On The Book Series |
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6 | (8) |
Introduction---Symbolizing Existence |
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14 | (14) |
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I A Scheme For A Fantastic Genealogy Of The Articulable |
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28 | (40) |
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32 | (4) |
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II Speech Exercises In The Third Infinity |
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36 | (4) |
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III A Genealogy Of Learning To Speak |
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40 | (1) |
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IV Understanding One Another |
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41 | (3) |
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V The Algebraic Stage Schema |
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44 | (5) |
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VI The Whole Point, 01 > 02 |
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49 | (1) |
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VII The Moving Point, 11 > 12 |
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50 | (1) |
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VIII The Mensurated Point, 51 > 52 |
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51 | (2) |
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IX The Rational Point, 02 > 03 |
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53 | (2) |
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X The Moving Point, 12 > 13 |
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55 | (3) |
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XI The Mensurated Point 52 < 53 |
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58 | (7) |
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XII The Complex Point 03 > 04 |
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65 | (3) |
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II Topologies Of An Aesthetics Of The Virtual In Music |
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68 | (30) |
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I From Classical Composition To Its Technical And Aesthetic Differentiation |
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70 | (5) |
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II Foundations Of Pythagorean Space-Time Models In Music Theory |
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75 | (3) |
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III The Mathematical Indexing Ofthe World In Music |
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78 | (3) |
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81 | (2) |
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V Hybrid Spheres-Between Analogue And Digital |
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83 | (4) |
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VI Real Virtuality Of Digital Composition |
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87 | (6) |
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IV Non-Linear Structures In Musical Reality |
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93 | (5) |
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III Media Metaphorology: Irritations In The Epistemic Field Of Media Studies |
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98 | (16) |
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IV From Pebbles To Digital Signs. The Joint Origin Of Signs For Numbers And For Script --- Their Intercultural Standardization And Their Renewed Conjunction In The Digital Era |
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114 | (14) |
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116 | (4) |
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II The Way To Effective Positional Systems |
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120 | (3) |
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III Introducing The Metric System -- Resistance To Universalization |
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123 | (2) |
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125 | (3) |
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V Foucault, Boole, And Our Deleuzean Century |
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128 | (30) |
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I Limit-Experiences In The Order Of Things |
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131 | (4) |
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135 | (4) |
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III George Boole (1815-1864) |
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139 | (7) |
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IV The Hapless Task (Continental And Analytical Philosophy) |
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146 | (5) |
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V Waking Up: Our Deleuzean Century |
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151 | (7) |
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VI A Mathematical Drama Articulating A Thing Entirely In Its Own Terms |
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158 | (54) |
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163 | (1) |
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163 | (1) |
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164 | (14) |
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IV Characterizations Of The Generic |
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178 | (3) |
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V Falling In Love With The In-Sinuousness Proper To An Economy Of Entropy |
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181 | (3) |
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184 | (5) |
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VII Characterizations Of The Master |
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189 | (13) |
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VIII Acquiring A Body-To-Think-In |
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202 | (6) |
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IX Masterpieces, And Why There Are So Few Of Them |
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208 | (4) |
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VII `on The Baroque Line: The Mind-Body Problem' And The Art Of Cryptography |
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212 | (18) |
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230 | (27) |
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236 | (1) |
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236 | (1) |
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236 | (2) |
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238 | (2) |
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240 | (2) |
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VI The Antenatal Prolific Mixture |
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242 | (4) |
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VII THE Discovery Of A Castoff Viand |
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246 | (6) |
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VIII The Quasi-Amalgamation Of A Mob |
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252 | (5) |
Image References |
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257 | |