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E-raamat: Trusting Performance: A Cognitive Approach to Embodiment in Drama

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"Argues for the exploration of drama as a conduit to deep emotional learning that has the ability to change the somatic identity of performers and audiences alike"--



Provided by publisher.

Argues for the exploration of drama as a conduit to deep emotional learning that has the ability to change the somatic identity of performers and audiences alike.


This exciting new work argues for the exploration of drama as a conduit to deep emotional learning that has the ability to change the somatic identity of performers and audiences alike. Rokotnitz suggests that the preference for reciprocity exhibited by human physiological systems also extends into psychological and cognitive processes. Modeling her epistemological inquiry upon the paradigms instantiated by our biological architecture, she argues that effective knowledge acquisition and interpersonal communication rely on the ability to learn from and to trust in our bodies. Focusing on four plays by William Shakespeare, Tom Stoppard, Timberlake Wertenbaker, and Moisés Kaufman, each chapter of the book considers a different dramatic genre, historical period, philosophical context, and performance strategy, and traces in each the crucial and defining influence of bodily presence in establishing trust relations and moral accountability.

Arvustused

"Insightful and exciting . . . a significant contribution to the relatively new field of cognitive approaches to literature and theatre." - Theatre Survey





"Rokotnitz's tremendously engaged and engaging depiction of the emotional sensitivity, caring responsibility, and sincerely educational basis of Sentimentalism, persuasively reinvigorates a singularly unfashionable rationale for behaviour and rule. The result is, at points, an exuberant exultant writing style that empathetically echoes the celebratory positivity of the play, but also the motivations of The Politics of American Actor Training, and carries the reader along in its wake. The strengths of Rokotnitz's writing style in this and the other chapters is founded in neatly interwoven precise examples and rigorous and thoughtful dissection of illuminating textual detail." - The Year's Work in Critical and Cultural Theory





"The dexterity with which Rokotnitz structures her work, each chapter tightly interlocking with its companions to produce a fertile ground for cross-comparison and later developments of earlier ideas, evinces a sincere commitment to rigorously test the hypothesis that originally drove her inquiry ... That her analysis of embodied experience of primary emotions leads to an explication of spiritual experience undoubtedly indicates that Rokotnitz has produced a significant contribution to the body of literature on performance and cognition." - Style

Acknowledgments ix
Introduction 1(18)
Chapter 1 "It Is Required You Do Awake Your Faith": Learning to Trust the Body through Performing The Winter's Tale
19(18)
Chapter 2 "A Doubling of Immortality:" Cognitive Inter(con)textuality and Tom Stoppard's Travesties
37(30)
Chapter 3 From Empathy to Sympathy: Staging Change and Conciliation in Timberlake Wertenbaker's Our Country's Good
67(30)
Chapter 4 "A Spiritual Dance:" Moises Kaufman's 33 Variations
97(32)
Conclusion 129(4)
Notes 133(34)
Works Cited 167(14)
Index 181
Dr. Naomi Rokotnitz explores the intersections between literature, philosophy, and science, investigating the relations between knowledge acquisition, inter-personal communication, moral accountability and bodily modes of reception and perception. She teaches at Tel-Aviv University, Israel and can be reached at naomirokotnitz@gmail.com.