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E-raamat: Voice and Identity

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  • Formaat: PDF+DRM
  • Ilmumisaeg: 25-Oct-2024
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040153673
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 25-Oct-2024
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781040153673

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Voice and Identity draws from the knowledge and expertise of leading figures to explore the evolving nature of voice training in the performing arts. The authors look through both practical and theoretical lenses as they connect voice studies to equity, diversity, inclusion, and belonging, and to gender and gender diversity.



Voice and Identity draws from the knowledge and expertise of leading figures to explore the evolving nature of voice training in the performing arts. The authors in this international collection look through both practical and theoretical lenses as they connect voice studies to equity, diversity, inclusion, and belonging, and to gender and gender diversity.

The book offers chapters that focus on practical tools and tips for voice teachers, and the text also includes chapters that give rich social, cultural, and theoretical discussions that are both academic and accessible, with a particular focus on gender diverse, gender non-binary, transgender, and inclusionary voice research.

Offering interdisciplinary insights from voice practitioners and scholars from the disciplines of actor training, singing, public speaking, voice science, communication, philosophy, women’s studies, Indigenous studies, gender studies, and sociology, this book will be a key resource for practitioners and researchers engaged in these fields. The chapters in this book were originally published in the Voice and Speech Review journal.

Introduction: Voice and Identity
1. Best Practices for Vocal Pedagogy
with Gender Diverse People
2. An Interdisciplinary Approach to Gender
Affirming Voice Training
3. Avoiding Vocal Blackface: Combating
Identity-Ignorant Practices of Stereotyping Voices for Entertainment
4.
Practicing Equity, Diversity, Inclusion, and Belonging in the Singing Voice
Studio
5. To T or Not to T: The Transmasculine Singing Voice on Hormone
Replacement Therapy
6. Estill Voice Training and the Gender Non-binary Singer
7. Finding Grace: A Singing Teachers Journey with Her First Transgender
Student
8. Strategies for Guiding Actors Accent and Linguistic Needs in the
Twenty-First Century
9. Accent and Language Training for the Indigenous
Performer: Results of Four Focus Groups
10. Coaching Asian Actors and Asian
Accents with Cultural Sensitivity
11. Voice Praxis: Social Positionality in
UK Spoken Word Practice
12. Toward Intervocality: Linklater, the Body, and
Contemporary Feminist Theory
13. Vox Populi, Vox Dei (The Voice of the People
is the Voice of God)
Rockford Sansom, PhD, is a voice teacher and communication coach. For seven years, he was the Editor of the Voice and Speech Review. His book publications include The History of Voice Pedagogy, Vocal Traditions, and Voice Work: Art and Science in Changing Voices (2nd ed).