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E-raamat: Sex on Stage: Performing the Body Politic

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  • Formaat: 240 pages
  • Ilmumisaeg: 01-May-2025
  • Kirjastus: Bloomsbury Academic
  • Keel: eng
  • ISBN-13: 9781350443624
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Sex on Stage: Performing the Body PoliticSuurem pilt
  • Formaat: 240 pages
  • Ilmumisaeg: 01-May-2025
  • Kirjastus: Bloomsbury Academic
  • Keel: eng
  • ISBN-13: 9781350443624
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"This is the first collection of original essays, articles, and images from authors, activists, artists, and scholars that grapple with the explicit body and the staging of sex across multiple spaces - from burlesque to drag, to sex work to celebrity culture. This book uncovers how gender and sexuality collide on stage in dynamic, dramatic, and thought-provoking ways. By taking a broad view of sex and the stage, it tracks influences across the underground, marginalised, and the mainstream, from 'high' contemporary live art to the 'low' of entertainment. Includes interviews, memoir, photo essays, performance scripts, roundtable discussions, flash nonfiction, and the traditional essay"--

This is the first collection of original essays, articles, and images from authors, activists, artists, and scholars that grapple with the explicit body and the staging of sex across multiple spaces – from burlesque to drag, to sex work, to traditional theatre.

Sex on Stage uncovers how gender and sexuality collide on stage in dynamic, dramatic, and thought-provoking ways. By taking a broad view of sex and the stage, this book tracks influences across the underground, marginalised, and the mainstream, from 'high' contemporary live art to the 'low' of entertainment.

Across these mediums, the staging of sex pushes against decorums of respectability, instead flaunting the body to shock, to entertain, to tell stories, and to display a new kind of gender expression. The subjects and contributors included in this collection inhabit their bodies-in fact, demand the agency of the body-in self-authored ways. Gender and sexuality here are performative, and what comes into being challenges traditional constructions of both femininity and sexuality.

Arvustused

This is an engaging and wide-ranging collection, exploring several of the many facets of sex on stage. The work included here is sharp, insightful, and well-written, and the text as a whole is a pleasure to read. * Helen Hester, University of West London, UK * This edgy, innovatively structured anthology presents a multi-faceted look at the raced/classed/gendered exploration of performance, transformation, and joy. Some pieces ingeniously approximate the experience of being inside a performance. The anthology is buoyant, boisterous, challenging, sometimes furious, always moving * Lizzie Borden * A cross-stage panoply of perspectives is offered in this unique and important collection; it's a book full of individual voices, moving bodies, and generative conversations, often breaking down the boundaries between scholarship, experience, and practice. Sex on Stage is a lively, rigorous, and thought-provoking enquiry that evokes the thrills and quandaries of performance. * Katherine Angel, author of Tomorrow Sex Will Be Good Again *

Muu info

The first collection of original essays, articles, and images from authors, activists, artists, and scholars that grapple with the explicit body and the staging of sex across multiple spaces.
Acknowledgements

Setting the Stage: An Introduction

ACT I: ESSAYS

Chapter 1: Pole Dancing Academic: Decompartmentalising the Personal, Sexual
and Professional while Blending Pole Dance and Research Careers by Carolina
Are
Chapter 2: Consuming Asiatic Femininity through FoodlesqueExploring
East-Asian Exoticism through Calamity Changs Model Mi-Nori-ty Roll by Julia
Matias
Chapter 3: Selling Out: Art, Stripping, and Sexual Desire on the Public
Stage by Marissa Vigneault
Chapter 4: The Audience is My Source of Hate: Xandra Ibarra and Fucking
Whiteness by Erin Rachel Kaplan
Chapter 5: The Inheritance: Queer Sex in the Theatre of HIV/AIDS by Ash
Hudson-Myers
Chapter 6: The Only Way Out is Through VIP: Discovering Genderqueer
Identities through High Femme Strip Club Performances by Ella-Gabriel Mason
Chapter 7: The Tar Baby Principle | Experiment 0.1 A Tricksters Silence
by Ra/Malika Imhotep
Intermission I: The ELSC Files by Julie Cook

ACT II: MONOLOGUES

Chapter 8: Titillation: Radical Visibility or When I Found Out I had Cancer,
I Watched Dirty Dancing Over and Over Again by Emily Underwood-Lee
Chapter 9: "The Becoming of Miss AuroraBoobRealis: From Fourteen-Year Old
Club Kid to Co-Founder of Brown Girls Burlesque" by DawN Crandell
Chapter 10: When in Doubt, Body Roll: Stories of Stripper Accidents by
Zahra Stardust
Chapter 11: "Performing Intimate Experiences in a Black Queer Body" by
Toussaint Jeanlouis
Chapter 12: Reading Nana, Théatre des Variétés by Sharon Kivland
Chapter 13: Stripping off Shame and Revealing Hot Joy by Anna Brooke
Chapter 14: Requiem for a Strippers Suitcase by Stacey Clare
Intermission II: The Whoopee Club by Lara Clifton and Tamara Tyrer with
photos by Sarah Ainslie

ACT III: DIALOGUES

Chapter 15: What Pleasure Actually Means: An Interview with Intimacy
Director Yarit Dor by Alexander Millington with Yarit Dor
Chapter 16: Feeling Liberation: Queer Gestures Toward a World Without Rape
in Jadelynn St Dres Choreographies of Disclosure by Julia Havard and
Jadelynn St Dre
Chapter 17: The Queen of Filth: Rose Wood Comes Clean with Joe E. Jeffreys
by Joe E. Jeffreys and Rose Wood
Notes on Contributors
Alison J. Carr is an artist, mentor, and scholar. She works visually and creates performances, examining bodies on display and the contexts they perform in. She is the author of Viewing Pleasure and Being A Showgirl: How Do I Look? (2018), and of the novella The Night (2023).

Lynn Sally is a scholar and performing artist. She is the author of Neo-Burlesque: Striptease as Transformation (2022). She produces and performs as Dr. Lucky.
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