|
Augmented Musical Instruments and Gesture Recognition |
|
|
|
Investigation of the Harpist/Harp Interaction |
|
|
3 | (17) |
|
|
|
|
|
|
|
|
|
Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops |
|
|
20 | (21) |
|
|
|
|
|
|
|
|
|
|
|
Vibrotactile Feedback for an Open Air Music Controller |
|
|
41 | (17) |
|
|
|
|
|
|
|
Automatic Classification of Guitar Playing Modes |
|
|
58 | (14) |
|
|
|
|
|
|
|
Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performance |
|
|
72 | (17) |
|
|
|
|
|
Music and Emotions: Representation, Recognition, and Audience/Performers Studies |
|
|
|
Making Explicit the Formalism Underlying Evaluation in Music Information Retrieval Research: A Look at the MIREX Automatic Mood Classification Task |
|
|
89 | (16) |
|
|
|
On the Perception of Affect in the Singing Voice: A Study of Acoustic Cues |
|
|
105 | (17) |
|
|
|
Myriam Desainte-Catherine |
|
|
|
|
|
|
Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Framework |
|
|
122 | (29) |
|
|
|
|
|
|
|
|
|
|
Making Data Sing: Embodied Approaches to Sonification |
|
|
151 | (10) |
|
|
|
|
|
Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Space |
|
|
161 | (14) |
|
|
|
|
|
|
|
|
|
Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesis |
|
|
175 | (18) |
|
|
|
|
|
When Auditory Cues Shape Human Sensorimotor Performance |
|
|
|
Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performance |
|
|
193 | (11) |
|
|
|
|
|
Moving with Beats and Loops: The Structure of Auditory Events and Sensorimotor Timing |
|
|
204 | (14) |
|
|
|
|
|
Learning Movement Kinematics with a Targeted Sound |
|
|
218 | (16) |
|
|
|
|
|
|
|
|
|
Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometric Motor Features |
|
|
234 | (12) |
|
|
|
|
|
|
|
|
|
Richard Kronland-Martinet |
|
|
|
|
Movement Sonification for the Diagnosis and the Rehabilitation of Graphomotor Disorders |
|
|
246 | (13) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Richard Kronland-Martinet |
|
|
|
|
Music and Sound Data Mining |
|
|
|
MidiFind: Similarity Search and Popularity Mining in Large MIDI Databases |
|
|
259 | (18) |
|
|
|
|
|
|
|
|
|
|
|
Finding Repeated Patterns in Music: State of Knowledge, Challenges, Perspectives |
|
|
277 | (21) |
|
|
|
|
|
|
|
|
|
Fragmentations with Pitch, Rhythm and Parallelism Constraints for Variation Matching |
|
|
298 | (15) |
|
|
|
|
|
|
|
Predicting Agreement and Disagreement in the Perception of Tempo |
|
|
313 | (20) |
|
|
|
|
|
Interactive Sound Synthesis |
|
|
|
|
|
333 | (13) |
|
|
|
A Virtual Reality Platform for Musical Creation: GENESIS-RT |
|
|
346 | (26) |
|
|
|
|
|
|
|
|
|
|
|
Interactive Sound Texture Synthesis Through Semi-Automatic User Annotations |
|
|
372 | (21) |
|
|
|
|
|
Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound |
|
|
393 | (26) |
|
|
|
|
|
|
|
Non-stationarity, Dynamics and Mathematical Modeling |
|
|
|
The Large Time-Frequency Analysis Toolbox 2.0 |
|
|
419 | (24) |
|
|
|
|
|
|
|
|
|
|
|
Sparse Gabor Multiplier Estimation for Identification of Sound Objects in Texture Sound |
|
|
443 | (20) |
|
|
|
|
|
Waveform-Aligned Adaptive Windows for Spectral Component Tracking and Noise Rejection |
|
|
463 | (20) |
|
|
|
|
|
|
|
|
|
|
483 | (11) |
|
|
|
Changing the Interval Content of Algorithmically Generated Music Changes the Emotional Interpretation of Visual Images |
|
|
494 | (15) |
|
|
|
The Perception of Sound Movements as Expressive Gestures |
|
|
509 | (9) |
|
|
|
|
|
|
|
|
|
|
|
Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture |
|
|
518 | (17) |
|
|
|
Auditory Perception and Cognitive Inspiration |
|
|
|
Understanding Coarticulation in Musical Experience |
|
|
535 | (13) |
|
|
|
Symbolic Segmentation: A Corpus-Based Analysis of Melodic Phrases |
|
|
548 | (10) |
|
|
|
|
|
Non-Verbal Imitations as a Sketching Tool for Sound Design |
|
|
558 | (17) |
|
|
|
|
|
|
|
|
|
|
|
Influence of Rehearsal in an Auditory Memory Model for Audio Feature Estimation |
|
|
575 | (14) |
|
|
|
Modeling of Sound and Music - Computational Musicology |
|
|
|
Cognitive Similarity Grounded by Tree Distance from the Analysis of K.265/300e |
|
|
589 | (17) |
|
|
|
|
|
|
|
Group Delay Function from All-Pole Models for Musical Instrument Recognition |
|
|
606 | (13) |
|
|
|
|
|
|
|
|
|
A Multiple-Expert Framework for Instrument Recognition |
|
|
619 | (16) |
|
|
|
|
|
|
|
|
|
Syncopation as Transformation |
|
|
635 | (24) |
|
|
|
|
|
Cent Filter-Banks and its Relevance to Identifying the Main Song in Carnatic Music |
|
|
659 | (24) |
|
|
|
|
| Author Index |
|
683 | |
Lisainfo e-raamatute kohta