1. Goes beyond understanding shipwrecks as "dead ships" or "underwater cultural heritage" and challenges the assumptions upon which these common tropes are based. 2. Integrates art practice with archaeological and art historical theory to provide - at last - a critical assessment and theoretical backbone for the middle-aged discipline of nautical archaeology. 3. Combines art historical, archaeological, and artistic epistemologies to formulate new ways of conceptualizing and visualizing the uncanniness of shipwrecks. 4. Includes original artworks produced by the author published for the first time. Drawing on a broad theoretical range from speculative realism to feminist psychoanalysis and anti-colonialism, this book represents a radical departure from traditional scholarship on maritime archaeology. Shipwreck Hauntography asserts that nautical archaeology bears the legacy of Early Modern theological imperialism, most evident through the savior-scholar model that resurrects—physically or virtually—ships from wrecks. Instead of construing shipwrecks as dead, awaiting resurrection from the seafloor, this book presents them as vibrant if not recalcitrant objects, having shaken off anthropogenesis through varying stages of ruination. Sara Rich illustrates this anarchic condition with 'hauntographs' of five Age of 'Discovery' shipwrecks, each of which elucidates the wonder of failure and finitude, alongside an intimate brush with the eerie, horrific, and uncanny.
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