Muutke küpsiste eelistusi

E-raamat: Voice and Ethics in Shakespeare's Late Plays

(Chapman University, California)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 08-Jan-2026
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009613903
  • Formaat - EPUB+DRM
  • Hind: 117,32 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 08-Jan-2026
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009613903

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Breaking new ground in Shakespearean sound studies, Kent Lehnhof draws scholarly attention to the rich ethical significance of the voice and vocality. Less concerned with semantics, stylistics, and rhetoric than with the sensuous, sonorous, and somatic dimensions of human speech, Lehnhof performs close readings of five plays Coriolanus, King Lear, Pericles, The Winter's Tale, and The Tempest to demonstrate how Shakespeare's later works present the act of speaking and the sound of the voice as capable of constructing, deconstructing, and reconstructing interpersonal relationships and obligations. By thinking widely and innovatively about the voice and vocality, Lehnhof models a fresh form of philosophically-minded criticism that resists logocentrism and elevates the voices of marginalized groups and individuals including women, members of societal underclasses, racialized persons and non-humans.

Arvustused

'Addressing the power and presence of the human voice on stage, Lehnhof shows how acts of speaking, hearing, and listening disrupt our egoism and open us to more authentic connections with others. Enunciating the multivocal wisdom of Shakespearean drama, this book will be accessible to both advanced scholars and students of literature.' Julia Reinhard Lupton, Distinguished Professor of English, The University of California, Irvine 'Kent Lehnhof has a fabulous ear for the ethical charge of voice in Shakespeare's late plays. This is a signal contribution to the study of Shakespeare and moral philosophy as well as an innovative exploration of the work of voice in social and theatrical relations.' Sarah Beckwith, Katherine Everett Gilbert Professor of English, Duke University

Muu info

Combining sound studies and contemporary philosophy, this study probes the ethical power of voice and vocality in Shakespearean drama.
Introduction: the sound of the voice;
1. Bodies and voices in
Coriolanus;
2. Tricks of the voice in King Lear;
3. Seeing and speaking in
Pericles;
4. Phone and female mourning in the winter's tale;
5. Voicing
authority in the tempest; Selected bibliography; Index.
Kent Lehnhof is Professor of English at Chapman University, where he has received the university's highest award for scholarship and its highest award for teaching. He has co-edited two essay collections, Of Levinas and Shakespeare (2018) and Shakespeare's Virtuous Theatre (2023), and has published two dozen articles and essays.