"Yan Lianke is a renowned writer of novels, short stories, and essays who became prominent in contemporary Chinese literature through works of fiction and literary criticism in the late 1990s. Yan's writing is provocative and nuanced, engaging Chinese history to highlight the reality of life for the people of China and to analyze the country's contributions to a worldwide literary canon. Working against increasing publication restrictions in China, Yan has sought out publishing opportunities in Hong Kong, Taiwan, and in translations from presses around the world. Sound and Silence, inspired by a series of lectures Yan gave during a North American tour and a 2014 acceptance speech for the Franz Kafka prize, encapsulates the author's groundbreaking perspectives on life, writing, and literary history. In these essays, Yan Lianke discusses how he understands his literary project, and particularly the role of literature as social commentary"--
World-renowned author of novels, short stories, and essays Yan Lianke describes his literary project, reflects on censorship in China, and his perspectives on life, writing, and literary history.
Yan Lianke is a world-renowned author of novels, short stories, and essays whose provocative and nuanced writing explores the reality of everyday life in contemporary China. In Sound and Silence, Yan compares his literary project to a blind man carrying a flashlight whose role is to help others perceive the darkness that surrounds them. Often described as China’s most censored author, Yan reflects candidly on literary censorship in contemporary China. He outlines the Chinese state’s project of national amnesia that suppresses memories of past crises and social traumas. Although being banned in China is often a selling point in foreign markets, Yan argues that there is no requisite correlation between censorship and literary quality. Among other topics, Yan also examines the impact of American literature on Chinese literature in the 1980s and 1990s. Encapsulating his perspectives on life, writing, and literary history, Sound and Silence includes an introduction by translator Carlos Rojas and an afterword by Yan.