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E-raamat: Towards a Theory of Mime

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  • Formaat: 314 pages
  • Ilmumisaeg: 30-May-2014
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317911562
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Towards a Theory of MimeSuurem pilt
  • Formaat: 314 pages
  • Ilmumisaeg: 30-May-2014
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317911562
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"Towards a Theory of Mime is a genuinely unique book about non-verbal communication and performance. Combining a broad global history of the evolution of human communication with an introduction to the general practice of mime, Alexander Iliev traces a lineage from Marceau and Barrault to his own distinguished practice as performer and teacher. The book moves from a fascinating description of the first principles of gestural language to a stunning sequence of specific exercises in practical training. Written in a sometimes poetic, always accessible and often humorous style, Towards a Theory of Mime conveys complex ideas in a strikingly accessible way"--

Towards a Theory of Mime is a genuinely unique book about non-verbal communication and performance. Combining a broad global history of the evolution of human communication with an introduction to the general practice of mime, Alexander Iliev traces a lineage from Marceau and Barrault to his own distinguished practice as performer and teacher.

The book moves from a fascinating description of the first principles of gestural language to a stunning sequence of specific exercises in practical training.

Written in a sometimes poetic, always accessible and often humorous style, Towards a Theory of Mime conveys complex ideas in a strikingly accessible way.

Alexander Iliev has over forty years experience practising and teaching both theatre and anthropology around the world. He is currently Associate Professor at the National Academy in Sofia.

List of plates
x
Preface xii
Editor's Introduction to the Routledge edition xiii
Part I Move and Act
1(160)
1 Introduction
3(3)
2 Nonverbal communication
6(7)
Two primate proto-humans meet
8(5)
3 Theory of pantomime
13(40)
Speech
14(1)
Play
15(1)
Art
15(8)
Energy
23(1)
Matter
24(1)
Stillness
25(24)
Society
49(1)
God
50(3)
4 Theory of improvisation
53(22)
5 Six original articles
75(81)
Mimics or Masks?
75(11)
Theatre of the Open Square
86(18)
Pantomime in the Film Frame
104(24)
Determining the Dimensions of Space (Elaboration on the System of Etienne Decroux)
128(7)
The Knight of the Blue Flag
135(10)
Introduction to Theatre Anthropology
145(11)
6 Conclusion
156(5)
Part II Action and Inaction
161(102)
7 Introduction
163(3)
8 Physical exercise sequence
166(22)
Body warm-up
166(2)
General warm-up
168(1)
Partial warm-up
169(7)
Balances
176(1)
Warm-up variations
177(1)
Pranayama (breathing control -- Sanskrit)
178(1)
Asana (body position -- Sanskrit)
179(2)
Dharana (concentration, focus -- Sanskrit)
181(1)
Dhyana (mediation, meditation -- Sanskrit)
182(4)
Nirvana (extinguishing passions, enlightenment, awakening -- Sanskrit)
186(2)
9 Physical studies
188(2)
Body part separations
188(2)
10 Pantomime exercise sequence
190(13)
Technique of the mono-mime
190(1)
Work with imaginary objects
191(2)
Actual pantomime technique
193(10)
11 Pantomime studies
203(3)
Pantomime separations
203(1)
Techniques of group pantomime
204(2)
12 Main techniques and strategies of group pantomime
206(3)
13 Creating an original pantomime etude
209(51)
Performance topics
209(3)
Script technique
212(16)
Analysis of the epos of Gilgamesh
228(23)
The etude as a stage act
251(2)
Techniques of plastic transformation
253(1)
Specifics of the mono-etude
254(2)
Work on classic pantomime scripts
256(2)
Specifics of the group pantomime etude
258(2)
14 Creating a pantomime miniature and mime-drama
260(1)
15 Conclusion
261(2)
Appendices
A Bibliography of basic literature
263(13)
B Letters of endorsement
276(2)
C Contributors' biographies
278(3)
Index 281
Alexander Iliev
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