Muutke küpsiste eelistusi

E-raamat: Transfixed by Prehistory: An Inquiry into Modern Art and Time

  • Formaat: 448 pages
  • Ilmumisaeg: 24-May-2022
  • Kirjastus: Zone Books
  • Keel: eng
  • ISBN-13: 9781942130666
  • Formaat - EPUB+DRM
  • Hind: 33,15 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 448 pages
  • Ilmumisaeg: 24-May-2022
  • Kirjastus: Zone Books
  • Keel: eng
  • ISBN-13: 9781942130666

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

An examination of how modern art was impacted by the concept of prehistory and the prehistoricPrehistory is an invention of the late nineteenth century. In that moment of technological progress and acceleration of production and circulation, three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to surmise the age of the Earth; second, to find the point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if considered through these three interwoven inventions of the longue duree. Transfixed by Prehistory attempts to articulate such a history, which turns out to be more complex than an inevitable march of progress leading up to the Anthropocene. Rather, it is a history of stupor, defamiliarization, regressive acceleration, and incessant invention, since the "e;new"e; was also found in the deep sediments of the Earth. Composed of as much speed as slowness, as much change as deep time, as much confidence as skepticism and doubt, modernity is a complex phenomenon that needs to be rethought. Stavrinaki focuses on this intrinsic tension through major artistic practices (Cezanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Junger), and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology.
Introduction 9(22)
I "We Slip Away From Ourselves": The Discovery And Internalization Of The Earth's Age (Eighteenth To Twentieth Centuries)
31(78)
Earth: The Long Term
34(15)
Humankind: The Long Term
49(30)
Three Artists: Giorgio de Chirico, Max Ernst, Robert Smithson
79(30)
II Reconstituting The Antiquity Of Humankind And Of Art
109(56)
The Age of Man
109(8)
The Indistinction between Man and Nature
117(17)
From the Ground to the Walls of Caves: First Fissures, First Modern Appropriations of Prehistoric Art
134(14)
Fleshing Out Fossils, Objects, and Images
148(17)
III The Artificiality Of Prehistory: A Disjunctive Genealogy Of Art
165(76)
At a Distance
165(12)
Why Did Modernity Identify with Prehistory?
177(36)
Joan Mho and Jean Dubuffet
213(28)
IV The Paradox Of The Neolithic: Rupture And Permanence, Order And Disorder
241(32)
The Political Uses of the Neolithic: Revolution and Rootedness (England, ca. 1930; Denmark, ca. 1960)
243(17)
The Neolithic of Disorder: Pablo Picasso and Robert Morris
260(13)
V Prehistory In The Atomic Age
273(52)
The End of History
273(36)
Caves of the Atomic Age (1949--1959): Fontana, Kiesler, Pinot Gallizio
309(16)
Conclusion: Terra Incognita 325(12)
Acknowledgments 337(2)
Notes 339(54)
Bibliography 393(36)
Index 429