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E-raamat: Vanessa Bell: The Life and Art of a Bloomsbury Radical

  • Formaat: 336 pages
  • Ilmumisaeg: 11-Mar-2025
  • Kirjastus: Yale University Press
  • Keel: eng
  • ISBN-13: 9780300281378
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  • Formaat: 336 pages
  • Ilmumisaeg: 11-Mar-2025
  • Kirjastus: Yale University Press
  • Keel: eng
  • ISBN-13: 9780300281378
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One of Britains most radical and influential artists working in the first decades of the twentieth century, Vanessa Bell was a pioneer for professional women   Vanessa Bell was a leading figure within the Bloomsbury Group and known for her unconventional lifestyle, but her work as a painter, designer, and decorator has often been overlooked and relegated within the bombastic, male-dominated field of British modernism.   With new research, including previously unpublished letters, Wendy Hitchmough explores the ways in which Bell (18791961) forged new pathways as a modernist woman. Writing openly about depression and mental health at a time when the subject was stigmatised, as well as challenging taboos surrounding womens bodies, Bell exploited the patriarchal society that oppressed her. She responded to the nudes and pastoral scenes of Cézanne, Gauguin, Picasso, and Matisse with themes of miscarriage and motherhood. She exhibited with her partner, Duncan Grant, and comparisons between their parallel careers highlight the gender disparities that shaped her life and work.   Vanessa Bell: The Life and Art of a Bloomsbury Radical celebrates the artists trailblazing approach to art as well as life, her rejection of conventions, and the challenge she posed to the structures of early twentieth-century society.

Arvustused

I applaud this book for bringing to our attention the glories of Bells versatility, and her superb use of colour.Ysenda Maxtone Graham, Times (UK)

Beautifully illustrated. . . . As the former curator of the painters home at Charleston, Hitchmough writes with insider knowledge, supported by an armoury of scholarship.Ariane Bankes, The Spectator

A comprehensive account of the artists life.The Artist magazine

This impressive account will surely prompt responses similar to Bells own reaction to Virginias biography of Vanessas former lover Roger Fry, published in 1940. Bell wrote to her sister: You have brought him back to me.Matthew Dennison, Country Life

Through this cacophony of letters, connections and history, Hitchmouth gives Bell back the identity Woolf remembers her sister having. That of the person who, as a child scrawl[ ed] on a black door a great maze of lines, with white chalk. When I am a famous painter she began, and then turned shy and rubbed it out in her capable way.Alice Vincent, New Statesman

Wendy Hitchmough is emeritus senior lecturer at the University of Sussex and was curator at the Bloomsbury artists home, Charleston, for over twelve years. She is author of The Bloomsbury Look.