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E-raamat: Teaching Late-Twentieth-Century Mexicana and Chicana Writers

  • Formaat: 356 pages
  • Sari: Options for Teaching
  • Ilmumisaeg: 15-Dec-2020
  • Kirjastus: Modern Language Association of America
  • Keel: eng
  • ISBN-13: 9781603295109
  • Formaat - EPUB+DRM
  • Hind: 45,63 €*
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  • Formaat: 356 pages
  • Sari: Options for Teaching
  • Ilmumisaeg: 15-Dec-2020
  • Kirjastus: Modern Language Association of America
  • Keel: eng
  • ISBN-13: 9781603295109

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"Offers pedagogical techniques for teaching Mexicana and Chicana writers of the late twentieth century in undergraduate classes. Topics include precursors and influences, testimony and chronicle, borderlands culture, gender and identity, cross-cultural connections, and indigeneity. Includes syllabus suggestions and information on editions, reference works, biographies, film adaptations, and online resources"--

Mexicana and Chicana authors from the late 1970s to the turn of the century helped overturn the patriarchal literary culture and mores of their time. This landmark volume acquaints readers with the provocative, at times defiant, yet subtle discourses of this important generation of writers and explains the influences and historical contexts that shaped their work.

Until now, little criticism has been published about these important works. Addressing this oversight, Teaching Late-Twentieth-Century Mexicana and Chicana Writers starts with essays on Mexicana and Chicana authors. It then features essays on specific teaching strategies suitable for literature surveys and courses in cultural studies, Latino studies, interdisciplinary and comparative studies, humanities, and general education that aim to explore the intersectionalities represented in these works. Experienced teachers offer guidance on using these works to introduce students to border studies, transnational studies, sexuality studies, disability studies, contemporary Mexican history and Latino history in the United States, the history of social movements, and race and gender.

Arvustused

A treasure trove of approaches to teaching Mexicana and Chicana writers. . . . This collection of essays adds pedagogical strategies to any professor's tool kit." Norma E. Cantú, Trinity University

"This is an exciting, useful, and much-needed volume on contemporary Mexicana and Chicana authors." Gloria E. Chacón, University of California, San Diego

Introduction: Literary Precursors, Influences, Innovations, and Criticism 1(38)
Elizabeth Coonrod Martinez
Part I Mexicana Writers and Their Precursors
Teaching Cartucho and Nellie Campobello's Goal of Restoring Pancho Villa to Mexican History
39(12)
Emron Esplin
Sor Juana's Legacy and Rosario Castellanos's Feminist Essays
51(9)
Oswaldo Estrada
Testimony and Chronicle in Elena Poniatowska's Las mily una ... La herida de Paulina
60(9)
Pedro Garcia-Caro
Teaching Contemporary Mexico to General Education Students through Elena Poniatowska's Stories
69(8)
Mark J. Mascia
Illness and Disability: From Narrative Prosthesis to Life Experience in Works by Maria Luisa Puga
77(9)
Beth E. Jorgensen
Small Acts of Resistance: The New Woman Confronts Social Conventions in the Narratives of Silvia Molina
86(9)
Liliana Pedroza
Symbols, Codes, and Points of Focus in Silvia Molina's "Mentira piadosa"
95(9)
Nathanial Gardner
Narrative Spaces, Gender, and Sephardic Identity in Rosa Nissan's Novia que te vea
104(8)
Manuel F. Medina
The Reader and the Text in Carmen Boullosa's Fragmented Narratives
112(8)
Jessica Burke
Navigating Unanswerable Questions in Carmen Boullosa's "So Disappear"
120(11)
Rabi'a Hakima
Part II Chicana Writers and Their Precursors
Jovita Gonzalez and "Her People's History": Teaching Borderlands Culture through Close Reading and Archival Practice
131(9)
Marcel Brousseau
Pre-Civil-Rights-Era Chicana Writing and the Impact of the Mexican Revolution: Josefina Niggli's Step Down, Elder Brother
140(9)
Alberto Varon
Crossing the (Genre) Border: Sandra Cisneros's Genre Innovation in The House on Mango Street
149(9)
Shelley Garcia
Navigating Narrative Ambiguity in Ana Castillo's The Mixquiahuala Letters
158(8)
Ashley Hope Perez
The Holy and the Ordinary: Lessons on Life, Love, and Language in Denise Chavez's Face of an Angel
166(8)
Mary Jane Hurst
Deconstructing Mexican Masculinity in Denise Chavez's Loving Pedro Infante
174(9)
Laura P. Alonso-Gallo
Norma Elia Cantu's Canicula and Gloria Anzaldua's Borderlands / La frontera in a Multiethnic Literature Classroom
183(8)
Margaret Cantu-Sanchez
The Personal and the Historical in Lucha Corpi's Detective Novels
191(9)
Carol E. Pearson
Feminist Consciousness and Community Activism in Novels by Ana Castillo and Demetria Martinez
200(8)
Leigh C. Johnson
Domestication and Resistance in the Short Fiction of Alma Luz Villanueva and Helena Maria Viramontes
208(8)
Sheila Marie Contreras
Lesson Plans for Four Stories in Sandra Cisneros's "Woman Hollering Creek" and Other Stories
216(11)
Peter Schmidt
Part III Comparative Notions
Bridging the Border: Guiding a Comparative Study of Nellie Campobello's Cartucho and Sandra Cisneros's The House on Mango Street
227(9)
Anne M. McGee
Borderlands, Race, and Gender in Novels by Helena Maria Viramontes and Rosario Castellanos
236(8)
David S. Dalton
Brianda Domecq's Novel La Santa de Cabora and a Southwest Chautauqua about the Curandera Teresa Urrea: A Personal Narrative
244(10)
Elena Diaz Bjorkquist
Weight, Writing, and Privilege: Carmen Boullosa, Elena Poniatowska, and Rosario Castellanos
254(11)
Emily Hind
Part IV Visual and Digital Strategies
Life Writing, Biopics, Gender, and Media: Elena Poniatowska's Tinisima and Leonora
265(9)
Magdalena Maiz-Pena
Luis H. Pena
Visual Teaching Strategies and La Malinche as a Cultural Icon
274(8)
Betsy A. Sandlin
Teaching Queer Chicana Writers through Historical Research, Blogs, and Podcasts
282(9)
Carolina E. Alonso
Developing Cross-Cultural Awareness and Digital Literacy through an Active Learning Project
291(10)
Ron Thomas
Part V Drama and Performance
Reading, Witnessing, and Staging Virginia Grise and Irma Mayorga's The Panza Monologues
301(9)
Adrianna M. Santos
Evolution of a Transnational Imaginary in the Drama of Josefina Niggli, Josefina Lopez, and Yareli Arizmendi
310(9)
Norma A. Valenzuela
Confronting Gender and Sexual Identity in Cherrie Moraga's Shadow of a Man
319(8)
Susan C. Mendez
Mapping and Performing Indigenous Mexicana Identities: Violeta Luna and the Woman of Maize
327(10)
William R. Stark
Notes on Contributors 337