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E-raamat: Whiteness and the Visual Appropriation of Race in 1980s Britain

(Northeastern University College of Arts Media and Design, USA)
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This volume delves into the complex topic of race relations in 1980s Britain by examining the concept of ‘whiteness’ and how it was portrayed visually in popular art and mass media.



This volume delves into the complex topic of race relations in 1980s Britain by examining the concept of ‘whiteness’ and how it was portrayed visually in popular art and mass media.

Chapters explore pivotal moments in which the appropriation of race occurred during this critical decade as they relate to the nation's evolving postcolonial identity. This book analyses pivotal cultural moments in print media, fashion, film, television, music video, art, and live events that exemplify how race, gender and sexuality became operative in the way Britain imagined itself in this crucial decade. It contends that the lens of its former colonial empire played a significant role in shaping Britain's self-image throughout the 1980s despite its appearance as a postcolonial and multicultural nation.

The book will be of interest to scholars working in art history, visual culture, media studies, cultural studies, and critical race theory.

List of Figures

Preface: The Jouney from Visual Appropriation towards Racialised Whiteness in
1980s Britain



Introduction: The Way We Weren't: Whiteness and the Representational
Extension of Colonial Legacies





Withstand and Deliver: Colonial Nostalgia in the Manufacture of New
Romantics





Born in London: The Face Magazine and the Birth of Racial Consciousness in
British Youth Culture





We Are the World: Britannia Rules Live Aid





Of Thin White Dukes and Little China Girls: The Orientalism of the British
New Wave





White Mischief: Colonial Melancholia in Art





Conclusion: The Way Forward Is Often the Way Back (Brexit Edition)
Stephanie Polsky is a Visiting Assistant Professor of Social Sciences and Cultural Studies at Pratt Institute.
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