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E-raamat: William Morris' Position between Art and Politics

  • Formaat: 260 pages
  • Ilmumisaeg: 23-Jun-2017
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443873710
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  • Formaat: 260 pages
  • Ilmumisaeg: 23-Jun-2017
  • Kirjastus: Cambridge Scholars Publishing
  • ISBN-13: 9781443873710

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This volume re-evaluates the position of William Morris regarding contemporary perspectives on his artistic and political endeavours. Special emphasis is placed on the concepts and territories that lie in-between, both literally and metaphorically. This "in-between-ess" is the most remarkable quality of Morris, and secures him a unique position among his contemporaries, as well as inspiring new generations of scholars. Paradoxically, however, this aspect also contributes to a certain marginalization of Morris in studies devoted to "Eminent Victorians". Instead of speaking of ruptures, gaps or lacunas, the point of view adopted here explores the undefined terrenes situated between art and politics, viewing them as vantage points and departure planes which cement Morris's universe. At the same time, the book also argues that this universe has always existed in its specific shape and form, while the "poetic upholster", as Morris was ironically labelled, only discovered and explored different points on the map of a space that could have no limits and boundaries.The book offers new insights and avenues to supplement existing scholarship on Morris, including spatiotemporal aspects of his work and the relationship between art and politics.
Acknowledgements viii
Introduction 1(29)
Objectives and methodological approaches: specifications
2(3)
The Morrisean universe
5(11)
The interrelation between art, nature, and politics: an excursus
12(4)
Critical assessment of studies devoted to William Morris
16(2)
Biographical perspectives
18(12)
Morris in context of Utopian studies
21(1)
Approaches towards Morris' art and politics
22(8)
Part One
Chapter One Art
30(53)
Specifications of the Victorian Age
30(5)
William Morris and the Victorian age
35(6)
William Morris' response to Victorian art theories and aesthetic systems
41(9)
William Morris and Victorian art movements
50(29)
Victorian medievalism
52(18)
Pre-Raphaelitism
70(9)
William Morris' approach to the Aesthetic Movement
79(4)
Chapter Two Politics
83(49)
William Morris' Exposure to Victorian Political Philosophies and Ideologies
83(4)
Political Theory and Ideological Frameworks
87(10)
Liberalism and Conservatism
87(5)
Racism and Racialism in context of British supremacy
92(5)
British Socialism
97(17)
Pre- and Proto-socialist Movements
97(4)
Trade Unionism, Chartism, Owenism, Christian Socialism
101(6)
The Fabian Society: Link between British Socialism and Marxism
107(4)
Early Marxist Movements in Great Britain
111(1)
Tab. 2-1 Socialist movements in Great Britain (ca. 1870--1900)
112(2)
Morris' Definition(s) of Politics
114(2)
Social and Political Implications in Morris' approach to Art in the Pre-socialist Phase
116(16)
The Gothic Revival as the Point of Convergence
118(5)
The Firm, Arts and Crafts Movement, Society for the Protection of Ancient Buildings
123(9)
Part Two
Chapter Three From Art to Politics
132(36)
The art/politics issue in the pre-Socialist Morris
132(6)
Two models of Morris' transition from art to politics
138(30)
The evolutionary model
139(1)
"The Shadows of Amiens" (1856)
140(8)
Implications of social criticism: The Earthly Paradise (1868--1870) and The Life and Death of Jason (1867)
148(4)
Breaking point: translations from the Sagas (1869--1875) and the Icelandic Journals (1871, 1873)
152(14)
The revolutionary model
166(2)
Chapter Four Politics Over Art?
168(30)
Introductory remarks
168(2)
Critical evaluation of Morris' socialism
170(6)
Morris' lectures on art from the socialist period: "politicised art" or "aestheticized politics"?
176(22)
Morris' socialist awareness from linguistic perspective
188(10)
Chapter Five Beyond Art and Politics
198(27)
News from Nowhere as a transdiscursive narrative
198(4)
The narrative structure in context of Morris' views on art and politics
202(2)
The narrative voice as purposeful replication
202(1)
Narrative frame(s): main storyline vs. added discourse
203(1)
Conceptual and/or generic classification of News from Nowhere
204(5)
News from Nowhere as a romance
207(2)
Arcadian elements in News from Nowhere
209(1)
News from Nowhere: a political Utopia without politics
209(10)
News from Nowhere and the Earthly Paradise concept
209(7)
News from Nowhere as an advanced socialist Utopia
216(3)
(Anti-) Ideology: the narrative as a circumvention
219(3)
The narrative's reflections on language and socialist consciousness
221(1)
News from Nowhere as a transdiscursive exposition of the Morrisean Universe
222(3)
Conclusion
225(7)
The process of (creative) production
225(3)
Points of convergence (Chapters three, four)
228(1)
Conceptions of time (Chapters four, five)
228(1)
Linguistic aspects (Chapter three, four, five)
229(3)
Epilogue 232(3)
Works Cited 235(12)
Index of Names 247
Grzegorz Zinkiewicz is an Assistant Professor in the British and Commonwealth Studies Department at the University of Lodz, Poland. Although he specializes in literary studies, particularly literary theory, his interests include other fields such as utopia and dystopia, art history, philosophy, film theory, and regional politics. He has written papers on, among others, William Morris, Polish rock bands of the 1980s, and British socialism at the end of the 19th century with regard to the British Empire. Additionally, he co-wrote and directed two plays staged by amateur theatre companies in 2010 and 2016.