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E-raamat: The State of the Real: Aesthetics in the Digital Age

  • Formaat: 256 pages
  • Ilmumisaeg: 24-Jan-2007
  • Kirjastus: I.B. Tauris
  • ISBN-13: 9780857725011
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  • Formaat: 256 pages
  • Ilmumisaeg: 24-Jan-2007
  • Kirjastus: I.B. Tauris
  • ISBN-13: 9780857725011
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New media, virtual reality, artificial intelligence, biotechnology, cybernetics: are the latest technologies push back the very limits of 'reality'. The nature of the real in the digital age is ever more hotly debated and the place of these debates in visual culture can hardly be overstated. Innovative and provocative, this book brings together the latest research on 'the state of the real' by practitioners and commentators across the disciplines of photography, film, media studies, critical theory and fine art. Engaging with the work of critics and thinkers as varied as Linda Nochlin, Lev Manovich and Donna Harroway, Lyotard, Baudrillard and Barthes, "The State of the Real" looks first at the different ways in which 'realism' and reality have been understood in recent art history, with a particular focus on debates about the real within photography. Emphasising the role of art in shaping, as well as reflecting, notions of the real, the book features contributions from a number of contemporary artists and showcases a new photoessay by artist Andrew Lee. The collection looks finally towards advanced technologies and the virtual world in a section which concludes with a specially commissioned contribution by acclaimed thinker Slavoj Zizek. This is an indispensable volume for students of 'the digital age' across the fields of art and photography, film, media studies and critical and visual theory.
Introduction: The State of the Real--Damian Sutton, Ray McKenzie, Susan Brind * Part I: Realism Reinvented - Ray McKenzie * Ruff, Gursky, Demand: Allegories of the Real and the Return of History--Neil Matheson * Photographic Practice, Postmodernism and the 'Irreal'--Jane Tormey * Between the Hyperrepresentational and the Hyperreal: a Sampling Sensibility--Susanne Ostby Soether * Performing the Real--Lennart van Oldenborgh * Realism in Practice--Susan Brind * Art, Representation and Responsibility: Towards s System Aesthetic--James Coupe * Real Streams--Kate Robinson * Centres (Photo essay) - Andrew Lee * The Shape of the Real--Alan Dunning and Paul Woodrow * Bioteknica--Jennifer Willet and Shawn Bailey * How Real is the Real?--Damian Sutton * Designing for Embodied Interaction: Experiencing Artefacts with and through the Body * Virtual Realities, Techno-Aesthetics and Metafictions of Digital Culture--Elizabeth Menon * The Cinematic Unreal: Re-visiting the Real/Virtual Dialectic of Cinema in the Digital Era--Jenna Ng * Science of Appearances, Politics of the Real--Slavoj Zizek
Introduction: The State of the Real--Damian Sutton, Ray McKenzie, Susan Brind * Part I: Realism Reinvented - Ray McKenzie * Ruff, Gursky, Demand: Allegories of the Real and the Return of History--Neil Matheson * Photographic Practice, Postmodernism and the 'Irreal'--Jane Tormey * Between the Hyperrepresentational and the Hyperreal: a Sampling Sensibility--Susanne Ostby Soether * Performing the Real--Lennart van Oldenborgh * Realism in Practice--Susan Brind * Art, Representation and Responsibility: Towards s System Aesthetic--James Coupe * Real Streams--Kate Robinson * Centres (Photo essay) - Andrew Lee * The Shape of the Real--Alan Dunning and Paul Woodrow * Bioteknica--Jennifer Willet and Shawn Bailey * How Real is the Real?--Damian Sutton * Designing for Embodied Interaction: Experiencing Artefacts with and through the Body * Virtual Realities, Techno-Aesthetics and Metafictions of Digital Culture--Elizabeth Menon * The Cinematic Unreal: Re-visiting the Real/Virtual Dialectic of Cinema in the Digital Era--Jenna Ng * Science of Appearances, Politics of the Real--Slavoj Zizek


Damian Sutton is Lecturer in Historical and Critical Studies at Glasgow School of Art Susan Brind is Course Leader, Mphil Art and Design in Organisational Contexts, Glasgow School of Art and is a practising artist and curator Ray McKenzie is Senior Lecturer in Historical and Critical Studies at Glasgow School of Art.