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E-raamat: Textplicating Iconophones: Articulatory iconic action in Ulysses

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Textplicating Iconophones: Articulatory iconic action in UlyssesSuurem pilt
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This volume applies a sign-oriented approach to the description of articulatory and acoustic iconic phenomena in James Joyce’sUlysses. In its hypothesis, the greater the role of sensory experience in the message of a text, the more likely it is to employ linguistic representation in articulated sounds iconically to affect sensory experience.Ulysses is presented as a work of art whose emphasis on sensual impression and sensory experience is reflected in the composition and distribution of its phonemes.
Four English phonemes are examined, each in several contexts in Ulysses. A systematic association of resemblance is found between the manner and effort involved in the articulation of each phoneme relative to other phonemes and sounds, and the manner in which semantic content is arranged in the scenes and themes of the book. The different emphases of semantic arrangement associated with each of the examined phonemes are maintained across diverse themes, varied scopes of reference and opposed manners of contextualization. The phonological unit is therefore perceived to carry a semantic impact to complement its differentiating role in linguistic signification. It also offers an innovative approach toUlysses and exposes new semantic nuances in its narration and characterization techniques.
Acknowledgement xiii
Symbols and Terms xv
Lists of Tables xvii
Premises And Hypothesis
From phoneme and juncture to an hypothesis of articulatory iconic action in James Joyce's Ulysses
3(2)
Introduction
3(2)
Reintroducing linguistic substance
5(14)
An overview of sound symbolism
5(3)
Articulatory iconicity
8(1)
Phonology as human behaviour (PHB)
9(3)
Phonotactic phenomena from the PHB perspective
12(2)
Emphasizing process in language: An example in a theory of juncture
14(5)
Three basic theoretical premises: The binary sign, efficiency and synergesis in language
19(4)
An hypothesis of articulatory iconic relation between phoneme and text
23(8)
The phoneme as the fundamental iconic unit
25(6)
Illustrating Ulysses from the perspective articulatory iconic action
31(18)
Mirco and macro structure
34(2)
Editorial selection
36(2)
The phonological system of English in Ulysses
38(11)
Articulatory iconic action
49(4)
From articulatory iconic action to sound symbolic phenomena
53(24)
A text-based illustration of articulatory iconicity
53(1)
Articulatory favourings and disfavourings: An example in ch
54(3)
Allophones, "free phonetic variation" and phonemes
57(3)
Phonemes versus "conditioned" allophones: Opposing phonetic complements
60(6)
"Free phonetic variation": Using neologisms to detect articulatory iconicity in a written text
66(7)
From "free phonetic variation" to phonemes
73(4)
Iconic features of juncture as the method of illustration: Illustration modelled as juncture
77(6)
Descriptive emphases in the arrangement of the illustrations
79(4)
Illustrations
Part I. η
Articulatory distinctive features
83(1)
Inventory
83(1)
Introduction: From a synergetic bias to a semantic distinctive feature boundary
83(16)
Chapter 1 Suggesting an invariable bias for +BOUNDARY in η
85(14)
A communicative opposition η|n+g: The signal-final distribution of η
86(1)
Dressinggown
86(2)
Dressinggown versus morning air
88(1)
Ungirdled
89(2)
DrINGdring versus drINGAdring From a contextual contrast to an oppsotion -ing+ -ing+a-
91(1)
Context
92(2)
Iconicity in the contextualization and articulatory action of η
94(1)
Three possible segmentations of -inga-
95(1)
Conclusion
96(3)
Morphological Inventory
99(48)
Chapter 2 n repetition + [ -i] ng, identifying the scope of a larger-than-word segment: Theme boundary
99(20)
Literary context
99(1)
Rhythm
100(1)
Stress contour, lexemes and morphemes
101(3)
Articulatoy action and acoustic context
104(5)
Iconicity in 1: An articulatory iconic reflection of BOUNDARY
109(2)
Snotgreen scrotumtightening
111(1)
Thematic progression and the articulatory composition of n(x2)+η
112(1)
A clustering of articulatory distinctive features: NASALITY, CONTINUITY and APERTURE 0 in the collocation of n and η
112(2)
n|η
114(2)
Conclusion
116(3)
Chapter 3 [ -i]ng repetition in LEXEME+-ing: An association between boundary and inegration in -ing. Articulatory iconic representation of theme boundary in the context of the character of Stephen Dedalus, passage- and text-scope
119(30)
Aims
119(2)
Context
121(1)
Thematic delineation
121(1)
shaking and gurgling Repetition and switch
121(1)
Distribution of shak(e+)-ing and gurgl(e+)-ing in Ulysses
122(1)
Overview
123(2)
Iconic implications of -iNG+G- in shak[ ing g]urgling
125(1)
Distribution of lexemes and morphemes in the segment
126(2)
Textual distribution of gurgle(e+)-ing
128(2)
Thematically sensitive distribution of LExEmE+-ing
130(1)
Repetitions
131(2)
A special case of thematically sensitive repetition and switch: she|-ish
133(3)
Scene-internal and textual implications of repetition
136(1)
Context: Repetition tactics
137(2)
Contextual implications of the opposition when I where - an iconic reflection of the SPATIAL-TEMPORAL-EXISTENTIAL dine in the combination Of APERTURE and MOBILITY: n versus r
139(1)
Scene-internal repetition
139(2)
Conclusion: Iconic aspects of the arrangement of η in LEXEME+-ing
141(1)
A note on the encoder's phonotactic direction-awareness: The case of Stephen Dedalus
142(5)
Part II. d
Articulatory distinctive features
147(1)
Inventory
147(1)
Introduction: A synergetic bias for transition-delimitation
147(2)
Morphological Inventory
149(28)
Chapter 4 -ed repetition for theme delimitation
149(10)
Context
149(1)
Lexical and articulatory repetition
150(1)
Articulatory action: Establishing the possibility of a synergetic bias from the communication-effort perspective
150(2)
Repetition-perceptibility
152(1)
Stress
153(1)
Articulatory action and contextualization in d
153(2)
Conclusion: Iconic representation of theme boundary
155(1)
A note on the contextualization of n in the scene
155(1)
A note on frequency and combination in d: -ed+-ly
155(2)
A note on the distribution of -ave+w- in Ulysses
157(2)
Chapter 5 (+/-a)d- in diaphane|adiaphane - the transparent and the opaque
159(18)
Context
159(2)
Diaphane|adiaphane: Contextualization from the phonotactic perspective
161(2)
Contextualization of d
163(2)
d articulatory features: Iconicity
165(1)
Theme boundaries: Prosodic and morphological features of ineluctable|ineluctably
166(2)
Context appropriateness in stress and APERTURE
168(2)
Context appropriateness and iconicity: The encoder's awareness
170(1)
Repetition in obstruent phonemes
171(1)
Expanding on I am: Signature|sign
172(3)
Conclusion
175(2)
Lexical Inventory
177(14)
Chapter 6 [ l <-> r <->]d repetition and rearrangement in lord|darl+
177(20)
Context
178(4)
Articulatory arrangement: Repetition and switch
182(1)
l-related articulatory iconicity
183(2)
Iconic integration in r relative to articulatory and acoustic TIME
185(3)
Expanding on repetition+switch in l <-> r <-> d
188(1)
An iconic representation of delimitation+transition in d
188(1)
Conclusion
189(2)
Part III. ts
Articulatory features
191(1)
Inventory
191(1)
Introduction: A synergetic bias for segmenting-sequencing
191(1)
Morphology
191(1)
Articulatory iconicity and abstraction
192(5)
Morphological Inventory
197(38)
Chapter 7 An association between the distribution of is and rhythmic sequencing' whores' gets|bastards' ghosts
197(14)
Context
197(2)
whores' gets|bastards' ghosts
199(2)
g, h, versus gh-
201(2)
Phonetic and phonemic indexing in -o-
203(1)
Iconicity in the orthographic and articulatory composition of ghost+
204(1)
Iconic aspects in the distribution of is
205(2)
The d connection
207(1)
Conclusion
208(3)
Chapter 8 ts and the structuring of topic and comment: Sequencing-segmenting sentences
211(30)
Context
213(1)
Context-appropriate similarities and associations
213(5)
That is|that's
218(8)
From that is|that's to -at is|-at's
226(1)
A note on iconic phenomena in what is this that is
226(2)
-at is|-at's + focusser: That|Φ
228(1)
Iconic aspects in the distribution of Is: From that's to PHONEME OF APERTURE-Ft
228(1)
PHONEME OF APERTURE+IS+h(x2)
228(2)
ts+h(x2)
230(1)
The Bloom connection
231(4)
Part IV. s
Articulatory-distinctive features
235(1)
Inventory
235(1)
Introduction: A synergetic bias for integration in s
235(6)
Morphological Inventory
241(36)
Chapter 9 The association of -ce with a bias for integration: one|once
241(26)
Context-appropriate distribution of signals and phonemes: From n to one; n|η
243(2)
A note on n frequency
245(2)
n in context
247(4)
An articulators-to-signals association of n with SEMANTIC INTEGRALITY in a lexical inventory: one and once
251(1)
A contextualization of n for integration
252(2)
Iconic aspects in the distribution of -ce
254(2)
Iconicity in the contextulization of -ce: Once versus twice and thrice
256(1)
Message-specific emphases and -ce
257(3)
Iconicity in the distribution of -ce: Hospice I hospit+
260(4)
From hospice to -ce to s
264(3)
Chapter 10 "Contraction" of a copular construct: it's > 's-
267(10)
A "top-down" selection of 's+: cs+{life[ +I'll be round..]}
268(3)
A "bottom-up" combinatory anchor of the association of s and integration: slife+
271(1)
An Irish connection?
272(1)
A syntagmatic-paradigmatic iconicity in the distribution of s: That's; it's|'s-
272(2)
Language-specific articulatory iconicity: 'slife versus Irish-Gaelic foth Dia
274(2)
Conclusion: A COMMENT-TOPIC arrangement for %life, I'll be round with you
276(1)
Lexical Inventory
277(24)
Chapter 11 An association between s and text-wide integration: The case of yes
277(25)
Contextual support for an association of s with integration in the distribution of yes: A book-scope fluctuation of conclusion <-> addition
277(2)
From addition to conclusion in the +RESULT yes
279(1)
Book-scope distribution of yes
280(6)
Inter-episode comparison
286(3)
Book-boundaries: Absolute skewing for +/-dialogue in the distribution of yes
289(3)
Thematic transitions surrounding yes
292(3)
Iconicity in the composition of yes: S and integration
295(2)
Signal (re-)arrangement
297(1)
From book end to book beginning as an instance of the association of s and integration: From yeS to Stately
298(3)
Conclusion 301(6)
Rationale
301(1)
A few observations
301(1)
Some findings in short
302(3)
Iconic anchors in phonemes
302(1)
Iconic combinatory processes
303(1)
Implications of the iconic processes
303(1)
Literary connections
304(1)
A final remark
305(2)
References 307(10)
Appendix: The Gilbert and Linati Schemata 317(8)
Subject Index 325(8)
Theme Index 333
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