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E-raamat: Visualizing Venice: Mapping and Modeling Time and Change in a City

Edited by (Duke University, USA), Edited by (University of Padua, Italy), Edited by (Duke University, USA)
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Visualizing Venice presents the ways in which the use of innovative technology can provide new and fascinating stories about places and times within history. Written by those behind the Visualizing Venice project, this book explores the variety of disciplines and analytical methods generated by technologies such as 3D images and interoperable models, GIS mapping and historical cartography, databases, video animations, and applications for mobile devices and the web.

The volume is one of the first collections of essays to integrate the theory and practice of visualization technologies with art, architectural, and urban history. The chapters demonstrate how new methodologies generated by technology can change and inform the way historians think and work, and the potential that such methods have to revolutionize research, teaching, and public-facing communication.

With over 30 images to support and illustrate the projects work, Visualizing Venice is ideal for academics, and postgraduates of digital history, digital humanities, and early modern Italy.
List of figures
ix
Preface xii
Kristin L. Huffman
Andrea Giordano
Caroline Bruzelius
Notes on contributors xv
Overview: the Visualizing Venice enterprise 1(4)
Caroline Bruzelius
PART I Introductory chapters
5(22)
1 The role of digital visualization for the history of the city
7(8)
Donatella Calabi
2 Visualizing Venice: teaching, training, and imagining a new kind of urban and architectural history
15(5)
Caroline Bruzelius
3 Visualizing Venice: developing a methodology for historical visualization
20(7)
Andrea Giordano
Mark Olson
PART II Historical case studies
27(38)
4 Buildings that never were: the unbuilt projects for the Civic Hospital of Venice
29(7)
Ines Tolic
Maura Vecchietti
5 Architectural and urban change over time: the school, church, and monastery of Santa Maria del la Carita
36(7)
Elena Svalduz
6 Mapping change and motion in the lagoon: the Island of San Secondo
43(8)
Ludovica Galeazzo
John Francis Phillimore
7 Visualizing the Treves botanical garden in Padua: from documentary research to laser survey and 3D modeling
51(7)
Martina Massaro
8 Research on lost buildings in Venice: the cathedral of San Pietro di Castello
58(7)
Gianmario Guidarelli
Teodora Ott
PART III Tools, technologies, and training
65(72)
9 Visualizing Venice: a historical overview of the role and application of architectural and urban modeling
67(9)
Cosimo Monteleone
10 The history of cities and historical geographic information system (HGIS)
76(8)
Alessandra Ferrighi
11 Digital technologies and exhibition culture: reactivating art installations through virtual reconstructions
84(8)
Chiara Di Stefano
Laura Moure Cecchini
12 Interactive exhibitions: new interfaces for engaging visualizations
92(8)
Mark Olson
13 Guidebooks and mobile applications: a new mode of communication
100(11)
Victoria Szabo
14 Digital art history: building a "model" for student engagement
111(7)
Kristin L. Huffman
15 Visualizing Venice summer workshops for graduate students and beginning scholars
118(10)
Victoria Szabo
16 Visualizing Venice to Visualizing Cities: future horizons
128(9)
Kristin L. Huffman
Andrea Giordano
Conclusion 137(8)
Caroline Bruzelius
Appendix: teaching historical 3D modeling techniques: the Sta. Margherita portal 145(4)
Hannah Jacobs
Index 149
Kristin L. Huffman is an Instructor in the Department of Art, Art History, and Visual Studies at Duke University.

Andrea Giordano is Professor at the University of Padua and coordinator of the Visualizing Venices 3D modeling team.

Caroline Bruzelius is the A.M. Cogan Professor of Art and Art History and a founder the Wired! Lab at Duke University and of Visualizing Venice.