Muutke küpsiste eelistusi

E-raamat: Tatian's Diatessaron: Composition, Redaction, Recension, and Reception

(Associate Professor of New Testament, Western Kentucky University, USA)
  • Formaat - EPUB+DRM
  • Hind: 64,41 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

In the late-second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived 'out of the four' eventually canonical Gospels. Though it circulated widely for centuries, the
Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at
reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies.

Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witnesses according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite
many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension
to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one
of early Christianity's most elusive texts.

Arvustused

Barker has familiarized himself with dozens of manuscript witnesses in Latin, Dutch, German, English, and Italian dialects from microfilms and digital images, many of them unpublished. This is a huge step toward having an informed discussion about extant medieval Western harmony sources and their filiation. Barker is to be praised and applauded for making this effort. * Ulrich B. Schmid, Kirchlichen Hochschule Wuppertal/Bethel, Review of Biblical Literature * Barker's study takes the field in exactly the direction I have envisioned it should go. In just a matter of years, Barker has produced a tour-de-force that I had imagined it would take a lifetime to complete. All future research on the Diatessaron, including my own, will refer back to this seminal study. * Nicholas J. Zola, Pepperdine University, Journal of Theological Studies * Barker's work is important, especially for specialists in Diatessaronic studies. However, for those new to the discipline it is a highly important work which will make readers aware of the current state of research and the difficult and contested issues that surround this topic. As such it is a fine piece of scholarship that will, no doubt, have enduring value. * Paul Foster, University of Edinburgh, Expository Times * This careful and succinct study offers an important contribution to our understanding of how Tatian created his mind-boggling text, while also tracing, sometimes controversially, the twists and turns of its ongoing development and reception. * Alan Garrow, Journal for the Study of the New Testament * Barker has produced a tour-de-force that I had imagined it would take a lifetime to complete. All future research on the Diatessaron, including my own, will refer back to this seminal study. * Nicholas J Zola, Journal of Theological Studies *

List of Abbreviations
ix
Introduction 1(6)
1 An Overview of Diatessaron Witnesses
7(22)
1.1 Eastern Witnesses
7(2)
1.2 Western Witnesses
9(9)
1.3 Unrelated and Distantly Related Harmonies
18(4)
1.4 The Dura Europos Fragment as a Bridge between East and West
22(6)
1.5 Summary
28(1)
2 Tatian's Compositional Practices
29(15)
2.1 Mental Processes and Material Production
29(10)
2.2 How Long was Tatian's Diatessaron?
39(3)
2.3 Tatian's Authorial Expectations
42(2)
3 Characteristics of the Diatessaron's Sequence
44(15)
3.1 Jewish Festivals and the Chronology of Jesus's Ministry
44(9)
3.2 A Nonviolent Conclusion to Jesus's (First) Sermon at Nazareth
53(1)
3.3 A Blessing upon Jesus's Mother, Who Happens to be Nearby
54(1)
3.4 Intercalating the Pharisees' Warning after the Transfiguration
55(1)
3.5 A Sukkoth Parade of Money Men
56(1)
3.6 Gathering the Pharisees in Jerusalem
56(1)
3.7 Tatian's Redactional Tendencies
57(2)
4 Quintessential Changes in the Western Archetype
59(16)
4.1 Eliminating Redundancies
61(5)
4.2 Combining the Sermon on the Mount/Plain and Mission Discourse
66(1)
4.3 Relocating Capernaum Miracles to Nain
67(1)
4.4 Editorial Fatigue in the Return of the Twelve
68(2)
4.5 Grouping the Shrewd Steward with the Sukkoth Money Men
70(1)
4.6 Nicodemus, the Adulteress, and the Fig Tree
70(3)
4.7 The Timing of Judas's Suicide
73(1)
4.8 The Western Recensionist's Redactional Tendencies
73(2)
5 The Priority of Codex Fuldensis
75(13)
5.1 Interpolations in the Stuttgart-Liege-Zurich Harmonies
76(2)
5.2 The Timing of the Outsider Exorcist
78(3)
5.3 Matthew's Parable of the Talents and Luke's Parable of the Minas
81(2)
5.4 The Last Supper and Jesus's Washing of the Disciples' Feet
83(3)
5.5 Resurrection Appearances to Mary Magdalene
86(1)
5.6 The Stuttgart-Liege-Zurich Harmonies' Redactional Tendencies
87(1)
6 The Priority of the Stuttgart-Liege-Zurich Harmonies
88(21)
6.1 The Absence of the Lukan Prologue
88(2)
6.2 The Timing of the Triumphal Entry
90(4)
6.3 The Presence of Luke's Parable of the Faithful Slave
94(1)
6.4 The Presence of the Capernaum Synagogue Exorcism
95(12)
6.5 Victor of Capua and His Scribe's Redactional Tendencies
107(2)
7 The Western Archetype as a Sufficient Hypothesis
109(13)
7.1 Prefaces to the Western Harmonies
110(2)
7.2 The Insufficiency of Extant Glossed Manuscripts
112(2)
7.3 Circularity versus Alternating Primitivity
114(2)
7.4 A Stemma of Diatessaron Witnesses
116(3)
7.5 The Fate of the Western Archetype
119(3)
Conclusion 122(5)
Appendix: Comparison of Sequences of the Arabic Harmony, Stuttgart-Liege-Zurich Harmonies, and Codex Fuldensis 127(12)
Bibliography 139(10)
Scripture Index 149(4)
Index of Medieval Manuscripts 153(2)
Index of Modern Authors 155(1)
Subject Index 156
James W. Barker is Associate Professor of New Testament at Western Kentucky University. In 2014 he received the Paul J. Achtemeier Award for New Testament Scholarship. He is the author of John's Use of Matthew (Fortress Press, 2015).