Muutke küpsiste eelistusi

E-raamat: Stanislavsky and Gender

Edited by
  • Formaat: 168 pages
  • Sari: Stanislavsky And...
  • Ilmumisaeg: 14-Mar-2025
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040315033
  • Formaat - PDF+DRM
  • Hind: 51,99 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 168 pages
  • Sari: Stanislavsky And...
  • Ilmumisaeg: 14-Mar-2025
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040315033

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. This book provides new insights through historical research, unpublished and newly translated materials, and contemporary perspectives from diverse scholars and practitioners.

Readers will gain a nuanced understanding of how gender informs and intersects with the legacy of Konstantin Stanislavsky and its related traditions from historical, feminist, pedagogical, intersectional, and queer contexts. Stanislavsky and Gender combines historical and contemporary perspectives from scholars and practitioners from the UK, Ireland, the US, Australia, Russia, and Brazil. Their contributions cover theatre histories, her-stories, emotion, feminism, pedagogy, intersectionality, race, and queerness. Following each chapter, contributors are joined in conversation to discuss their writing in a broader context.

Part of the "Stanislavsky And…" series, Stanislavsky and Gender will be invaluable to scholars, teachers, students, and practitioners interested in integrating perspectives on gender into their research, teaching, and practice of Stanislavsky's legacy and associated traditions, and theatre history, acting, directing, actor training, and pedagogy more broadly.



Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

1. Stanislavsky and the First Female Directors of the Moscow Art Theatre
Post
Chapter: Maria Ignatieva in Conversation with Rose Whyman
2. Acting
Emotional Expression and Gender Identity in Stanislavskys Approach Post
Chapter: Peta Tait in Conversation with Maria Ignatieva
3. Re-thinking
Stanislavskys System as Feminist Practice with Lisa Peck and Bella Merlin
4.
Disparities in the Stanislavsky Tradition: Imperceptible and Dispossessed
Post
Chapter: Samia La Virgne in Conversation with Maria Brígida De Miranda
5. Commingling Queerness and Stanislavsky: Developing and Practising a
Slippery Pedagogy to Shift Perspectives on Actor Training Post
Chapter: Barry
Fitzgerald in Conversation with Ray Young. Epilogue: Stanislavskis Dog by by
Spencer Wood
Mark Shields (They/Them) is a queer nonbinary Postgraduate Researcher in Actor Training Pedagogy at the School of Performance and Cultural Industries, University of Leeds, UK. Mark is also a graduate of the Royal Central School of Speech and Drama, with an MA in actor training and coaching (2016) and of the University of Leeds (2011). Mark has also trained in teaching the Uta Hagen technique with HB Studio, New York, and holds Fellowship of the Higher Education Academy.