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E-raamat: Story Structure and Development: A Guide for Animators, VFX Artists, Game Designers, and XR Creators

  • Formaat: 222 pages
  • Ilmumisaeg: 25-Mar-2025
  • Kirjastus: CRC Press
  • Keel: eng
  • ISBN-13: 9781040264416
  • Formaat - PDF+DRM
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  • Formaat: 222 pages
  • Ilmumisaeg: 25-Mar-2025
  • Kirjastus: CRC Press
  • Keel: eng
  • ISBN-13: 9781040264416

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"Professor Craig Caldwell's Story Structure and Development: A Guide for Animators, VFX Artists, Game Designers, and XR Creators offers a clear approach to the essentials of story. It lays out the fundamental elements, principles, and structure for animators, designers, and artists so they can incorporate these concepts in their work. As a practical guide it includes extensive insights and advice from industry professionals. Readers will learn the universal patterns of story and narrative used in today'smovies, animation, games, and VR. Thoroughly revised and updated, the Second Edition features new film and animation examples. With over 200 colorful images, this book has been designed for visual learners, and is organized to provide access to story concepts for the screen media professional and student. Readers will discover the story fundamentals referred to by every director and producer when they say, "It's all about story""--

Professor Craig Caldwell’s Story Structure and Development provides a clear and practical approach to understanding the essentials of storytelling. This book distills fundamental elements, principles, and structures, explicitly tailored for animators, game designers, VFX artists, and XR creators, so they can seamlessly integrate these concepts into their work. It is a comprehensive guide, enriched with extensive insights and advice from industry professionals.

The thoroughly revised and updated Second Edition introduces new film and animation examples alongside over 200 vibrant images designed with today’s digital content creators in mind. Organized to enhance accessibility, this edition offers a structured approach to the story fundamentals critical to today’s movies, animation, games, and XR. Readers will gain valuable insights into the universal patterns of narrative, gaining a deeper understanding of the core story concepts that directors and producers often emphasize with the phrase, "It’s all about story."

Key Features:

  • Comprehensive Story Structure: This approach consolidates universal story frameworks across the digital media industry into a single, accessible text
  • Visual Learning: Features a wealth of illustrations and visuals that reinforce and clarify key concepts for visual learners
  • Flexible Organization: It is structured to allow readers to access sections in a non-linear manner, either for individual reference or adaptation to various teaching methodologies


This book provides a clear and practical approach to understanding the essentials of storytelling. This book distills fundamental elements, principles, and structures, explicitly tailored for animators, game designers, VFX artists, and XR creators, so they can seamlessly integrate these concepts into their work.

Part 1 Story Structure (Plot)

Chapter 1 Plot the structure

What is a Dramatic Story?

Plot what is it?

3 Act Structure

Multiple Acts

Plot Shapes

Plot Structures The Short

Structural Comparisons

What do all plots have in common?

References

Chapter 2 Setup Act I (beginning)

Types of Setup

The Opening Image

Exposition (what does the audience need to know?)

Show Dont Tell Rule

Inciting Incident (starting the story)

Whats at Stake (why an audience cares)

Story Questions (keeps the audiences watching)

End of Act I New Story World

References

Chapter 3 Conflict Act II (the middle)

What happens in the Middle?

Increasing Conflict

Types of Conflict

Turning Points/Reversals

Cause and Effect (connected events)

End of Act II Crisis

References

Chapter 4 Resolution Act III (end)

Endings for the Viewer

Climax

Resolution

Meaning

References

Chapter 5 Plot Driven Stories

Story Genres

Story Types

Only a few basic Plots

References

Part 2 Story Principles

Chapter 6 Story Components

Is Conflict necessary?

Premise What is the Story about?

Theme What does it mean?

Emotion Purpose of dramatic story

The Setting (situation)

References

Chapter 7 Story Techniques

Narrative Questions

Surprise

Suspense

Comedy

Foreshadowing Creating anticipation

References

Chapter 8 Interactive Narratives

Why Story in Games/XR?

Story versus Narrative

World Storytelling Narrative as Story World

Immersive Story(telling)?

AI & Human Storytelling?

References

Part 3 Bringing Characters to Life

Chapter 9 Character

Character - Why do we watch?

Archetypes vs. Stereotypes

Create Finding your Characters

Backstory vs. Character Profile

Identification/Empathy

Love your Characters

Villains

References

Chapter 10 Character Motivations

What does a character want?

Need - What a character really, really wants

Conflict reveals character

Character Flaws (Fatal)

Setting as Character

References

Chapter 11 Character Driven Stories

Character Stories

Fear - the Inner Journey

Choices it is why we watch

Types of Change

Character Arc

Unity of opposites

References

Part 4 Storytelling (the development)

Chapter 12 Generating Ideas

Brainstorming Ideas

Three Types of Research

Asking What If?

Clichés good or bad?

Point of View Whose story is it?

References

Chapter 13 Development

The Development process

Borrow, Adapt, Steal

Problems are at the beginning

Know your Ending

Dialogue its functions

Making the story Short

References

Chapter 14 Viewer (Audience/Player)

Meeting Viewers Expectations

Who know What? When?

Gaps the unexpected

Believability

Are Coincidences OK?

References

Chapter 15 Subverting the Story Formula

Disrupting Story Expectations

Breaking Genre Tropes & Plots

Hybrid Genres

Eastern vs. Western Storytelling

References
Craig Caldwell is USTAR (Utah Science Technology and Research) professor in digital media at the University of Utah. Having worked for Walt Disney Feature Animation and Electronic Arts games he has extensive experience in the industry approach to creating animation and games. Caldwell has been a co-founder and arts director for one of the top-ranked interactive games programs, Entertainment Arts and Engineering (EAE University of Utah) with its numerous award-winning games. He has served as head of the largest film school in AustraliaGriffith Film School, Griffith University, as well as chair of the Media Arts Department and associate director of the New Media Center at University of Arizona; as well as having been selected as a DeTao Master, Institute of Animation and Creative Content on the SIVA campus, Shanghai, China. Caldwell speaks frequently on story at major conferences such as SIGGRAPH, FMX, Mundos Digitales, industry, and universities. He earned his PhD from the Advanced Computing Center for Art and Design, Ohio State University.