This book explores the theological significance of horror elements in the works of Hesiod and in the Homeric Hymns for the characters within these poems, the mortal audience consuming them, and the poet responsible for mythopoesis.
Theologies of Fear in Early Greek Epic argues that, just as modern supernatural horror fiction can be analyzed to reveal popular conceptions of the divine, so too can the horrific elements in early Greek epic. Romano develops this analogy to show how mythmakers chose to include, omit, or nuance horror elements from their narratives in order to communicate theological messages. By employing methodological approaches from religious studies, classical studies, and literary studies of supernatural horror fiction, this book brings a fresh perspective to our understanding of how the Greeks viewed their gods and how poets helped to create that view.
Theologies of Fear in Early Greek Epic is of interest to scholars in classical studies, religious studies, and comparative literature, as well as students in courses on myth, religion, and Greek culture and society.
This book explores the theological significance of horror elements in the works of Hesiod and in the Homeric Hymns for the characters within these poems, the mortal audience consuming them, and the poet responsible for mythopoesis.
Arvustused
"Carman Romano makes a compelling case for the importance of an overlooked aspect of archaic Greek aesthetics: a sense of horror in the face of the divine." William Brockliss, University of Wisconsin-Madison
Introduction to
Chapters 1 and 2
1. "Stupid and Thoughtless to Foresee
Their Lot": The Horror of Epiphany
2. "Evil for Men": (Dis)Orienting the
Cosmos in Hesiod Introduction to
Chapters 3, 4, and 5
3. "Blessed is He Whom
They Love": Past and Present in the Homeric Hymns
4. "Few Men Know": Advice
for the Cosmically Horrified
5. "In Whom do You Most Delight?": The Privilege
of the Poet Epilogue: "Ruin that there Might be a Song for Those Yet to be
Born": Homer, Heroes, and Gods
Carman Romano is a Visiting Assistant Professor at Bryn Mawr College in the Department of Greek, Latin, and Classical Studies. She is a scholar of the imagination, especially as it is articulated in ancient poetry. Her recent research explores how Greek poets led their audiences to conceptualize supernatural entities.
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