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E-raamat: The Theatre and Films of Conor McPherson: Conspicuous Communities

Series edited by (Loyola Marymount University, Los Angeles, USA), Series edited by (University of Galway, Ireland), (University College Dublin, Ireland)
  • Formaat: 248 pages
  • Sari: Critical Companions
  • Ilmumisaeg: 21-Feb-2019
  • Kirjastus: Methuen Drama
  • ISBN-13: 9781350051225
  • Formaat - EPUB+DRM
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  • Formaat: 248 pages
  • Sari: Critical Companions
  • Ilmumisaeg: 21-Feb-2019
  • Kirjastus: Methuen Drama
  • ISBN-13: 9781350051225

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The spellbinding premiere of The Weir at the Royal Court in 1997 was
the first of many works to bring Conor McPherson to the attention of
the theatre-going public. Acclaimed plays followed, including Shining City,
The Seafarer, The Night Alive and Girl from the North Country, garnering
international acclaim and being regularly produced around the globe.
McPherson has also had significant successes as a theatre director, film
director and screenwriter, most notably, with his award-winning screenplay
for I Went Down.

This companion offers a detailed and engaging critical analysis of the
plays and films of Conor McPherson. It considers issues of gender and class
disparity, violence and wealth in the cultural and political contexts in which
the work is written and performed, as well as the inclusion of song, sound,
the supernatural, religious and pagan festive sensibilities through which
initial genre perceptions are nudged elsewhere, towards the unconscious and
ineffable. Supplemented by a number of contributed critical and performance
perspectives, including an interview with Conor McPherson, this is a book
to be read by theatre audiences, performance-makers and students who wish
to explore, contextualize and situate McPherson's provocative, exquisite and
generation-defining writings and performances.

Arvustused

Highly recommendable [ I] believe Jordans work on McPhersons theatre and films is rigorous, thoughtful and honest, approaching the conspicuous communities inhabiting the fictive world from different perspectives, in a delightful edition and with a style which makes the act of reading a pleasurable experience, something which is not the rule when reading a piece of critical work. * Estudios Irlandeses * Offers a comprehensive source of information about McPhersons life, career, and critical reception. It is more up to date than most of the existing books dedicated to McPherson, and by crossing the generic boundary between theatre and film, it allows us to perceive parallels and continuities that can open up new avenues for future scholarship. It is a faithful companion; and for those new to McPherson, it will probably be good company. * Theatre Journal * A necessary companion for those interested in the work of McPherson, contemporary Irish theatre, or indeed theatre in general, Eamonn Jordan offers detailed, authorative and accessible insights into McPhersons theatre and film from an impressive range of critical contexts. -- Dr Rhona Trench, Institute of Technology Sligo, Ireland

Muu info

This book offers a vibrant, detailed and engaging critical analysis of the plays and films of Conor McPherson. It considers issues of gender, class, violence, wealth and the supernatural in relation to the conditions and expressions of agency in the various cultural, political and contexts in which the work is written and performed.
Acknowledgements viii
References and Abbreviations xi
Introduction 1(18)
Career breakthrough and trajectory
1(2)
Working assumptions and methodology
3(3)
Performance making
6(2)
Contextualizations
8(2)
Overview and vectorization
10(9)
1 Monopolies Of Self/Terms Of Endearment
19(28)
Introduction: Stories and their telling
19(1)
Monologues, performers, audiences
20(5)
Tiger country
25(3)
Rum and Vodka: No man in the mirror
28(3)
The Good Thief: Degrees of depravity
31(2)
This Lime Tree Bower: Three strikes not out
33(2)
Port Authority: Last resort lineage
35(6)
Come on Over: A third narrator?
41(3)
Conclusion
44(3)
2 Criminality And Caper Tragicomedy
47(18)
Introduction: City of capital/capital city
47(2)
I Went Down: On the road to nowhere?
49(4)
Saltwater: Finders keepers
53(5)
The Actors: Infamy and fortune
58(4)
Deserving and undeserving rich/poor
62(2)
Conclusion
64(1)
3 Convergent Realities: Ghosts And The Uncanny
65(26)
Introduction: For the supernaturally inclined
65(4)
St Nicholas: The gift/thief of a story
69(4)
Shining City: Hiding in plain sight
73(8)
The Eclipse: Eleanor/Lena
81(4)
Paula: Immaculate deception/fatal distraction
85(5)
Conclusion
90(1)
4 Apocalyptic Dispossessions
91(26)
Introduction: Safe houses and parallel universes
91(1)
The Birds: Unfitting survival
92(2)
The Night Alive: The banks are bust
94(7)
The Veil: Gothic dominoes
101(5)
Girl from the North Country: The great escape
106(9)
Conclusion
115(2)
5 Season's Greetings
117(20)
Introduction: Christmases past
117(3)
Dublin Carol: Till life do us part
120(6)
The Seafarer: Hook, line and sinker
126(8)
Conclusion
134(3)
6 Conspicuous Communities
137(18)
Introduction: A pastoral sensitivity
137(1)
The Weir: Sleight of register/sleight of consciousness
138(3)
The story realm
141(4)
Relational mismatches
145(2)
Your round
147(6)
Conclusion
153(2)
7 Critical Perspectives
155(34)
Conor McPherson in conversation
155(9)
Conor McPherson's Haunted Women: The Weir, The Veil and Paula
164(14)
Lisa Fitzpatrick
Narrativity and the narrator figure in Conor McPherson's Port Authority, The Veil and Girl from the North Country
178(9)
Maha Alatawi
`You know?'
187(2)
Ben Brantley
Conclusion 189(1)
Quantum states 189(4)
Convergences 193(6)
Notes 199(31)
Notes on Contributors 230(1)
Index 231
Eamonn Jordan is Associate Professor in Drama Studies at the School of English, Drama and Film, University College Dublin. His many publications on Irish theatre include: The Feast of Famine: The Plays of Frank McGuinness (1997); Theatre Stuff: Critical Essays on Contemporary Irish Theatre (2000); The Theatre of Martin McDonagh: A World of Savage Stories (co-edited with Lilian Chambers, 2006); Dissident Dramaturgies: Contemporary Irish Theatre (2010); The Theatre of Conor McPherson:'Right beside the Beyond' (co-edited with Lilian Chambers, 2012); From Leenane to LA: The Theatre and Cinema of Martin McDonagh (2014), and The Palgrave Handbook of Contemporary Irish Theatre (co-edited with Eric Weitz, 2017).