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E-raamat: Songs of Social Protest: International Perspectives

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  • Formaat: EPUB+DRM
  • Sari: Protest, Media and Culture
  • Ilmumisaeg: 30-Sep-2018
  • Kirjastus: Rowman & Littlefield International
  • Keel: eng
  • ISBN-13: 9781786601278
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  • Formaat: EPUB+DRM
  • Sari: Protest, Media and Culture
  • Ilmumisaeg: 30-Sep-2018
  • Kirjastus: Rowman & Littlefield International
  • Keel: eng
  • ISBN-13: 9781786601278

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Songs of Social Protest is a comprehensive companion guide to music and social protest globally. Bringing together scholars from a range of fields, it explores a wide range of examples of, and contexts for, songs and their performance that have been deployed as part of local, regional and global social protest movements, both in historical and contemporary times. Topics covered include:





Aesthetics Authenticity African American Music Anti-capitalism Community & Collective Movements Counter-hegemonic Discourses Critical Pedagogy Folk Music Identity Memory Performance Popular Culture



By placing historical approaches alongside cutting-edge ethnography, philosophical excursions alongside socio-political and economic perspectives, and cultural context alongside detailed, musicological, textual, and performance analysis, Songs of Social Protest offers a dynamic resource for scholars and students exploring song and singing as a form of protest.

Arvustused

From the outset the coverage of Songs of Social Protest is exciting and comprehensive. It brings to life the social, cultural and personal engagement of popular music across genres and historical periods. The book evokes the power of social struggle and the passion of musical artists who want to change the social world. -- Shane Blackman, Professor of Cultural Studies at Canterbury Christ Church University Music has a unique power. But why and how can music develop such an energy that public articulation of protest is almost unthinkable without it? Whether American 1960s folk music or Indian activist movements in the new millenium this unique collection dissects the interconnections of music and political articulation from any possible perspetive. The findings are globally more relevant than ever. -- Britta Sweers, Professor of Cultural Anthropology of Music at the University of Bern To hear the songs of social protest in this remarkable volume is to discover renewed purpose in a world whose ideals are now at greatest risk. These are the songs of local struggle and the voices of the global collective, calling us to action and sounding the ways to endow music with power in our own day and beyond. -- Philip V. Bohlman, Mary Werkman Distinguished Service Professor of Music and the Humanities, The University of Chicago Songs of Social Protest is unprecedented in its international and multidisciplinary scope. It questions any single definition of the protest song, considering sound and performance as well as lyrics. It grounds the agency of songs in social movements, organizations, socialism, feminism and the politics of self-determination. Anyone asking the question Where have all the protest songs gone? should start here. -- Nabeel Zuberi, Associate Professor in the Department of Media and Communication at the University of Auckland

Foreword: What's Going On? And What Is To Be Done? ix
Dave Randall
Introduction: Stand Up, Sing Out: The Contemporary Relevance of Protest Song 1(10)
Aileen Dillane
Martin J. Power
Amanda Haynes
Eoin Devereux
PART I PROTEST AND THE AFRICAN AMERICAN EXPERIENCE
11(50)
1 Social Protest and Resistance in African American Song: Traditions in Transformation
13(15)
Robert W. Stephens
Mary Ellen Junda
2 "You'll Never Hear Kumbaya the Same Way Again": The Diffusion and Defusion of a Freedom Song
28(16)
Robbie Lieberman
3 Billie Holiday's Popular Front Songs of Protest
44(17)
Jonathon Bakan
PART II PROTEST GENEALOGIES
61(72)
4 Songs of Social Protest, Then and Now
63(12)
William F. Danaher
5 Pete Seeger and the Politics of Participation
75(12)
Rob Rosenthal
6 The Radicalisation of Phil Ochs, the Radicalisation of the Sixties
87(13)
Anthony Ashbolt
7 Ewan MacColl's Radio Ballads as Songs of Social Protest
100(18)
Matthew Ord
8 `Message Songs are a Drag': Bob Dylan, Protesting too Much?
118(15)
Joseph O'Connor
PART III TRANSFORMING TRADITIONS
133(52)
9 Expressions of Ma `o/n'-ness in Contemporary Tahitian Popular Music
135(17)
Geoffroy Colson
10 Casteism and Cultural Capital: Social and Spiritual Reform through Kabir-Singing in North India
152(16)
Vivek Virani
11 Singing Against the Empire: Anti-structure and Anti-colonial Discourse in Nineteenth-century Irish Song
168(17)
Triona Ni Shiochdin
PART IV FREEDOM AND AUTONOMY
185(68)
12 "Organic Intellectuals": The Role of Protest Singers in the Overthrowing of the Portuguese Dictatorship (1926-1974)
187(16)
Isabel David
13 Singing Protest in Post-war Italy: Fabrizio De Andre's Songs Within the Context of Italian Canzone d'Autore
203(16)
Riccardo Orlandi
14 The Trajectory of Protest Song from Dictatorship to Democracy and the Independence Movement in Catalonia: Llufs Llach and the Catalan Nova Caned
219(15)
Nuria Borrull
15 Making the Everyday Political: The Case of Janapada Geyalu [ Folk Songs] as Protest Songs in Telangana State Formation Movement in India
234(19)
Rahul Sambaraju
PART V POLITICS, PARTICIPATION AND ACTIVISM IN THE FIELD
253(48)
16 "Freedom is a Constant Struggle": Performance and Regeneration Amidst Social Movement Decline
255(16)
Omotayo Jolaosho
17 Cultural Production as a Political Act: Two Feminist Songs from Istanbul
271(17)
Evrim Hikmet Ogut
18 Hip-Hop as Civil Society: Activism and Escapism in Uganda's Hip-Hop Scene
288(13)
Simran Singh-Grewal
PART VI SEMIOTICS, MEDIATION AND MANIPULATION
301(70)
19 BOOM! Goes the Global Protest Movement: Heavy Metal, Protest and the Televisual in System of a Down's "Boom!" Music Video
303(17)
Clare Neil King
20 Pussy Riot: Performing "Punkness," or Taking the "Riot" out of "Riot Grrrl"
320(14)
Julianne Graper
21 Camp Fascism: The Tyranny of the Beat
334(20)
Tiffany Naiman
22 Protest Songs, Social Media and the Exploitation of Syrian Children
354(17)
Guilnard Moufarrej
PART VII PROTESTING BODIES AND EMBODIMENT
371(34)
23 "Bread and Roses": A Song of Social Protest or Hollowed Out Resistance?
373(17)
Gwen Moore
24 "We Shall Overcome": Communal Participation and Entrainment in a Protest Song
390(15)
Therese Smith
PART VIII BORDERLANDS AND CONTESTED SPACES
405(48)
25 The Language We Use: Representations of Morrissey as a Figure of Protest in Queer Latino Los Angeles
407(15)
Melissa Hidalgo
26 Rising from the Ashes of "The Grove": The Efficacy and Aesthetics of Protest Songs Represented in Ry Cooder's Chavez Ravine
422(13)
Donnacha M. Toomey
27 Mariem Hassan, Nubenegna Records and the Western Saharawi Struggle
435(18)
Luis Giminez Amoros
PART IX CRITIQUING CAPITALISM AND THE NEOLIBERAL TIDE
453(54)
28 Against the Grain: Counter-Hegemonic Representations of Pre and Post "Celtic Tiger" Ireland in the `Protest' Songs of Damien Dempsey
455(18)
Aileen Dillane
Martin J. Power
Eoin Devereux
Amanda Haynes
29 Bail Out---From Now to Never---A Rhetorical Analysis of Two Songs About Economic Crisis
473(16)
Mike Hajimichael
30 The Cacophony of Critique: New Model Army's Protest Against Neoliberal Critique
489(18)
Tom Boland
PART X IDEOLOGY AND THE PERFORMER
507(54)
31 "Aesthetics of Resistance": Billy Bragg, Ideology and the Longevity of Song as Social Protest
509(16)
Martin J. Power
32 Straight to Hell: The Clash and the Politics of Left Melancholia
525(16)
Colin Coulter
33 The Truth Must be Told So I'll Tell It: Social Protest and the Folk Song in the Music of Christy Moore
541(20)
Kieran Cashell
Discography / Filmography 561(10)
Bibliography 571(79)
Index 650(20)
Contributors 670
Aileen Dillane is a Lecturer in Music at the Irish World Academy, University of Limerick, Ireland.

Martin J Power is a Lecturer in Sociology at the University of Limerick, Ireland.

Eoin Devereux is a Professor of Sociology at the University of Limerick, Ireland.

Amanda Haynes is a Senior Lecturer in Sociology at the University of Limerick, Ireland.