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E-raamat: Work of Terrence Malick: Time-Based Ecocinema

  • Formaat: PDF+DRM
  • Sari: Film Culture in Transition
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040773321
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  • Formaat: PDF+DRM
  • Sari: Film Culture in Transition
  • Ilmumisaeg: 01-Oct-2025
  • Kirjastus: Amsterdam University Press
  • Keel: eng
  • ISBN-13: 9781040773321

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The work of Terrence Malick: Time-Based Ecocinema develops a timely ecocinema approach to film analysis illuminated by Benjamin's notion of the turn of time. Current work on Malick's films emphasizes the spatial dynamics of his cinema, particularly as it pertains, from within a phenomenological framework, to the viewer's experience of films. This book redirects scholarly attention to the way Malick's directorial work shapes time and duration, laying new groundwork for the analysis of how films unsettle nature-culture binaries in modernity. The study performs this intervention through a rigorous engagement with Walter Benjamin's work on time, violence and technologies and the emergent figural approach to aesthetics in film studies. Each of these methods has important precedents in film studies and other fields. The combination of methods performed in this book contributes to understanding the relevance of a time-based approach to Malick's films and the practical implications of a time-based relation to history in contemporary ecocinema discourses.

Arvustused

Blasi's thesis is that Malick's body of work articulates a radical shift in traditional human relations to time, nature, and technology in the twenty-first century. -Raphaëlle Costa de Beauregard Kronoscope , issue 24, 2024

Acknowledgments 9(2)
Introduction 11(38)
Framing Nature and History in Malick Scholarship
13(5)
Ecocritical Film Studies and the Problem of Space
18(3)
The Figural Approach to Analysis in Film Studies
21(9)
Benjamin's Concept of Time in Film Studies
30(8)
Terrence Malick's Work: Time-Based Ecocinema
38(3)
Works Cited
41(8)
1 From Myth, Tragedy and Narrative to Allegory, Trauerspiel and Film in Badlands and Days of Heaven
49(28)
Symbolic and Allegorical Nature in Badlands
51(4)
Tragedy and Trauerspiel in Days of Heaven
55(5)
Prehistory and Second Technologies in Badlands and Days of Heaven
60(6)
The Blue Flower in the Land of Technology: Splinters of Messianic Time in Badlands and Days of Heaven
66(4)
Conclusion: from Mythic to Figural Temporal Relations in Films
70(3)
Works Cited
73(4)
2 Time and History in The Thin Red Line and The New World
77(28)
The Thin Red Line Between Historical and Mechanical Nature
80(3)
Critiquing Violence in Nature and History
83(4)
Timidity and Courage in The Thin Red Line and The New World
87(3)
Camera Work as Pure Mediality
90(8)
Conclusion: Time-Based Phenomenology
98(2)
Works Cited
100(5)
3 Looking at Evolutionary Narratives in The Tree of Life and Voyage of Time
105(24)
Replaying Life's Tape? Competing Mythological Narratives in Malick's The Tree of Life and Voyage of Time
107(7)
Reconfiguring Modern Aesthetics in Evolutionary Narratives
114(4)
Figural Space beyond Idealism and Nihilism
118(1)
Materialist Theology in The Tree of Life and Voyage of Time: Life's Journey
119(4)
Conclusion: Counterfactual Histories in Evolutionary Narratives
123(2)
Works Cited
125(4)
4 The Wastelands of Progress in To the Wonder, Knight of Cups and Song to Song
129(26)
The End of Teleological Time in To the Wonder
133(5)
The Pilgrim's Progress in Knight of Cups
138(5)
Twenty-First Century's Histories and Technologies in Song to Song
143(4)
Contemporary Ecocinema in Song to Song
147(2)
Conclusion: Finite Freedom and Materialist Theology in Ecocinema
149(3)
Works Cited
152(3)
Conclusion 155(4)
Bibliography 159(14)
About the Author 173(2)
Index 175
Gabriella Blasi teaches and researches at Griffith University as Adjunct in the Centre for Social and Cultural Research. Her research and academic publications consistently focus on the complexities of nature-culture relations in contemporary culture and cinema.