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Examining letter collections published in the second half of the nineteenth century, Catherine Delafield rereads the life-writing of Frances Burney, Charlotte Brontë, Mary Delany, Catherine Winkworth, Jane Austen and George Eliot, situating these women in their epistolary culture and in relation to one another as exemplary women of the period. She traces the role of their editors in the publishing process and considers how a model of representation in letters emerged from the publication of Burneys Diary and Letters and Elizabeth Gaskells Life of Brontë. Delafield contends that new correspondences emerge between editors/biographers and their biographical subjects, and that the original epistolary pact was remade in collaboration with family memorials in private and with reviewers in public. Womens Letters as Life Writing addresses issues of survival and choice when an archive passes into family hands, tracing the means by which womens lives came to be written and rewritten in letters in the nineteenth century.
Introduction Rereading Letters as Life Writing

Chapter 1 Womens Letters Becoming Life Writing

Chapter 2 The Diary and Letters of Madame DArblay (184246): Womens Life
Writing and Family Considerations

Chapter 3 The Life of Charlotte Brontë (1857): Family Considerations and the
Written Life

Chapter 4 Autobiography and Correspondence of Mary Granville, Mrs Delany
(186162): The Family Letter Collection

Chapter 5 Letters and Memorials of Catherine Winkworth (1883 and 1886): A
Life in Translation.

Chapter 6 Letters of Jane Austen (1884): The Family Record

Chapter 7 George Eliots Life (1885): Letters as Life Writing and the
Response to Biography

Chapter 8

& Appendix Letters as Life Writing: Hidden Lives and Afterlives
Catherine Delafield is an independent scholar based in Devon. She is the author of Womens Diaries as Narrative in the Nineteenth-Century Novel (2009) and Serialization and the Novel in Mid-Victorian Magazines (2015). She has also published articles on life writing and serialisation.