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E-raamat: Transmodern: An art history of contact, 1920-60

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  • Formaat: 296 pages
  • Sari: Rethinking Art's Histories
  • Ilmumisaeg: 11-Oct-2022
  • Kirjastus: Manchester University Press
  • Keel: eng
  • ISBN-13: 9781526160379
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Transmodern: An art history of contact, 1920-60Suurem pilt
  • Formaat: 296 pages
  • Sari: Rethinking Art's Histories
  • Ilmumisaeg: 11-Oct-2022
  • Kirjastus: Manchester University Press
  • Keel: eng
  • ISBN-13: 9781526160379
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How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

Transmodern examines the global dimension of modern art by tracing the crossroads of modernisms in Asia, Europe and the Americas. It explores path-breaking transcultural art practices from the 1920s to the 1960s in the framework of decolonial movements and transcultural thinking.

Arvustused

This book makes an important contribution to the ongoing debate on global modernism. Enriched by wide research spanning a wide geographical area, this subtle, scholarly work, well-grounded in deep research, will become an essential textbook at educational institutions as well as provide a benchmark in future discussions on questions of global art. Partha Mitter -- .

List of Figures
viii
Acknowledgements xiii
Introduction 1(38)
1 Towards a postcolonial art history of contact
39(24)
2 In the shade of tall mango trees: art education and transcultural modernism in the context of the Indian independence movement
63(27)
3 Transcultural beginnings: decolonisation, transculturalism, and the overcoming of race
90(17)
4 Trees of knowledge: anthropology, art, and politics. Melville J. Herskovits and Zora Neale Hurston -- Harlem circa 1930
107(24)
5 The migrant as catalyst: Winold Reiss and the Harlem Renaissance
131(18)
6 Encounters with masks: counter-primitivisms in Black modernism
149(33)
7 Purity of art in a transcultural age: modernist art theory and the culture of decolonisation
182(39)
8 Painting the global history of art: Hale Woodruff's The Art of the Negro
221(33)
Bibliography 254(22)
Index 276
Christian Kravagna is Professor of Postcolonial Studies at the Academy of Fine Arts Vienna -- .
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