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E-raamat: Transmission of Medieval Romance: Metres, Manuscripts and Early Prints

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The genre of medieval romance examined through the lens of their physical and their metrical forms.

Romances were immensely popular with medieval readers, as evidenced by their ubiquity in manuscripts and early print. The essays collected here deal with the textual transmission of medieval romances in England and Scotland, combining this with investigations into their metre and form; this comparison of the romances in both their material form and their verse form sheds new light on their cultural and social contexts. Topics addressed include the textual history of Sir Orfeo; the singing of Middle English romances; their rhythms and rhyme schemes; their printed transmission from Caxton to Wynkyn de Worde; and the representation of the Otherworld in manuscript miscellanies.

AD PUTTER is Professor of Medieval English at the University of Bristol; JUDITH A. JEFFERSON is Research Associate at the University of Bristol.

Contributors: Michelle de Groot, Judith A. Jefferson, Rebecca E. Lyons, Carol M. Meale, Donka Minkova, Nicholas Mylkebust, Derek Pearsall, Rhiannon Purdie, Ad Putter, Elizabeth Robertson, Jordi Sánchez-Martí, Thorlac Turville-Petre

Arvustused

This universally excellent collection is an important contribution to the increasingly sophisticated study of medieval romance and its afterlives. * ANGLIA * This will prove a valuable collection for anyone working on insular romance, verse form, or textual transmission in medieval England. * MEDIUM AEVUM * The volume is well supported, with lists of figures and abbreviations, and a substantial index. * Parergon *

List of Figures
vii
List of Contributors
ix
Acknowledgements x
Abbreviations xii
Introduction: Forms of Transmission of Medieval Romance 1(14)
Judith A. Jefferson
Ad Putter
1 King Orphius and Sir Orfeo, Scotland and England, Memory and Manuscript
15(18)
Rhiannon Purdie
2 The Metre of the Tale of Gamelyn
33(17)
Derek Pearsall
3 Rhyme Royal and Romance
50(19)
Elizabeth Robertson
4 The Singing of Middle English Romance: Stanza Forms and Contrafacta
69(22)
Ad Putter
5 Deluxe Copies of Middle English Romance: Scribes and Book Artists
91(25)
Carol M. Meale
6 Is Cheuelere Assigne an Alliterative Poem?
116(11)
Thorlac Turville-Petre
7 Language Tests for the Identification of Middle English Genre
127(22)
Donka Minkova
8 The Problem of John Metham's Prosody
149(21)
Nicholas Myklebust
9 The Printed Transmission of Medieval Romance from William Caxton to Wynkyn de Worde, 1473--1535
170(21)
Jordi Sanchez-Marti
10 Compiling Sacred and Secular: Sir Orfeo and the Otherworlds of Medieval Miscellanies
191(18)
Michelle De Groot
11 The Woodville Women, Eleanor Haute, and British Library Royal MS 14 E III
209(24)
Rebecca E. Lyons
Index 233
Ad Putter is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with a particular interest in Medieval Romance texts and the works of the Gawain poet. He is currently leading a research project on the literary heritage of Anglo-Dutch relations. Ad Putter is Professor of Medieval English at the University of Bristol, UK, co-director of Bristol's Centre for Medieval Studies, and Fellow of the British Academy. He is the author and editor of numerous books, with a particular interest in Medieval Romance texts and the works of the Gawain poet. He is currently leading a research project on the literary heritage of Anglo-Dutch relations. The late Derek Pearsall was Emeritus Gurney Professor of Middle English Literature at Harvard University; he wrote extensively on Chaucer, Gower, Langland and Lydgate, including biographies of Chaucer and Lydgate, an edition of the C-text of Langland's Piers Plowman.
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