This book examines the plays Thomas Middleton wrote for the King’s Men between 1620 and 1624, arguing that they constitute one of the most sustained and ambitious engagements with contemporary politics in early modern English drama. Situating these works against the backdrop of the Thirty Years’ War, the Spanish Match, and growing domestic anxiety over foreign policy and confessional identity, the study demonstrates how Middleton used the commercial stage to exploit public political knowledge. In doing so, the book reframes Middleton not simply as a satirist of corruption, but as a dramatist deeply invested in shaping political opinion within an emergent Jacobean public sphere.
Through close readings of both original plays and Shakespearean adaptations, the book traces how drama intersected with censorship, news culture, and popular debate. Chapters analyse a series of plays, from Middleton’s historical allegory Hengist, King of Kent to his great anti-Spanish satire A Game at Chess, alongside original interpretations of his adaptations of the Shakespeare plays Measure for Measure and All’s Well That Ends Well, arguing that Middleton’s late canon contributed to a public-making agenda by the King’s Men aimed at exploiting growing audience knowledge, shaped by printed news and domestic and foreign scandal.
This book will be of interest to scholars and students of early modern drama, Shakespeare and Middleton studies, political theatre, and the history of censorship and news. It will also appeal to researchers concerned with the formation of public opinion and the relationship between literature, politics, and media in early modern England.
It will be of interest to scholars and students of early modern drama, Shakespeare and Middleton studies, political theatre, and the history of censorship and news. It will also appeal to researchers concerned with the formation of public opinion and the relationship between literature, politics, and media in early modern England.
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