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E-raamat: Temporaries and Eternals: The Music Criticism of Aldous Huxley, 1922-23

  • Formaat: 250 pages
  • Ilmumisaeg: 21-Feb-2013
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443846905
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  • Formaat: 250 pages
  • Ilmumisaeg: 21-Feb-2013
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443846905

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Marking the fiftieth anniversary of the death of Aldous Huxley (18941963), Temporaries and Eternals focuses on the music column that Huxley wrote for The Weekly Westminster Gazette in 192223. Readers of Huxley's novels, essays and travel writing will be aware of the wealth of musical detail in these works, and this book suggests that such references can only be fully understood in the context of the opinions voiced in Huxley's music criticism. Not only does Huxley's column offer a fascinating snapshot of musical life in 1920s Britain, but several of the themes that Huxley explores continue to have contemporary relevance. These include music and technology, the composer-performer relationship, the nature of the child prodigy, musical tradition and innovation, the suitability of opera libretti, and how to write about music effectively. However, Huxley's central theme, reflected in the title of this book, is the problematic question of how to judge the significance and potential longevity of specific composers and their works, from Palestrina to Schoenberg. After an extended introduction placing Huxley's music criticism in the context of his other writings, the book reproduces all 64 of Huxley's weekly articles, with footnote commentary to help the reader appreciate his wide-ranging textual references.
Acknowledgements ix
A Note on the Text x
Introduction 1(43)
Huxley's Musical Criticism in Context
Further Reading
The Criticism
Brahms (18 February 1922)
44(3)
Busoni, Dr. Burney, and Others (25 February 1922)
47(3)
The Interpreter and the Creator (4 March 1922)
50(3)
Good-Popular Music (11 March 1922)
53(3)
Instruction with Pleasure (18 March 1922)
56(2)
Emotional Contributions (25 March 1922)
58(3)
The Week's New Music (1 April 1922)
61(3)
Light Opera and the New Stravinsky (8 April 1922)
64(3)
The Mysteries of Music (15 April 1922)
67(2)
Some Easter Music (22 April 1922)
69(2)
Music and Machinery (29 April 1922)
71(3)
Beethoven's Quartets (6 May 1922)
74(2)
Singing and Things Sung (13 May 1922)
76(3)
Patriotism and Criticism (20 May 1922)
79(4)
The Criticism of Music (27 May 1922)
83(3)
The Question of Form (3 June 1922)
86(3)
Literary Music (10 June 1922)
89(3)
A Problem of Musical History (17 June 1922)
92(2)
A Few Complaints (24 June 1922)
94(3)
Mr. Lawrence's Marchioness (1 July 1922)
97(3)
Supplementing the Concerts (8 July 1922)
100(3)
Orientalism in Music (15 July 1922)
103(3)
Music in a Museum (22 July 1922)
106(3)
Popular Tunes-Past and Present (29 July 1922)
109(3)
Let Us Now Praise Famous Men (5 August 1922)
112(4)
Thayer's Beethoven (12 August 1922)
116(3)
The Salzburg Festival-I (19 August 1922)
119(4)
The Salzburg Festival-II (26 August 1922)
123(2)
The Salzburg Festival-III (2 September 1922)
125(4)
Mozart at Salzburg (9 September 1922)
129(2)
Popular Music in Italy (16 September 1922)
131(3)
Some Very Young Music (23 September 1922)
134(3)
Reflections in the Promenade (30 September 1922)
137(3)
Busoni Again (7 October 1922)
140(3)
Reflections in the Concert Room (14 October 1922)
143(3)
New Friends and Old (21 October 1922)
146(3)
Variations (28 October 1922)
149(3)
Music and Politics (4 November 1922)
152(3)
An Orlando Gibbons Concert (11 November 1922)
155(3)
The Arnold Bax Concert (18 November 1922)
158(3)
Temporaries and Eternals (25 November 1922)
161(3)
Verdi and Palestrina (2 December 1922)
164(3)
Round About Don Juan (9 December 1922)
167(2)
Delius and the Nature-Emotion (16 December 1922)
169(3)
Bad Music (23 December 1922)
172(3)
Music in the Encyclopædia (30 December 1922)
175(3)
Going to the Opera (6 January 1923)
178(3)
Handel, Polly, and Ourselves (13 January 1923)
181(3)
Music Clubs (20 January 1923)
184(2)
Cherubini-Emotion and Form (27 January 1923)
186(2)
Madrigals and Programme Music (3 February 1923)
188(3)
The Hymn and The Dream (10 February 1923)
191(3)
Barbarism in Music (17 February 1923)
194(3)
Notes on a Pianist and on Pianos (24 February 1923)
197(2)
A Mozart Programme (3 March 1923)
199(3)
Contemporaneousness (10 March 1923)
202(3)
Bach and Handel (17 March 1923)
205(3)
The Lied (24 March 1923)
208(4)
Books About Music (31 March 1923)
212(3)
What Are the Wild Waves Saying? (7 April 1923)
215(2)
Brahms's Birthday (12 May 1923)
217(2)
Opera, Marionettes, and Battistini (19 May 1923)
219(3)
Eclecticism (26 May 1923)
222(3)
Music and the Interpretative Medium (2 June 1923)
225(2)
Select Discography 227(6)
Index 233
Michael Allis is Senior Lecturer in the School of Music, University of Leeds. He has published widely on aspects of British music, musical life and literature in the long nineteenth century, and has authored two monographs: Parry's Creative Process (Ashgate, 2003) and British Music and Literary Context (Boydell Press, 2012).