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E-raamat: Syntactic Dislocation in English Congregational Song between 1500 and 1900: A Corpus-based Study

  • Formaat: EPUB+DRM
  • Sari: English Corpus Linguistics 14
  • Ilmumisaeg: 07-Jul-2014
  • Kirjastus: Peter Lang AG
  • Keel: eng
  • ISBN-13: 9783653994414
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Syntactic Dislocation in English Congregational Song between 1500 and 1900: A Corpus-based StudySuurem pilt
  • Formaat: EPUB+DRM
  • Sari: English Corpus Linguistics 14
  • Ilmumisaeg: 07-Jul-2014
  • Kirjastus: Peter Lang AG
  • Keel: eng
  • ISBN-13: 9783653994414
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A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.
Spelling conventions 1(1)
Abbreviations 1(1)
1 Introduction 1(10)
1.1 Aims of this study
4(1)
1.2 Limits of this study
4(1)
1.3 This study in the context of previous research
5(2)
1.4 The structure of this thesis
7(4)
2 Syntactic Dislocation 11(24)
2.1 The nomenclature of this study
11(4)
2.2 The constituent order of English
15(4)
2.2.1 Old English
16(1)
2.2.2 Middle English
16(2)
2.2.3 Early Modern English
18(1)
2.2.4 Present Day English
19(1)
2.2.5 Summary
19(1)
2.3 Definition and subtypes of syntactic dislocation
19(14)
2.3.1 Definition of syntactic dislocation
20(2)
2.3.2 The syntactic dislocation of objects
22(2)
2.3.3 The syntactic dislocation of complements
24(3)
2.3.3.1 The dislocation of the subject complement
25(1)
2.3.3.2 The dislocation of the object complement
26(1)
2.3.4 The syntactic dislocation of obligatory adverbials
27(4)
2.3.5 Evidence from contemporaries
31(2)
2.4 Summary
33(2)
3 Poetic Factors and Rhetorical Devices 35(22)
3.1 Metre
36(6)
3.1.1 Classification
37(2)
3.1.2 Variability in the syllable structure of words
39(1)
3.1.3 How to assess metrical constraints
40(2)
3.2 Rhyme
42(6)
3.2.1 Classification
42(3)
3.2.2 Pronunciation matters
45(2)
3.2.3 How to assess dislocations due to rhyme
47(1)
3.3 Figures of Speech
48(5)
3.3.1 Hyperbaton
49(1)
3.3.2 Parallelism
50(1)
3.3.3 Chiasmus
51(1)
3.3.4 Emphasis
52(1)
3.4 The mystery of biblical Hebrew poetry
53(3)
3.5 Summary
56(1)
4 The History of Congregational Singing in England 57(34)
4.1 "there may be songe an hymne, or such tyke songe" - Some terminological issues
59(7)
4.1.1 The Song
59(1)
4.1.2 The Hymn
59(3)
4.1.3 Psalms and their metrical paraphrases
62(2)
4.1.4 The Canticle
64(1)
4.1.5 Definition of congregational song
64(1)
4.1.6 Terminological confusion
65(1)
4.2 Metrical Psalms in England before the Reformation
66(2)
4.3 'Hardware reset' - The impact of the Reformation on English congregational song
68(2)
4.4 Metrical Psalmody - The musical reformation of congregational song in the 16th century
70(2)
4.5 "Out-Sternholding Sternhold" - The 17th century between the Old and the New Version
72(5)
4.6 From Watts to Wesley - The subtle beginning of hymn singing in the 18th century
77(4)
4.7 Hymns Ancient and Modern - Preserving and remodelling hymns in the 19th century
81(4)
4.8 "20th-Century Blues" - The legacy of hymnody, and the 'Hymn Explosion'
85(1)
4.9 "like a crack'd saints' bell jarring in the steeple" - The relationship between text and music
85(3)
4.10 Summary
88(3)
5 The Corpus of Congregational Song 91(26)
5.1 Compilation of the corpus
92(4)
5.1.1 Design parameters
92(2)
5.1.2 Word count
94(1)
5.1.3 Selection criteria of authors and texts
95(1)
5.2 Description of the corpus
96(19)
5.2.1 Overview
96(3)
5.2.2 Description of selected authors and songbooks
99(14)
5.2.2.1 The 16th century
99(3)
5.2.2.2 The 17th century
102(3)
5.2.2.3 The 18th century
105(4)
5.2.2.4 The 19th century
109(4)
5.2.3 Chronological gaps and clusters
113(2)
5.3 Summary
115(2)
6 Analysis 117(80)
6.1 Methodological and terminological preliminaries
118(8)
6.1.1 Statistical methods
119(3)
6.1.1.1 Percentage calculation: Identifying the basic population
119(1)
6.1.1.2 Other statistical terminology
120(1)
6.1.1.3 Statistical significance of the data
120(1)
6.1.1.4 Correlation analysis
121(1)
6.1.2 Exceptions from the counting process
122(4)
6.1.2.1 Counting dislocated objects
122(1)
6.1.2.2 Counting dislocated complements
123(1)
6.1.2.3 Counting dislocated adverbials
124(1)
6.1.2.4 Split constituents
125(1)
6.2 Overall results
126(11)
6.2.1 The 16th century
128(1)
6.2.2 The 17th century
129(2)
6.2.3 The 18th century
131(3)
6.2.4 The 19th century
134(2)
6.2.5 The complete chronology
136(1)
6.3 The impact of poetic factors and rhetorical devices
137(9)
6.3.1 Metre and rhyme
137(5)
6.3.2 Rhetorical devices
142(4)
6.4 Syntactic analyses
146(36)
6.4.1 The three subtypes of syntactic dislocation
146(6)
6.4.2 Constituent order
152(7)
6.4.3 The role of auxiliaries
159(8)
6.4.4 The length of the dislocated constituent
167(6)
6.4.5 The internal phrase structure of the dislocated constituent
173(9)
6.4.5.1 The phrase structure of dislocated objects
173(5)
6.4.5.2 The phrase structure of dislocated complements
178(2)
6.4.5.3 The phrase structure of dislocated obligatory adverbials
180(2)
6.5 The connection between syntactic criteria and poetic factors
182(8)
6.5.1 Object dislocation revisited
183(3)
6.5.2 Complement dislocation revisited
186(1)
6.5.3 Dislocation of obligatory adverbials revisited
187(3)
6.6 Summary
190(7)
7 Comparison: Syntactic dislocation in other genres 197(22)
7.1 Possible origins
200(8)
7.1.1 English Bible translations
201(2)
7.1.2 Middle English verse
203(3)
7.1.3 Early Modern English verse: ballads
206(2)
7.2 Object dislocation in Early and Late Modern English secular poetry
208(5)
7.3 Summary
213(6)
8 Conclusion 219(10)
8.1 Syntactic dislocation in congregational song
219(4)
8.2 Syntactic dislocation and religious language
223(2)
8.3 The results of this study in the light of corpus and text linguistics
225(2)
8.4 Outlook
227(2)
Appendices 229(14)
Appendix A
230(4)
Appendix B
234(5)
Appendix C
239(2)
Appendix D
241(2)
List of References 243
Kirsten Gather graduated in Musicology, English philology, and Theatre, Film, and Television studies at the University of Cologne. She works as a researcher at the English department of the University of Cologne. Her research interests include historical linguistics, corpus linguistics and hymnology.
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