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E-raamat: Symbolizing Existence: Metalithikum III

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Symbolizing Existence deals with the current rapidly happening deterritorialization of everything which was once regarded stable and binding. What we today regard as statistically encoded information is capable to explicate and index the entire realm of what can be expressed and represented through a cascade of geometrical, functional, or finally logified schemes. We are currently experiencing a rapid loss of grounding of that which we once considered binding in our cultural and intellectual history. How can we obtain an articulate, cultivate way of thinking about instances that does not fall back into a schematic model Platonism (thereby falling behind Plato), and that does not remain enmeshed in an Aristotelian realization dynamics with a naturalism organized by original genus, kinds, and specific marks of distinction? The central phenomenon considered was the technological process of doping material: At the quantum level, a particle or its representation, the point, is no longer that which has no parts (Euclid).
On The Book Series 6(8)
Introduction---Symbolizing Existence 14(14)
I A Scheme For A Fantastic Genealogy Of The Articulable
28(40)
Ludger Hovestadt
I A Love Affair
32(4)
II Speech Exercises In The Third Infinity
36(4)
III A Genealogy Of Learning To Speak
40(1)
IV Understanding One Another
41(3)
V The Algebraic Stage Schema
44(5)
VI The Whole Point, 01 > 02
49(1)
VII The Moving Point, 11 > 12
50(1)
VIII The Mensurated Point, 51 > 52
51(2)
IX The Rational Point, 02 > 03
53(2)
X The Moving Point, 12 > 13
55(3)
XI The Mensurated Point 52 < 53
58(7)
XII The Complex Point 03 > 04
65(3)
II Topologies Of An Aesthetics Of The Virtual In Music
68(30)
Michael Harenberg
I From Classical Composition To Its Technical And Aesthetic Differentiation
70(5)
II Foundations Of Pythagorean Space-Time Models In Music Theory
75(3)
III The Mathematical Indexing Ofthe World In Music
78(3)
IV On Digital Beauty
81(2)
V Hybrid Spheres-Between Analogue And Digital
83(4)
VI Real Virtuality Of Digital Composition
87(6)
IV Non-Linear Structures In Musical Reality
93(5)
III Media Metaphorology: Irritations In The Epistemic Field Of Media Studies
98(16)
Georg Christoph Tholen
IV From Pebbles To Digital Signs. The Joint Origin Of Signs For Numbers And For Script --- Their Intercultural Standardization And Their Renewed Conjunction In The Digital Era
114(14)
Gert Schubring
I Mesopotamia
116(4)
II The Way To Effective Positional Systems
120(3)
III Introducing The Metric System -- Resistance To Universalization
123(2)
IV The Digital Era
125(3)
V Foucault, Boole, And Our Deleuzean Century
128(30)
Gordon C.F. Bearn
I Limit-Experiences In The Order Of Things
131(4)
II Broaching Boole
135(4)
III George Boole (1815-1864)
139(7)
IV The Hapless Task (Continental And Analytical Philosophy)
146(5)
V Waking Up: Our Deleuzean Century
151(7)
VI A Mathematical Drama Articulating A Thing Entirely In Its Own Terms
158(54)
Vera Buhlmann
I A Spectrograph
163(1)
II The Spectrometer
163(1)
III The Generic
164(14)
IV Characterizations Of The Generic
178(3)
V Falling In Love With The In-Sinuousness Proper To An Economy Of Entropy
181(3)
VI The Master
184(5)
VII Characterizations Of The Master
189(13)
VIII Acquiring A Body-To-Think-In
202(6)
IX Masterpieces, And Why There Are So Few Of Them
208(4)
VII `on The Baroque Line: The Mind-Body Problem' And The Art Of Cryptography
212(18)
Gregg Lambert
VIII Nudged Viands
230(27)
David Schildberger
I The Cosmos
236(1)
II The Realm
236(1)
III The Machine
236(2)
IV The Ecology
238(2)
V The Obstacle
240(2)
VI The Antenatal Prolific Mixture
242(4)
VII THE Discovery Of A Castoff Viand
246(6)
VIII The Quasi-Amalgamation Of A Mob
252(5)
Image References 257
Ludger Hovestadt, ETH Zürich; Vera Bühlmann, ETH Zürich