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What Makes This Book Different. |
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Action Verbs as a Method of Elaboration. |
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Adjectives as a Method of Elaboration. |
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Adverbs as a Method of Elaboration: Practice #1. |
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Adverbs as a Method of Elaboration: Practice #2. |
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Application and Synthesis. |
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Assessing Prompts: Determining Mode of Writing. |
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Autobiographical Collage. |
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Brainstorming: Web Subpoints. |
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Characterization: Actions. |
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Characterization: Contrasting Actions. |
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Characterization: Appearance. |
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Characterization: Environment. |
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Characterization: Inner Thoughts and Feelings (First Person). |
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Characterization: Inner Thoughts and Feelings (Third Person Omniscient). |
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Characterization: Speech. |
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Characterization: What Others Say. |
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Commas (Individualized Practice #1). |
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Commas (Individualized Practice #2). |
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Comparison/Contrast Essay (Introduction). |
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Comparison/Contrast Essay (First Body: First Part of Contrast/Comparison of Actions). |
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Comparison/Contrast Essay (First Body: Second Part of Contrast/Comparison of Actions). |
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Comparison/Contrast (Second Body). |
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Comparison/Contrast Essay (Third Body). |
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Comparison/Contrast Essay (Conclusion). |
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Connotation or Denotation. |
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Definition as a Method of Elaboration. |
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Definitions: Specialized. |
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Description as a Method of Elaboration. |
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Descriptive Essay (Introduction). |
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Descriptive Essay (First Body). |
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Descriptive Essay (Second Body). |
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Descriptive Essay (Third Body). |
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Descriptive Essay (Conclusion). |
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Dialogue as a Method of Elaboration. |
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Editing for Grammar Mistakes. |
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Elaboration: Examples and Explanation as a Method. |
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Elaboration: Researchable Fact as a Method. |
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Expository Writing (Introduction). |
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Expository Writing (First Body). |
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Expository Writing (Second Body). |
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Expository Writing (Third Body). |
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Expository Writing (Conclusion). |
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Extended Metaphor (Part #1). |
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Extended Metaphor (Part #2). |
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Famous Quotations Blending into Author's Own Words. |
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Famous Quotations as Methods of Elaboration. |
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Famous Quotations (Top Ten). |
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Figurative Language Fill-Ins. |
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Friendly Letter (Heading, Salutation, Introduction). |
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Friendly Letter (Body, Part #1). |
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Friendly Letter (Body, Part #2). |
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Full-Circle Ending in Narratives and Quick Writes. |
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Full-Circle Ending in Free Verse Poems. |
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How-To or Process Writing (Introduction). |
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How-To or Process Writing (First Body). |
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How-To or Process Writing (Second Body). |
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How-To or Process Writing (Third Body). |
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How-To or Process Writing (Conclusion). |
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Interview Questions (Get-Acquainted Exercise). |
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Literary Analysis (Introduction). |
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Literary Analysis (First Body). |
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Literary Analysis (Second Body). |
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Literary Analysis (Third Body). |
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Literary Analysis (Conclusion). |
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Magic Three as a Method of Elaboration and Voice. |
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Mood Prediction (Part #2). |
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Narrative (Setting, Characters, Conflict). |
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Narrative (Furthering Conflict in Rising Action). |
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Narrative (Introduction of Second Conflict and More Insight into Characters). |
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Narrative (Characters’ Reaction to Conflict). |
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Narrative (Introduction of Minor Character and Continued Conflict). |
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Narrative (Climax and Falling Action). |
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Open-Ended Question (""The Physicians of Trinidad""). |
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Pathetic Fallacy (Part #1). |
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Pathetic Fallacy (Part #2). |
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Personalizing Current Events: Turning Nonfiction into Fiction. |
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Persuasive Writing (Introduction). |
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Persuasive Writing (First Body). |
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Persuasive Writing (Second Body). |
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Persuasive Writing (Third Body). |
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Persuasive Writing (Conclusion). |
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Picture Prompt Rubric: Student-Interactive (Beginning). |
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Picture Prompt Rubric: Student-Interactive (Details). |
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Picture Prompt Rubric: Student-Interactive (Editing). |
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Point of View: Omniscient. |
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Repetition for Effect: One Trick for Voice (From Excerpt of Short Story). |
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Repetition for Effect (Sentence Practice). |
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Science Fiction (Setting and Characters). |
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Science Fiction (Unfolding of Plot: Rising Action #2). |
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Science Fiction (Establishing Conflict: Rising Action Introducing Conflict). |
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Science Fiction (Establishing Connection Between Characters). |
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Science Fiction (Plan Purposed: Plan of Action Revealed). |
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Science Fiction (Rising Action Leading to Climax). |
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Science Fiction (Climax and Falling Action). |
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Sensory Images as a Method of Elaboration (Sight). |
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Sentence Variety: Sentence Combining (Noun Absolutes). |
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Sentence Variety: Noun Absolutes Practice. |
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Sentence Variety: Sentence Combining (Participial Phrase). |
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Sentence Variety: Participial Phrase Practice. |
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Sentence Variety: Sentence Combining (Adverb Clause). |
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Sentence Variety: Adverb Clause Practice. |
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Sentence Variety: Sentence Combining (Adjective Clause). |
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Sentence Variety: Adjective Clause Practice. |
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Similes as Methods of Voice in a Paragraph. |
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Similes as Practice in Developing Voice. |
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Structure Rubric for One-Paragraph Essay. |
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Subjunctive Mood of Verbs. |
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Theme: Building Themes into Essays. |
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Themes: Works Built Around a Theme. |
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Transitions: More Sophisticated Methods (Persuasive Essay). |
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Transitions: More Sophisticated Methods (Expository Essay). |
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Vocabulary: I Don't Think So. |
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