Introduction: Literary Precursors, Influences, Innovations, and Criticism |
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1 | (38) |
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Elizabeth Coonrod Martinez |
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Part I Mexicana Writers and Their Precursors |
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Teaching Cartucho and Nellie Campobello's Goal of Restoring Pancho Villa to Mexican History |
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39 | (12) |
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Sor Juana's Legacy and Rosario Castellanos's Feminist Essays |
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51 | (9) |
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Testimony and Chronicle in Elena Poniatowska's Las mily una ... La herida de Paulina |
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60 | (9) |
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Teaching Contemporary Mexico to General Education Students through Elena Poniatowska's Stories |
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69 | (8) |
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Illness and Disability: From Narrative Prosthesis to Life Experience in Works by Maria Luisa Puga |
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77 | (9) |
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Small Acts of Resistance: The New Woman Confronts Social Conventions in the Narratives of Silvia Molina |
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86 | (9) |
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Symbols, Codes, and Points of Focus in Silvia Molina's "Mentira piadosa" |
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95 | (9) |
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Narrative Spaces, Gender, and Sephardic Identity in Rosa Nissan's Novia que te vea |
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104 | (8) |
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The Reader and the Text in Carmen Boullosa's Fragmented Narratives |
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112 | (8) |
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Navigating Unanswerable Questions in Carmen Boullosa's "So Disappear" |
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120 | (11) |
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Part II Chicana Writers and Their Precursors |
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Jovita Gonzalez and "Her People's History": Teaching Borderlands Culture through Close Reading and Archival Practice |
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131 | (9) |
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Pre-Civil-Rights-Era Chicana Writing and the Impact of the Mexican Revolution: Josefina Niggli's Step Down, Elder Brother |
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140 | (9) |
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Crossing the (Genre) Border: Sandra Cisneros's Genre Innovation in The House on Mango Street |
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149 | (9) |
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Navigating Narrative Ambiguity in Ana Castillo's The Mixquiahuala Letters |
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158 | (8) |
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The Holy and the Ordinary: Lessons on Life, Love, and Language in Denise Chavez's Face of an Angel |
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166 | (8) |
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Deconstructing Mexican Masculinity in Denise Chavez's Loving Pedro Infante |
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174 | (9) |
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Norma Elia Cantu's Canicula and Gloria Anzaldua's Borderlands / La frontera in a Multiethnic Literature Classroom |
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183 | (8) |
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The Personal and the Historical in Lucha Corpi's Detective Novels |
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191 | (9) |
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Feminist Consciousness and Community Activism in Novels by Ana Castillo and Demetria Martinez |
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200 | (8) |
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Domestication and Resistance in the Short Fiction of Alma Luz Villanueva and Helena Maria Viramontes |
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208 | (8) |
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Lesson Plans for Four Stories in Sandra Cisneros's "Woman Hollering Creek" and Other Stories |
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216 | (11) |
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Part III Comparative Notions |
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Bridging the Border: Guiding a Comparative Study of Nellie Campobello's Cartucho and Sandra Cisneros's The House on Mango Street |
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227 | (9) |
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Borderlands, Race, and Gender in Novels by Helena Maria Viramontes and Rosario Castellanos |
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236 | (8) |
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Brianda Domecq's Novel La Santa de Cabora and a Southwest Chautauqua about the Curandera Teresa Urrea: A Personal Narrative |
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244 | (10) |
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Weight, Writing, and Privilege: Carmen Boullosa, Elena Poniatowska, and Rosario Castellanos |
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254 | (11) |
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Part IV Visual and Digital Strategies |
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Life Writing, Biopics, Gender, and Media: Elena Poniatowska's Tinisima and Leonora |
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265 | (9) |
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Visual Teaching Strategies and La Malinche as a Cultural Icon |
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274 | (8) |
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Teaching Queer Chicana Writers through Historical Research, Blogs, and Podcasts |
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282 | (9) |
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Developing Cross-Cultural Awareness and Digital Literacy through an Active Learning Project |
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291 | (10) |
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Part V Drama and Performance |
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Reading, Witnessing, and Staging Virginia Grise and Irma Mayorga's The Panza Monologues |
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301 | (9) |
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Evolution of a Transnational Imaginary in the Drama of Josefina Niggli, Josefina Lopez, and Yareli Arizmendi |
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310 | (9) |
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Confronting Gender and Sexual Identity in Cherrie Moraga's Shadow of a Man |
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319 | (8) |
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Mapping and Performing Indigenous Mexicana Identities: Violeta Luna and the Woman of Maize |
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327 | (10) |
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Notes on Contributors |
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337 | |