(s) and symbolic systems
352(7)
9.4.1 Language(s) matter(s): Signifier and signified
353(4)
9.4.2 From words to meaning constitution in discourse
357(2)
9.5 Sense(s) and knowledges
359(3)
9.5.1 Knowledge vs. knowledges
359(1)
9.5.2 Beyond dualisms: Unification of knowledges and meaning constitution
360(1)
9.5.3 From multidisciplinarity to interdisciplinarity
361(1)
References
362(9)
Part II Methodological consequences and guidelines
Chapter 10 Questioning sensory experience
371(32)
10.1 Exploring sensory experience: Revisiting some oppositions
372(11)
10.1.1 Objective/subjective: A problematic couple
373(2)
10.1.2 Worlds of senses, and objectifying subjectivity
375(1)
Lure
376(1)
Introspection
376(1)
Material culture
377(1)
Language and languages
377(3)
10.1.3 Invariance between individual singularities and collective variations
380(1)
Variations as independent variables?
381(1)
Invariants and variations in data analysis
382(1)
10.2 Methodological implications and iterative processes
383(16)
10.2.1 Rephrasing the question
384(1)
10.2.2 An interdisciplinary roadmap
384(5)
10.2.3 Reducing complexity, but not too much
389(1)
10.2.3.1 Who is concerned?: How to select the participants?
390(1)
10.2.3.2 You said "context"?: Stimulations and stimuli
391(2)
10.2.3.3 The influence of instructions and tasks
393(1)
10.2.3.4 Results and data constitution
394(1)
10.2.4 Ecological validity for the constitution of meaning
395(4)
References
399(4)
Chapter 11 Subjects or participants?
403(36)
11.1 From what is concerned to who is involved
403(15)
11.1.1 Who are they in psychological research
405(1)
11.1.1.1 The APA Publication manual
406(2)
11.1.1.2 Who are they in experimental and cognitive psychology?
408(1)
11.1.1.3 Subjects and their names in cognitive research on perception
409(4)
11.1.2 Who are they in other scientific domains?
413(1)
11.1.2.1 Naming who is concerned in linguistics and anthropology
413(3)
11.1.2.2 Human, animals and otherness
416(2)
11.2 Participants in exploring sensory experience
418(14)
11.2.1 Identifying who they are in exploring sensory experience
418(1)
11.2.1.1 In the visual domain
418(1)
11.2.1.2 In the auditory domain
419(1)
11.2.1.3 In the olfactory and gustatory domains
420(1)
11.2.2 Selecting subjects or denning participants?
421(1)
Sex, gender and sensory experiences
421(1)
Age or cultural practices at different ages?
422(1)
11.2.2.1 Previous knowledge and expertise: --. Who are the experts?
422(5)
11.2.3 Subjects + Researchers = A relation between Participants
427(1)
11.2.3.1 Interactions between individuals as beings or agents
428(1)
11.2.3.2 Relations between humans as socially situated agents
428(2)
11.2.3.3 Expectations and knowledges
430(1)
11.2.3.4 Shared expectations and intersubjective meaning
431(1)
11.3 Where epistemological prerequisites meet ethical concerns
432(1)
References
433(6)
Chapter 12 From stimulations to stimuli construction and selection
439(36)
12.1 From real life stimulations to stimuli in the laboratory
441(12)
12.1.1 A short history of Stimulus in Psychology: A forgotten debate?
441(3)
12.1.2 Stimuli and sensor technologies
444(1)
Capturing vs interpreting the world
444(1)
12.1.2.1 Visual capture and reproduction
445(3)
12.1.2.2 Auditory experience and acoustic capture and reproduction
448(2)
12.1.2.3 Olfaction and taste experiences
450(3)
12.2 From the global situation to analytic properties of stimuli
453(16)
12.2.1 Segmentation and relevant categories
454(1)
12.2.1.1 What, where, and when to cut
454(1)
12.2.1.2 In the visual domain
455(1)
12.2.1.3 In the auditory domain
456(3)
12.2.1.4 In the olfactory domain
459(1)
12.2.2 Stimuli selection
460(1)
12.2.2.1 Selecting olfactory stimuli
461(2)
12.2.2.2 Selecting auditory stimuli
463(1)
12.2.3 Construction of the stimuli set
464(1)
Familiarity
465(1)
Typicality
465(2)
Family resemblance within a stimuli set
467(1)
The internal structure of the stimuli set
467(1)
Stimuli as parts of experimental setting, for whom for what task?
468(1)
References
469(6)
Chapter 13 Procedures and outcomes
475(30)
13.1 Setting the stage
476(7)
13.1.1 Targeting sensory experience
476(1)
13.1.2 The social relation between researchers and participants
477(2)
13.1.3 Researchers and participants' a priori knowledges
479(2)
13.1.4 Playing the game "as if": Ecological laboratory settings
481(2)
13.1.5 Designing experimental settings
483(1)
13.2 Revisiting classical procedures
483(16)
13.2.1 Instructions as tuned linguistic instruments
484(1)
Eliciting experiential knowledge as autobiographical memory
484(1)
Naming what it is or expressing sensory experience
485(1)
13.2.2 Procedures and methods from social sciences
486(1)
13.2.2.1 Commented walks
487(1)
13.2.2.2 Interviews and surveys
488(3)
13.2.3 Adjusting questionnaires to sensory experience
491(1)
Concepts wording and formulation of the questions
491(1)
Genericity and specificity of the questions
492(1)
Positive / negative orientation of the questions
493(1)
Activity related questions: Cognition in practices
493(2)
Order of the questions: The induction of answers
495(1)
13.2.4 Scales and semantic differentials
496(3)
13.3 Conclusion
499(1)
References
500(5)
Chapter 14 Making sense of the outcomes
505(32)
14.1 Data as constructs
505(6)
14.1.1 The quantitative/qualitative opposition
506(1)
14.1.2 Beyond the quantitative/qualitative opposition
506(1)
14.1.2.1 New perspectives and growing alternatives
506(3)
14.1.2.2 Quantitative research, yes! but after semantic control!
509(2)
14.2 Numbers and words as embedded knowledge
511(6)
14.2.1 Numbers as amodal symbolic representations
511(2)
14.2.2 Words as forms and meaning
513(1)
Iconicity of the linguistic sign and categorization
514(1)
Motivation and morphological similarity in categorization
515(2)
14.3 Linguistic expressions for sensory experiences
517(16)
14.3.1 How can a word account for sensory experience?
517(1)
14.3.1.1 Iconicity as the sensory relation between signifier and the world
518(1)
14.3.1.2 Morphological similarities within linguistic systems
518(2)
14.3.2 Words as signified: Lexical resources for sensory analysis
520(1)
14.3.2.1 Source names as sensory words: Metonymy
520(2)
14.3.2.2 Morphosyntactic devices
522(3)
14.3.3 Sensory experiences and Words (meanings) in context
525(2)
14.3.4 Sensory experiences and knowledges in discourse
527(1)
14.3.4.1 When one word is a discourse: The locutoire/delocutoire opposition
528(1)
14.3.4.2 Personal marks
529(2)
14.3.4.3 Modality and evidentiality
531(2)
14.4 Tracking the objectivity of sensory experiences in discourse
533(1)
References
534(3)
Chapter 15 Free sorting task for exploring sensory categories
537(36)
15.1 Background
537(7)
15.1.1 A shift from the psychophysical tradition
537(2)
15.1.2 The task
539(1)
15.1.3 Free sorting tasks in psychology and sensory sciences
540(2)
15.1.4 Theoretical framework for free sorting task
542(1)
15.1.5 Free sorting task for sensory experiences
543(1)
15.2 Guidelines and recommendations
544(22)
15.2.1 Modality-specific procedure of free sorting task
544(3)
15.2.1.1 Instructions
547(1)
15.2.1.2 Stimuli selection vs. "objects" to be sorted
548(2)
15.2.1.3 Participants
550(2)
15.2.2 Output analysis
552(1)
15.2.2.1 Mathematical analysis
552(11)
15.2.2.2 Verbal analysis
563(2)
15.2.3 Reconnecting to physical description of stimuli
565(1)
15.3 Conclusions: Interests of free sorting task
566(1)
References
567(6)
Afterword 573(4)
Further readings 577(10)
Index 587