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The Victorian Art School documents the history of the art school in the nineteenth century, from its origins in South Kensington to its proliferation through the major industrial centres of Britain. Charles Rennie Mackintosh’s Glasgow School of Art, together with earlier examples in Manchester and Birmingham demonstrate an unprecedented concern for the provision of plentiful light and air amidst the pollution of the Victorian city. As theories of design education and local governance converged, they also reveal the struggle of the provincial city for cultural independence from the capital.

Examining innovations in the use of new technologies and approaches in the design of these buildings, The Victorian Art School offers a unique and explicitly environmental reading of the Victorian city. It examines how art schools complemented civic ‘Improvement’ programmes, their contribution to the evolution of art pedagogy, the tensions that arose between the provincial schools and the capital, and the role they would play in reimagining the relationship between art and public life in a rapidly transforming society.

The architects of these buildings synthesised the potential of art with the perfection of the internal environment, indelibly shaping the future cultural life of Britain.

Arvustused

"In this rich study of the art school buildings built in the problematic urban microclimates of the three greatest Victorian cities, Manchester, Birmingham and Glasgow, Ranald Lawrence adds a significant new dimension to our understanding of the architecture of that time." - Dean Hawkes, Emeritus Professor, Welsh School of Architecture, Cardiff, and Darwin College, Cambridge

"Lawrences book is an impressive and erudite new insight into a period that still has technical and cultural relevance for architects and others working in the field of the built environment." - Professor Colin Porteous OBE, Glasgow School of Art

List of figures
xi
List of tables
xviii
Preface xix
Acknowledgements xxii
Abbreviations xxiv
1 Introduction
1(27)
The environment of the city
7(6)
Urban improvement
13(6)
A municipal awakening
19(5)
Notes
24(4)
2 `By the gains of Industry we promote Art': New schools for design
28(26)
Lighting in the early academies
28(6)
The Department of Science and Art
34(9)
The culture of the artisan
43(7)
Notes
50(4)
3 A worthy facade: Manchester School of Art
54(30)
The condition of Manchester
54(3)
Fine art or design?
57(4)
Who pays?
61(6)
A spacious site
67(8)
Galleries and studios
75(5)
Notes
80(4)
4 `Drawn from the light': Birmingham School of Art
84(36)
Chamberlain and the Civic Gospel
84(3)
The value of culture
87(2)
The industrial patronage of art education
89(4)
The influence of Ruskin
93(2)
The evolution of the design
95(14)
The school's influence
109(8)
Notes
117(3)
5 Into clean air: Glasgow School of Art
120(33)
`Let Art Flourish'
120(4)
Realising the ideal environment
124(8)
Lighting, ventilation, and warming
132(5)
A formal synthesis
137(4)
A microcosm of the city
141(9)
Notes
150(3)
6 `Local centres of civilisation': The art school in context
153(30)
Parting the smoke
153(2)
The civilising power of art
155(5)
Culture as a civic project
160(5)
Dissolving into light and air
165(4)
Unifying art and design
169(9)
Concluding remarks
178(2)
Notes
180(3)
Bibliography 183(12)
Index 195
Ranald Lawrence is a Lecturer in Architecture at the University of Liverpool. His research examines the history of environmental design, and the broader relationship between buildings and climate in different cultural contexts. Ranald has worked with several award-winning architectural practices as a designer and researcher. He completed his PhD research on Victorian art schools at the University of Cambridge, funded by the AHRC.