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E-raamat: Vsevolod Meyerhold

(University of Leeds, UK)
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Vsevolod Meyerhold considers the life and work of the extraordinary twentieth-century director and theatre-maker. This compact, well-illustrated volume includes:











a biographical introduction to Meyerholds life





a clear explanation of his theoretical writings





an analysis of his masterpiece production Revisor, or The Government Inspector





a comprehensive and usable description of the biomechanical exercises he developed for training the actor.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.

Arvustused

'Pitches' skill ... is impressive.'

Aleks Sierz, The Times Higher Education Supplement

'A useful entry point.'

Theatre Research International

List of figures
ix
Acknowledgements xi
1 A Life of Contradictions
1(42)
Apprenticeship (1874-1905)
4(8)
St Petersburg (1906-17)
12(17)
Meyerhold and the Revolution (1917-22)
29(8)
The Meyerhold Theatre (1922-31)
37(2)
The death of Meyerhold and his theatre (1932-40)
39(3)
After Meyerhold
42(1)
2 Meyerhold's Key Writings
43(34)
Don't (always) believe what you read!
43(3)
The key theoretical principles
46(1)
Naturalism
47(3)
Stylisation
50(3)
Rhythm and music
53(4)
The mask
57(4)
The grotesque
61(6)
Biomechanics and the actor of the future
67(6)
Chaplin and Eisenstein: a theory of montage
73(4)
3 Meyerhold's Key Production: The Government Inspector
77(34)
Gogol's challenge
77(1)
Meyerhold's response
78(3)
Nikolai Gogol: the comet
81(2)
Gogol's Government Inspector
83(6)
Meyerhold's Government Inspector
89(22)
4 Practical Exercises
111(44)
Practice: the living link with Meyerhold
111(1)
Biomechanics' Key Skills
112(5)
The exercises
117(3)
Skills-based exercises
120(22)
Back to the key skills
142(2)
Improvisation exercises
144(6)
Work on text
150(3)
Conclusions
153(2)
Bibliography
155(6)
Books and articles
155(3)
Films and videos
158(3)
Index 161
Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds in the School of Performance and Cultural Industries. He is founding co-editor of the journal Theatre, Dance and Performance Training.