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E-raamat: Writing Space: Computers, Hypertext, and the Remediation of Print

  • Formaat: 248 pages
  • Ilmumisaeg: 01-Jan-2001
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135679583
  • Formaat - PDF+DRM
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  • Formaat: 248 pages
  • Ilmumisaeg: 01-Jan-2001
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781135679583

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When Bolter (Georgia Institute of Technology) finished the first edition in the early 1990s, the World Wide Web was only a couple years old and was still used primarily by research centers and universities. Changes in the technology, the use of it, and the perception of it has convinced him to shift the focus of the second edition to show how hypertext and other forms of electronic writing refashion the forms and genres of print. Annotation c. Book News, Inc., Portland, OR (booknews.com)

This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.


This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media, and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies, and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.

Arvustused

Comments on the first edition: "Bolter has provided a superbly clear, thorough, and theoretically sophisticated discussion of the computer as a medium for writing, as contextualized within the history of writing." Journal of Communication

Comments on the first edition: "This is a notable book, essential to a balanced understanding of the role played by the computer in the development of literature and thought in our time." American Scientist

Comments on the first edition: "What makes this a fascinating study is the way in which the author throughout compares and contrasts electronic writing and its tacit presuppositions with the values and strategies of earlier writing technologies." Religious Studies Review

"The second edition of Writing Space will serve as a touchstone text for readers who haven't read the first edition and perhaps would be most useful in undergraduate or graduate classes that focus on the historical context of hypertext studies." Technical Communication Quarterly

Praise for the first edition: "This book combines a deep understanding of technology and of the history of literature and culture, making it unique in depth, breadth, understanding--and therefore, unique in its importance to all of us, be we humanist, technologist, or just everyday reader." Donald Norman University of California at San Diego; author, The Design of Everyday Things

Praise for the first edition: "It may well be that Writing Space does for electronic writing what Gutenberg did for print." Brian Eno in Art Forum

Preface ix
Introduction: Writing in the Late Age of Print
1(13)
The late age of print
1(3)
The future of print
4(3)
The old and the new in digital writing
7(3)
Refashioning the voice of the text
10(2)
Refashioning the writing space
12(2)
Writing as Technology
14(13)
Writing technologies and material culture
17(4)
Economies of writing
21(6)
Hypertext and the Remediation of Print
27(20)
Word processing and topical writing
29(3)
Hypertext
32(4)
Writing as construction
36(2)
Global hypertext
38(2)
Hypertext as remediation
40(4)
The old and the new in hypertext
44(3)
The Breakout of the Visual
47(30)
The image and the printed page
49(3)
Visual metaphors
52(4)
Ekphrasis
56(3)
Picture writing
59(2)
Electronic picture writing
61(5)
The electronic page
66(11)
The Electronic Book
77(22)
The changing idea of the book
77(4)
Great books
81(2)
Encyclopedic order
83(4)
The electronic encyclopedia
87(4)
The library as a writing space
91(8)
Refashioned Dialogues
99(22)
The reading path
99(5)
From dialogue to essay to Web page
104(3)
The end of the line?
107(4)
The hypertextual essay?
111(2)
Educational dialogue
113(4)
Multiple dialogues
117(4)
Interactive Fiction
121(40)
``afternoon''
124(4)
The rhetoric of the multilinear
128(2)
Displacement and repetition in ``Victory Garden''
130(7)
Disrupting the linear
137(1)
The tradition of experiment
138(2)
Sterne and the novel as conversation
140(2)
James Joyce as hypertext
142(3)
Borges and exhaustion in print
145(3)
Composition No. 1
148(2)
Multiple reading and writing
150(3)
Digital poetry and performative texts
153(2)
Hypermedia: popular and avant-garde
155(6)
Critical Theory in a New Writing Space
161(28)
Writing technologies and the literary critical tradition
162(3)
The end of authority
165(5)
Hypertext and poststructuralism
170(1)
Reader response and the architecture of hypertext
171(5)
Electronic signs
176(3)
Deconstruction and electronic writing
179(4)
New convergences and popular forms
183(1)
Looking at and looking through
184(2)
The practice of theory
186(3)
Writing the Self
189(14)
Writing as analysis
190(3)
Writing the Cartesian mind
193(3)
Hypertext and the Cartesian ego
196(1)
Electronic writing and the postmodern self
197(3)
The materiality of the electronic self
200(3)
Writing Culture
203(11)
The network culture
203(2)
Cultural unity
205(3)
The remediation of culture
208(6)
The Web Site
214(1)
References 215(10)
Index 225
Jay David Bolter