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E-raamat: Voice Secrets: 100 Performance Strategies for the Advanced Singer

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In Voice Secrets: 100 Performance Strategies for the Advanced Singer, Matthew Hoch and Linda Lister create order out of the chaotic world of singing. They examine all aspects of singing, including nontechnical matters, such as auditioning, performance anxiety, score preparation, practice performance tips, business etiquette, and many other important topics for the advanced singer. Voice Secrets provides singers with a quick and efficient path to significant improvement, both technically and musically. It is the perfect resource for advanced students of singing, professional performers, music educators, and avid amateur musicians.

The Music Secrets for the Advanced Musician series is designed for instrumentalists, singers, conductors, composers, and other instructors and professionals seeking a quick set of pointers to improve their work as performers and producers of music. Easy to use and intended for the advanced musician, contributions to Music Secrets fill a niche for those who have moved beyond what beginners and intermediate practitioners need.

Arvustused

[ The authors] generously share useful information and practical perspectives while providing an extensive list of sources that much of the information came from. [ T]he authors do a wonderful job of providing the most important bits of information on a comprehensive list of subjects. There is much here for the advanced singer to ponder, with new ideas alongside fresh approaches to previously learned material. The addition of the detailed bibliography simply ensures that Voice Secrets: 100 Performance Strategies for the Advanced Singer will be frequently revisited. * Classical Singer Magazine * Voice Secrets is an excellent practical reference for singers and voice teachers. . . . Well organized and easy to use, the book is a quick look at a myriad of vocal topics. . . .The breadth of information in Voice Secrets demonstrates the authors vocal expertise and knowledge of todays music industry. . . .The writing style is engaging, accessible, and non-academic, even when addressing highly technical topics. The book is full of golden nuggets of singing wisdom, some lighthearted and others pulling no punches. . . .With a detailed index and extensive bibliography, Voice Secrets is a valuable reference that belongs on every singers bookshelf. * The Triangle of Mu Phi Epsilon * I found the information to be relevant, well written and approachable. . . .As a teacher recommending this book to students, this book will start a conversation about singing which will hopefully lead them on the path to knowing what questions to ask. Hoch and Lister show themselves to be experienced AND current in their writing. I would recommend this book for any teachers library and will recommend that voice students purchase their own copy. Recommended. * The Opera Journal * [ A] well organized and well researched summary of the essential elements of singing. * Journal of Singing * Voice Secrets is a well-written and straightforward book that will provide worthwhile information to singers hoping to continue to advance their understanding and production of the craft. Undergraduate and graduate vocal performance majors will find this book especially worthwhile, especially given that the information is presented in a highly relatable manner. * Pan Pipes (Journal of Sigma Alpha Iota) * Matthew Hoch and Linda Lister have assembled a compendium of one- to three-page hints concerning aspects of the singing art. While the title indicates they are designed for the 'advanced' singer, both voice pedagogues and choral directors will find some of the information presented in an easy-to-understand writing style.... Voice Secrets: One Hundred Performance Strategies for the Advanced Singer ispacked with useful information that is both reliable and up-to-date. * Choral Journal * I recommend Voice Secrets to anyone who quickly wants to get immersed in the issues of the language, the science, the execution, and the business of becoming a singer. To me the most valuable feature of the book is the exhaustive bibliography of reference books. This is an excellent pedagogical resource. -- Ingo Titze, distinguished professor, University of Iowa; executive director, National Center for Voice and Speech; president, Pan-American Vocology Association Matthew Hoch and Linda Lister bring fact-based pedagogical ideas and advice to singers of all genres. The user-friendly format and clear, succinct style provide a clever introduction to 100 aspects of the singing art that will be an asset to all singers and singing teachers. -- Lindsey Christiansen, professor, Westminster Choir College Voice Secrets cleverly and succinctly covers a wide diversity of topics about being a successful singer. The book is rich with up-to-date information singers need to know at the core of their art form along with peripheral, practical advice. The excellent list of resources at the end encourages readers toward further pursuit of knowledge and a variety of perspectives. -- Karen Brunssen, NATS president-elect, Bienen School of Music, Northwestern University The voice world is filled with challenges and obstacles for which a singer must prepare herself/himself. Voice Secrets provides the reader with a guide to navigating these challenges. This highly enjoyable read addresses myriad voice topics and provides concrete approaches to dealing with everything from performance anxiety and vocal health, to exploring different singing styles and tackling some of the business aspects of a career. -- Brian Gill, associate professor of voice and voice pedagogy, Jacobs School of Music, Indiana University

Foreword xi
Preface xiii
Acknowledgments xv
1 Vocal Technique 1(30)
Secret 1 Stand Up Straight! Posture and Alignment Awareness
1(4)
Secret 2 Lean on Me-Appoggio and Breath Management
5(2)
Secret 3 Wax On, Wax Off-Onset and Release
7(1)
Secret 4 Ring and Rumble-Resonance
8(2)
Secret 5 Riffs and Runs-Flexibility
10(2)
Secret 6 Understand Registration-"Head" versus "Chest" Voice
12(4)
Secret 7 Be Smooth-Sempre Legato
16(2)
Secret 8 "Place" the Voice-What Does That Actually Mean?
18(2)
Secret 9 Warm Up Enough (but Not Too Much)
20(2)
Secret 10 Know What's Really Happening-Fact versus Fiction
22(1)
Secret 11 Find Your Fach-Your Sound and Psyche
23(2)
Secret 12 Shake It! Musings on Vibrato
25(2)
Secret 13 Always Sing on Your Interest, Never Your Capital
27(1)
Secret 14 Try and Trust-Finding the Right Teacher
28(3)
2 Musicianship 31(14)
Secret 15 Connect to the Page-Score Study
31(2)
Secret 16 Prioritize Rhythm-the Essence of Musicianship
33(2)
Secret 17 Master Intervals and Scale Degrees
35(3)
Secret 18 Intimately Know the Piano Accompaniment
38(2)
Secret 19 Study the Orchestration-There Won't Be Trumpets (or Will There?)
40(2)
Secret 20 Singing in Style-Cultural Context and Historical Traditions
42(3)
3 Vocal Health 45(20)
Secret 21 Libiamo! Water and Hydration
45(2)
Secret 22 Develop a Healthy Speaking Voice-Pitch and Breath
47(2)
Secret 23 Use Straw Phonation (and Other SOVT Exercises)
49(2)
Secret 24 Food as Fuel Not Fad-Diet Matters
51(1)
Secret 25 Exercise-Your Body Is Your Instrument
52(1)
Secret 26 Avoid Vocally Abusive (Loud) Environments-Can You Hear Me Now?
53(2)
Secret 27 Ahem! Avoid Clearing Your Throat-Try Ujjayi Breathing Instead
55(1)
Secret 28 Phlegm Is Not Your Friend (Coping Strategies)
56(1)
Secret 29 Combat Acid Reflux Disease (GERD and LPRD)
57(2)
Secret 30 Manage Your Medications-Balancing RX and OTC with TLC
59(2)
Secret 31 Embracing Bodywork-Yes, Everyone Is Doing Yoga
61(2)
Secret 32 How to Work with Metal in Your Mouth-the Joy of Braces
63(2)
4 Practice Strategies 65(32)
Secret 33 Regarding Vowels-the Rooms in Which Singers Live
65(3)
Secret 34 Regarding Consonants-the Doors That Propel Singers from Room to Room
68(2)
Secret 35 Be an Active Participant-Go to Your Lesson with a Plan
70(2)
Secret 36 Mirror, Mirror on the Wall-Using the Mirror as a Practice Tool
72(2)
Secret 37 Train Your Tongue-Freeing Codependent Articulators
74(1)
Secret 38 Johnny One Note-from Monotone to Legato
75(1)
Secret 39 Don't Listen to Yourself! (or Should You?)
76(2)
Secret 40 Use a Metronome-They Aren't Just for Instrumentalists
78(2)
Secret 41 Your Focus Needs More Focus-Practice Mindfulness
80(2)
Secret 42 Whose Line Is It Anyway? Tips for Memorization
82(2)
Secret 43 Get out of Your Head and into Your Body-Let's Get Physical
84(2)
Secret 44 Listen Intelligently to Great Recordings
86(2)
Secret 45 Viewer Be Wary-the Pleasures and Perils of YouTube
88(2)
Secret 46 Record Yourself-I Look and Sound like That?
90(2)
Secret 47 Do You Hear What I See? Using Spectrographic Analysis (VoceVista)
92(3)
Secret 48 Be Gleeful! Remember That You Love to Sing! (Just like the Kids on Glee!)
95(2)
5 Language and Diction 97(20)
Secret 49 Singing in English-American versus British Diction
97(2)
Secret 50 Embrace IPA-Singing in Foreign Languages
99(2)
Secret 51 Singing in Italian
101(2)
Secret 52 Singing in German
103(2)
Secret 53 Singing in French
105(2)
Secret 54 Singing in Latin
107(2)
Secret 55 Singing in Spanish
109(2)
Secret 56 Singing in Russian
111(2)
Secret 57 Explore Languages That Are Off the Beaten Path
113(2)
Secret 58 Know Your Translation Inside and Out
115(2)
6 Singing Classical Genres (and Singing Them Well) 117(28)
Secret 59 Go beyond the Twenty-Four Hits-Using Italian Arie Antiche as Your Foundation
117(2)
Secret 60 Brits and Yanks-English and American Song
119(2)
Secret 61 Lieder of the Pack-German Art Song
121(2)
Secret 62 A Pretty Girl Is like a Melodie-French Art Song
123(2)
Secret 63 Go beyond the Big Four-Art Songs in Other Languages
125(2)
Secret 64 Handeling Recitative-Singing Oratorio
127(2)
Secret 65 Singing Opera
129(3)
Secret 66 Utopia Unlimited-the Joys of Light Opera
132(4)
Secret 67 Collaborate with Other Musicians through Chamber Music
136(2)
Secret 68 Be HIP-Exploring Early Music
138(2)
Secret 69 Extend Your Technique-the World of Avant-Garde Music
140(2)
Secret 70 Approach Choral Music in a Healthy Way
142(3)
7 Singing CCM (Nonclassical) Styles 145(18)
Secret 71 Understand Differences between Classical and CCM Styles
145(2)
Secret 72 Belting, Body Type, and Ballet-Musical Theatre
147(2)
Secret 73 Know Your Mic and Your Niche-Rock and Pop Music
149(2)
Secret 74 Be an Instrument of Inspiration-Gospel
151(2)
Secret 75 Standards, Structure, and Scatting-Jazz
153(2)
Secret 76 Share Your Struggles and Celebrations-Country Music
155(2)
Secret 77 Conquer the World-Global Music Styles
157(2)
Secret 78 Tag Along-Barbershop Harmony
159(2)
Secret 79 Be Cognizant of the Raw Facts of the Industry
161(2)
8 Stage Presence 163(12)
Secret 80 Meditation Not Medication-Combating Performance Anxiety
163(2)
Secret 81 Sing from the Heart-Why Do You Sing?
165(2)
Secret 82 Gesticulate! Overcoming Fear of Gestures
167(2)
Secret 83 Express Yourself (Facially)-Somewhere between Botox and Overacting
169(2)
Secret 84 Open Up and Write It Down-Taking Stage Direction
171(2)
Secret 85 Interact with Your Partners Onstage-Safety and Chemistry
173(2)
9 Business Tips 175(32)
Secret 86 Don't Be a Diva-You're Not That Important
175(2)
Secret 87 Always Be Prepared (and Never Be Late)
177(2)
Secret 88 Cultivate an Important Relationship-Getting Along with Your Voice Teacher
179(2)
Secret 89 Be a Gracious Collaborator-Getting Along with Your Accompanist
181(2)
Secret 90 Serve the Production Not Yourself-Getting Along with Your Opera Director
183(2)
Secret 91 Watch and Follow-Getting Along with Conductors
185(2)
Secret 92 Find Your (Short-Term) Fit-Auditioning for Summer Programs
187(2)
Secret 93 Yes, You May Need Another Degree-Auditioning for Graduate School
189(2)
Secret 94 Competing without Defeating Yourself-Auditioning for Voice Competitions
191(2)
Secret 95 Represent Yourself Well on Paper-Spelling and Spacing Matter
193(2)
Secret 96 Have Good Communication Skills-Proofreading and Professionalism
195(2)
Secret 97 Manage Your Finances-How Not to Be a Starving Singer
197(3)
Secret 98 Professional Choral Singing Can Be Rewarding
200(2)
Secret 99 Stay in Touch with Your Art Form through Teaching
202(2)
Secret 100 Be Resourceful-Use Every Tool at Your Disposal
204(3)
Epilogue 207(2)
Anthologies 209(4)
Professional Organizations for Singers 213(6)
Bibliography 219(34)
Index 253(10)
About the Authors 263
Matthew Hoch is associate professor of voice and coordinator of voice studies at Auburn University. He is the author of several books, including A Dictionary for the Modern Singer. He holds the BM from Ithaca College, MM from the Hartt School, and DMA from the New England Conservatory. Dr. Hoch is the 2016 winner of the Van Lawrence Fellowship, awarded jointly by the Voice Foundation and NATS. He actively performs art song, opera, chamber music, and in professional choral settings.

Linda Lister is associate professor of voice and director of opera theatre at the University of Nevada, Las Vegas. She is the author of Yoga for Singers: Freeing Your Voice and Spirit through Yoga. Also a composer, Dr. Lister holds the BA from Vassar College, MM from the Eastman School of Music, and DMA from the University of North Carolina at Greensboro. Dr. Lister is winner of The American Prize in Directing, she has sung many world premieres on the operatic, symphonic, and recital stage.