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This book focuses on critical walking and mapping practices through the research methodology of a/r/tography. Initially establishing seven global sites for employing movement-based research practices within culturally conceived a/r/tographic perspectives, the book builds upon and extends an international community of practice. The editors and contributors apply public pedagogy through a/r/tographic and critical walking inquiry, and explore how these forms may be engaged, understood and expanded globally. The chapters examine how a/r/tography and walking inquiry can be practiced, theorised, experienced, extended and conceptualised. The cartographic perspectives, theoretical positions and conceptual investigations included in this collection respond to the fundamental contemporary need for new and fresh models of teaching, learning and scholarship regarding global and local educational and social challenges. They offer tangible, aesthetic and rigorous examples for researchers, educators, community practitioners and research students to engage with a/r/tography and critical walking inquiry.
1 Walking with A/r/tography: An Orientation
1(16)
Alexandra Lasczik
David Rousell
Rita L. Irwin
Amy Cutter-Mackenzie-Knowles
Nicole Lee
1.1 Walking the Meshwork: The Rhizomatics ofA/r/tography
6(3)
1.2
Chapter Overview
9(8)
References
12(5)
2 Pedagogical Affect and the Curricular Imperative in a Moment of Poesis
17(22)
Joanne M. Ursino
Rita L. Irwin
Nicole Lee
Ken Morimoto
Marzieh Mosavarzadeh
2.1 Preamble
18(5)
2.2 Proposition 1: Go for a Walk and Document the Walk
23(4)
2.3 Proposition 2: Select One Page from Each Person and Use Them to Make a Book
27(6)
2.4 Conclusion and the Turn of Page
33(6)
References
36(3)
3 Walking Curricular Paths in the Virtual: The Stanley Parable and Minecraft
39(20)
Nicole Lee
Ken Morimoto
3.1 Introduction
40(1)
3.2 Walking Simulators and Simulations of Walking as Sites for Walking Research
40(2)
3.3 Walking Virtually Through Aesthetic, A/r/tographic, and Contemplative Orientations
42(1)
3.4 The Stanley Parable and Minecraft
43(3)
Wrestling for/over Control, Autonomy, and Meaning
44(2)
3.5 Theorizing as Nicole Walks as Stanley
46(6)
One of the Paths
46(2)
Linear, Rhizomatic, and Circular Experiences
48(2)
Dance of Animacy and Wide-Awakeness
50(2)
3.6 Minecraft, Middle Earth, and Myself: Ken's Virtual Walk
52(5)
Caves, Games, and Meanderings
55(2)
3.7 Conclusion
57(2)
References
57(2)
4 Invitation to Walking Inquiry Along the Kumano Kodo Pilgrimage Trails: An A/r/tographic Travelogue Re/braided with Walkers' Inquiries
59(30)
Koichi Kasahara
Satoshi Ikeda
Kayoko Komatsu
Toshio Ishii
Takashi Takao
Kazuji Mogi
Minako Kayama
Minori Inoue
Kaho Kakizaki
4.1 Welcome to Kumano Kodo Pilgrimage Trails and an A/r/tographic Trip/Journey!
61(1)
4.2 The Style of This A/r/tographic Travelogue
61(1)
4.3 Walking Places We Know About But Have Never Actually Been, with Multiple Walkers Together
62(1)
4.4 Kumano Kodo World Heritage
62(1)
4.5 How to Walk and Explore Places and Routes of Significance
63(1)
4.6 Stepping with A/r/tography into an Inquiry of Complex Perceptions, Experiences, and Beings
64(1)
4.7 What Walking with A/r/tography Has Created
65(1)
4.8 Re/braiding Multiple Walkers' Inquiries as Metissage
66(1)
4.9 Preparations for the Journey
67(1)
4.10 Water Mirror Puddle
67(2)
4.11 Trip to Kumano
69(2)
4.12 Eliminate Boundaries: Inquiry into Tolerant Inclusion
71(2)
4.13 An A/r/tographic Inquiry While Suffering from a Fracture
73(3)
4.14 Manga Walking
76(2)
4.15 Place Walking Art at Kumano Kodo = A Search for Proactive and Free Learning Adaptation of Individuals (Inner Journey) and Society (Experiment of Community)
78(2)
4.16 Marginal Field
80(2)
Kumagusu Monologue
80(2)
4.17 Students' Document and Drawing
82(1)
4.18 Mapping A/r/tography Exhibition: Visualized and Spatialized Inquiries, and Where the Next Flow of Stream/Current Meets
83(6)
References
85(4)
5 PROPositional Walking
89(18)
Daniel T. Barney
Corinne Christopherson
Shayne Eliason
Rebecca Lewis
Amber Logan
Amy Ollerton
Kaleb Ostraff
Priscilla Stewart
Sophia Su
5.1 Introduction
90(3)
5.2 Misuse a Tool: Daniel T. Barney
93(1)
5.3 Healing Walk: Corinne Christopherson
94(2)
5.4 Walk: Shayne Eliason
96(1)
5.5 Walk: Rebecca Lewis
97(1)
5.6 Walk: Amber Logan
98(1)
5.7 Sound Relations; Sound Perceptions: Amy Ollerton
99(2)
5.8 Paths as Liminal Spaces: Kaleb Ostraff
101(1)
5.9 Walk: Priscilla Stewart
102(1)
5.10 Walk Home Remotely with Another: Sophia Su
103(4)
References
104(3)
6 Walking a Square Meter of Territory: An A/r/tographic Appropriation of Everyday Place Through Printmaking
107(12)
Jessica Castillo
Ricardo Marin-Viadel
Paloma Palau-Pellicer
6.1 Displaced engraving
108(2)
6.2 The Construction of Identity Through the Emotional Assessment of Heritage: A Strategy to Understand One's Surroundings
110(2)
6.3 Walking Strategies and Artistic Displacement
112(1)
6.4 A Meter Squared of Territory
113(2)
6.5 Conclusion
115(4)
References
116(3)
7 Pedagogical Bipedal ism
119(16)
Jun Hu
7.1 Introduction
120(1)
7.2 Three Ways of Perceiving a Pedagogy of Walking
121(1)
7.3 Walking as a Dynamic Way of Seeing
122(3)
7.4 Walking as a Pedagogy of the Oppressed
125(3)
7.5 Walking as Rhythmical Knowing
128(3)
7.6 Conclusion
131(4)
References
132(3)
8 Walking A/r/tography with Youth at Risk: Mapping Movement and Place
135(28)
Alexandra Lasczik
Amy Cutter-Mackenzie-Knowles
Katie Hotko
Tahlia McGahey
8.1 Orientation
136(1)
8.2 A/r/tography and Walkography
137(5)
The Visual Arts and Inquiry
137(1)
The Methodology of A/r/tography
138(1)
The Methodology of Walkography
139(3)
8.3 The Research Site: Walking the Gondwana Rainforests
142(1)
8.4 The Research Design of the Walking A/r/tography Project
143(13)
The Youth Researchers
144(12)
8.5 Closing Thoughts
156(7)
References
159(4)
Index 163
Alexandra Lasczik is Professor and Associate Dean (Research) at Southern Cross University, Australia. Rita L. Irwin is Distinguished University Scholar and Professor of Art Education in the Department of Curriculum and Pedagogy at the University of British Columbia, Canada.

Amy Cutter-Mackenzie-Knowles is Professor and Executive Dean of the Faculty of Education at Southern Cross University, Australia.

David Rousell is Senior Lecturer in Creative Education at RMIT, Australia.

Nicole Lee is affiliated to the University of British Columbia, Canada.