Muutke küpsiste eelistusi

E-raamat: Visage, Voice and Void in the Community: Art, Senses and (e-)Spaces of Contemporary Semiosis

(University of Turin, Italy)
  • Formaat - PDF+DRM
  • Hind: 59,79 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

This book takes an interdisciplinary approach to the face, defined as the human physical constitution in a metaphorical and cultural sense, and its connection with society. This book will interest specialists in the fields of visual semiotics, languages of art, creative industries and cultural heritage, humanities and philosophy.



This book takes an interdisciplinary approach to the face, defined not only as the human physical constitution, but in a metaphorical and cultural sense, and its connection with society.

Bridging the analogue and the digital, the face is examined, step by step, from multiple perspectives and analysed within a qualitative–semiotic framework. With art as the underlying paradigm, semiotics as the founding discipline, and the face as subject of study, the author positions the face as a distinct landscape, offering the tools to study the metaphorical face and space as a panorama. Tracing historical conceptions of the face, along with the iconography and artefacts associated with it, the author follows an experimental and abductive methodology that culminates in a complex constellation of insights on the subject.

This book will interest specialists in the fields of visual semiotics, languages of art, creative industries and cultural heritage, humanities and philosophy.

Prologo Ugo Volli

Introduction

Part 1: From Phisical To (q)Face

1. Mutable topography: physiognomy and pathognomy

2. Of faces and traces: a mutable topography

3. (q)field, synthetic data and hallucinated portraits

Part 2: From Masking To Enacting Face

4. Wearing the self: performativity and masks

5. Care, memory and intersubjective transmission

Part 3: From Body To Space Face

6. Carving emptiness: on breath and wave

7. Intra-action, proto-voice and art

8. Carving emptiness: on space and wave

Conclusion

Epilogue

Index
Silvia Barbotto is a researcher and artist and an adjunct professor at the University of Turin, Italy.
Ei ole sisse logitud.