Overture: A Tough Business |
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5 | (2) |
Prelude: Macon And Eggs |
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7 | (9) |
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ACT ONE SOUL OF THE SOUTH |
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Scene 1 Otis, Johnny, And Me |
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16 | (3) |
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Scene 2 A Simple Man From Macon |
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19 | (5) |
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Scene 3 Where I Came From |
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24 | (3) |
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Scene 4 Do You Hear The Mockingbirds? |
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27 | (4) |
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Scene 5 Separated By Race But J Not From Soul |
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31 | (7) |
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Scene 6 The Power To Melt Prejudice |
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38 | (9) |
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Scene 7 You'll Sing When Tell You To Sing |
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47 | (1) |
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Scene 8 Yeah, Man, The South Was Jumping |
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48 | (2) |
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Scene 9 Phil Awaited Those Orders And He Awaited Those Orders And He Awaited Those Orders Some More |
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50 | (6) |
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Scene 10 Get Out Of Here You Son Of A Bitch! You Trying To Hustle My Son? |
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56 | (4) |
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Scene 11 You Ain't Going To Miss That Gig, Johnnie Taylor |
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60 | (2) |
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Scene 12 You've Got Balls. What Can I Do For You? |
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62 | (3) |
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Scene 13 Give Me That Bottle And Let Me Chug Little Soul |
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65 | (2) |
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Scene 14 Shootout At The Ok Corral |
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67 | (3) |
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70 | (3) |
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Scene 16 Don't Be Writing About Dom Perignon When All You Know About Is Drinking Bud |
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73 | (4) |
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77 | (4) |
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Scene 18 When The Women Fainted, They Fell Back, And Their Heads Would Smack On Solid Wood |
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81 | (4) |
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Scene 19 Hey, Man, You Ever Hear Of Macon, Georgia? |
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85 | (1) |
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Scene 20 Got To Get Down In The South |
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86 | (11) |
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97 | (7) |
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Scene 22 We Got Them What They Wanted As Long As They Were Playing Our Records |
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104 | (5) |
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Scene 23 Seems Like I've Been Looking For Talent My Whole Life |
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109 | (6) |
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Scene 24 We Just Wanted To Find Out What It Felt Like To Hang A White Boy Out The Window |
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115 | (5) |
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Scene 25 You'll Never Give Another Enema As Long As You Live |
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120 | (3) |
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Scene 26 I Just Heard Little Richard Was At The Peacock |
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123 | (5) |
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Scene 27 You Need To Let A Thief Steal Every Once In A While To Keep Him Honest |
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128 | (3) |
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Scene 28 Got To Give Them Some Satisfaction |
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131 | (5) |
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Scene 29 The European Soul Invasion |
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136 | (3) |
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Scene 30 Monterey Pop & (Sittin' On) The Dock Of The Bay' |
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139 | (5) |
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Scene 31 If You Let Me Have Another Day |
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144 | (2) |
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Scene 32 Otis Was Superman |
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146 | (5) |
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Scene 33 Dreams Of My Best Friends |
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151 | (4) |
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155 | (3) |
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Scene 35 Machine Gun Ronnie Thompson And Staring Down Lester Maddox |
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158 | (2) |
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Scene 36 Free At Last, Free At Last, God Almighty, I'm Scared To Death! |
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160 | (6) |
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164 | (2) |
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ACT TWO A MOST SPLENDID RENAISSANCE |
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Scene 1 Longhairs, Beer, And The Hottest Guitars In The World |
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166 | (5) |
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Scene 2 Cover Of Rolling Stone? |
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171 | (3) |
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Scene 3 Temporarily Insane Due To Touring With A Rock Roll Band |
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174 | (5) |
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Scene 4 Brothers Against Brothers |
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179 | (4) |
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Scene 5 A Prayer In A Cotton Field |
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183 | (2) |
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Scene 6 The Toughest Kids In The World |
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185 | (6) |
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Scene 7 Lynyrd Skynyrd--Turn It Up! |
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191 | (5) |
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Scene 8 I'D Let Him Hear The Whistle Of a two-By-Four |
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196 | (6) |
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Scene 9 These Boys Are Night Crawlers |
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202 | (4) |
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Scene 10 A Beautiful Day In The Swamp With Gators, Tadpoles, And `Sweet Home Alabama' |
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206 | (2) |
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Scene 11 Everyone Knew They Had Just Wrangled A Monster |
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208 | (5) |
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Scene 12 Everyone In The Room Was Very Interesting And Was Very Interesting And Everything Was Very Very Interesting |
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213 | (4) |
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Scene 13 The Truth Of The Matter Is |
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217 | (4) |
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Scene 14 Taking It Over The Mountain |
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221 | (3) |
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Scene 15 Cry For The Bad Man |
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224 | (5) |
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Scene 16 Bull By The Horns |
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229 | (3) |
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Scene 17 They Got Themselves A Bird Song! |
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232 | (6) |
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Scene 18 We Got Your Ass, Clive |
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238 | (7) |
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Scene 19 They Pushed It Too Hard And Crashed In A Swamp |
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245 | (1) |
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Scene 20 The End Of My Friend Twiggs |
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246 | (1) |
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Scene 21 The Music Of Motorcycles--the Hells Angels Meet The Outlaws |
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247 | (5) |
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Scene 22 Being A Good Manager, Booking Agent, Promoter, Friend |
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252 | (3) |
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255 | (5) |
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Scene 24 The White Girls Were Getting Too Excited |
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260 | (4) |
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264 | (1) |
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265 | (3) |
Postlude: Come Close To Me And Get Warm |
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268 | (2) |
End Credits |
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270 | |