The compiled essays offer various themes and ways of approaching historiography. Each chapter probes the state of contemporary theorization of architecture histories, working toward the theme of critical re-writing of history.
The compiled essays offer various themes and ways of approaching historiography. Each chapter probes the state of contemporary theorization of architecture histories, working toward the theme of critical re-writing of history. Essential to each author's contribution is specific traditions created by the mole of history burrowing through the past. This book concerns the historian's conjectures towards capturing the past and present zeitgeist.
Temporality is the theme running through the narrative of this volume. It raises the question of whether the ever-growing body of work on architectural history should be taken for history as such. More specifically, what is the intersection between history and architectural history? Furthermore, whether every text focused on architecture's pastcan be considered categorically historiographic? Still, in what capacity does architectural history index history beyond contingencies and without reducing the text to empirical realities and the historian's interest in a specific subject, including those collected through archival research, itself an emblem of textuality? This book upholds the conviction that the past should be recalled accurately and that there is no history but historical criticism, the scope of which exceeds the historicity of Humanism. Dialectically, the timeline experienced across contemporary techno-economic and cultural domains (aesthetics) offer an opportunity to explore architecture produced outside the Euro-American continents.
Valences of Historiography offers a fresh take on architectural history that is useful for academics, researchers, and architecture students.
1. No (More) History: Reassessing Priorities in Todays Architectural
Historiography
2. Architectural History Today. Where Do We Stand? Where Do We
Go?
3. Comparative and Critical Histories in Professional Education: A
Problem of Disciplinary Methods
4. History Curated: Architecture Museums
Custodians of the Past, Critics of the Present?
5. Inscribing the Past,
Looking at the Future: The Temporalities of Townscape
6. Challenging the
Methods of Writing Architectural and Urban History: City as History and
History as a Living Matter
7. Latin American Architecture and the Iberian
Temperament
8. On the Use and Abuse of Global History of Architecture
Gevork Hartoonian is Emeritus Professor of Architectural History at the University of Canberra, Australia, and holds a PhD from the University of Pennsylvania, USA. He has taught in American universities, including the Pratt Institute and Columbia University, NYC. Hartoonian is, most recently, the author Mies Contra Le Corbusier: The Frame Inevitable (Routledge 2024), Towards a Critique of Architectures Contemporaneity: 4 Essays (Routledge 2023), Reading Kenneth Frampton: A Commentary on Modern Architecture 1980 (2022) and Time, History and Architecture: Essays on Critical Historiography (Routledge 2020/2018). He is, most recently, the editor of The Visibility of Modernization in Architecture: A Debate (Routledge 2023). Hartoonians previous publications include, among others, Architecture and Spectacle: A Critique (Routledge 2016/2012) and The Mental Life of the Architectural Historian (2013). The Korean and Thai editions of Ontology of Construction (1994) were published in 2010 and 2017.
Lisainfo e-raamatute kohta