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E-raamat: Vladimir Nabokov and the Art of Moral Acts

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"The book advances an original and provocative argument about the formation, career, and legacies of Vladimir Nabokov, for whom artistic and moral acts served as testaments to free will"--

This book shows how ethics and aesthetics interact in the works of one of the most celebrated literary stylists of the twentieth century: the Russian American novelist Vladimir Nabokov. Dana Dragunoiu reads Nabokov&;s fictional worlds as battlegrounds between an autonomous will and heteronomous passions, demonstrating Nabokov&;s insistence that genuinely moral acts occur when the will triumphs over the passions by answering the call of duty.
 
Dragunoiu puts Nabokov&;s novels into dialogue with the work of writers such as Alexander Pushkin, William Shakespeare, Leo Tolstoy, and Marcel Proust; with Kantian moral philosophy; with the institution of the modern duel of honor; and with the European traditions of chivalric literature that Nabokov studied as an undergraduate at Cambridge University. This configuration of literary influences and philosophical contexts allows Dragunoiu to advance an original and provocative argument about the formation, career, and legacies of an author who viewed moral activity as an art, and for whom artistic and moral acts served as testaments to the freedom of the will.



The book advances an original and provocative argument about the formation, career, and legacies of Vladimir Nabokov, for whom artistic and moral acts served as testaments to free will.
Acknowledgments ix
Note on Editions, Translations, and Transliteration xiii
List of Abbreviations
xvii
Introduction 3(14)
Chapter One Where Nature Ends and Art Begins: Courtesy, Love, Pity
17(17)
Chapter Two Courtoisie: Une Elegance Morale
34(35)
Chapter Three The Duel of Honor: Nabokov, Pushkin, Kant
69(26)
Chapter Four Hospitality and the Cosmopolitan Ideal: Nabokov, Pushkin, Shakespeare
95(27)
Chapter Five The Art of Lying: Nabokov, Tolstoy, Botkin
122(34)
Chapter Six The End of Courtesy, the End of Art: Nabokov and Proust
156(37)
Epilogue Van, Gawain, and Kant's Green Iris 193(18)
Notes 211(22)
Bibliography 233(20)
Index 253